Releases from artist / Veröffentlichungen von : Roberto Bosco

roberto bosco, head honcho of the renowned last drop records & sonorous waves, joins the kontakt label family with this extraordinary detroit dub influenced three tracker. strong melodies and funky stabs set new standards. limited coloured vinyl.

roberto bosco is back with the second episode of il crononauta. the journey continue through the time and space.

hypnotic ambient music

with a discography that includes releases on night vision, be as one imprint, applied rhythmic technology (art) and francois ks wave music, roberto bosco commands a certain level of respect. here bosco surfaces on balance with introspective, a project that engages more explicitly with the styles and signifiers of tech house than the italians previous work.

at the end of the 90s a few friends united by love for music used to meet in an underground place dubbed last drop where they collected vinyl sharing music. our music comes from our souls and for us the music is the universal language of any hearts. last drop records born from the need of spread our concept to make music connecting with the universe ... music is connection.

part 1 of 2, slamming detroit techno

part 2 of 2, slamming detroit techno

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

next up on falkplatz we chose one of italys most talented and uprising producers for contemporary dance music. roberto bosco from salerno. bosco already released on francois ks wave music, on orlando voorns night vision and is currently preparing his first full length for len fakis figure label. beside that he founded his own imprint flying donkey music together with claudio mate. for falkplatz roberto produced two tracks, that catch the ears of housefanatics (good lover) as well as the hearts of the technolunatics (untitled). remixes this time come from panorama bar resident steffi, who gave the original a touch of oldschool and sadness and from the falkplatz conspiracy (oliver deutschmann & ed davenport) who mixed a crafty acid influenced warehouse banger out of the original.

roberto bosco is a young italian producer with a short but highly impressive discography, citing labels such as samuel l. sessions klap klap, orlando voorns night vision and len fakis figure. lately, he has released on be as one, an israeli imprint thats attracted the tastes of loco dice, gui boratto, kate simko, agoria and gummihz. claudio mate has an unique kind of sound: there is something like classic atmospheres expressed into new spine-tingle grooves, a deep-cosmic-solid journey or more simply just the trip of his life story. claudio mate got the respect of such names like the godfather of techno music juan atkins (for him claudio remixed >game one< previously licensed on the legendary metroplex), orlando voorn, francois k, derrick may and manuel gottsching. the swedish techno heads like adam beyer, samuel l session, joel mull always supported him since the first projects. mate & bosco together are abstract souls, a new project set up to develop their deepest sound. >abstract souls ep< is their first release under their new moniker and contains 4 deep techno tracks, solid techno grooves infused with dark dubby atmospherics and cosmic influenced rhythms.

snapshot records are back with the long awaited remixes of roberto boscos >hong kong<. rising star bosco previously releasing on wave and figure records hits us with his title track twisting and turning into an uplifting dancefloor-friendly chord-driven essential deep techno cut. claudio mates remix keeps it deep and emotional unfolding his raw groove style, flipping the 12 over label head elliott dodge moves straight to the floor with a rolling sparkle of enjoyment, layering sounds that hook and lock you in for the ride. rennie fosters mix has to be one of his best tech-house remixes of his career, mixing his signature sound and taking boscos original to a whole new level. all in all, four serious tracks that will find themselves hitting the floors for along time coming.

after his last storming ep on figure spc, young italian talent roberto bosco comes to figure with a new four track masterclass in rumbling, earth-shaking and proudly contemporary techno. berlin music city features the mysterious vocals of coppa, who leads us into the break of this heavyweight track with his deep dub-step flavoured drawl. funky, ecstatic and characterised by bosco s raw and crisp sound.more bass pressure awaits with sci-fi . a tough, sub-diven punch greets us from the outset, allowing a freaky array of static fx, tripping synths and meandering chimes to lead us on through a strange, imaginary city. suitably tough, crunching and close to the bone, no time combines bosco s clear love of tectonic beats with uplifting, dj-friendly arrangements. a devilish hook emerges from the smoke and steam, leading to a dramatic conclusionà. finally the industrial clatter of >after berlin< stirs up a rich dub-techno display in this surging, lively and essential addition to the package!

roberto bosco is becoming a household name these days in electronic music. he burst on to the scene with a remix of juan atkins classic >game one< in 2007 on orlando voorns nightvision records. since then, hes gone on to get praise from françois k, who has regarded robertos music as having an effortless quality. an almost dazzling sense of ease that masks a very strong foundation. a depth and musical maturity that belies his young age. this penned him to his >my universe< ep release on wave music earlier this year. now, mr. bosco has outdone himself with this 2 tracker ep release for minimalsoul recordings. simply put, its a timeless journey into the new sound of electronic music as we know it today. >biosphere ep< is a diamond in the rough and a positive input to quality underground electronic music!

francois ks wave music returns to the fore with a new ep from rising star roberto bosco and in so doing takes a further step into the world of deep, dubby and sonically spacious techno. bosco is still in his early twenties but in his short career to date has already developed a stellar recording cv with releases for samuel l. sessions klap klap, orlando voorns night vision, len fakis figure and shlomi abers be as one as well as remixes for the likes of juan atkins infiniti project.
already support by laurent garnier, stacey pullen, agoria, slam, brendon moeller, terry francis, xpansul, darren emerson, marco bailey, lars klein

big with: ben klock, brendon moeller, alan fitzpatrick, pär grindvik, chris liebing, anja schneider, orde meikle, deetron, a. mochi, adam beyer, samuel l session, joris voorn,.. the respected italian producer roberto bosco pushes the blurry boundaries of club techno with this edgy, agile and highly functional 4-tracker on figure spc. letting the games begin straight away with one, a bass-loaded pumping groove leads the action as we step into a cavernous hall resonating with classic techno hypnotism. careful arrangement tweaks, jacking, sharp percussion and knee-trembling sub-frequencies are all present in this well-defined peak time treat for the floor. the twisting, freaking opening bars of circle dub quickly evolve into a strange but beautiful beast, utilising boscos trademark solid drum array, but also a drifting, dubbed out scattering of synth lines, taking the focus from our heads to our hearts. super-pumped and primed for warehous sessions everywhere, the title of the b1 track club sums it up perfectly

italian techno-soul promise roberto bosco has been getting the attention of many legendary artists lately. after his first works for orlando voorn and samuel l. sessionÆs labels, his talent has been soon recognized by be as one, signing his ep ôthe way is always the same , a two tracker of old school flavoured techno. the way is always the same is a stab-driven techno tune with a straight groove and an uplifiting vibe, perfect for those carefree dancing moments. already road tested by a few lucky ones.on the flipside, the slow paced dub piano is a deep number of pure emotionally-driven music, crossing boundaries between dub, house and techno. a wrapping heatwave which will warm up hearts and souls at every airplay

finest deep groovin timeless dub techno

mowar enters autumn with the 2nd instalment of deep floors, once again exploring the deeper grooves of techno. first up is ohios fbk, whose first release already goes back to 1996 on the legendary frictional records. with she brought me there fbk opens the dance with a solid deep dancefloor groover, driven by a hypnotic hook and infectious chords. stripped down and yet full of atmosphere. after that uks tom dicicco and italys roberto bosco team up to deliver all dem, another stripped affair with rolling drums and chord stabs, a solid blend of deep hypnotic layers of groove. on the flipside we find spains aiken with a strong detroit-infused workout, in-your-face kick drums, jacking rhythms and dramatic strings. your turntables will love it. last but not least, a new belgian upcoming producer stevie p delivers a dubbed out functional deep techno track with hip-sensitive chord stabs and a fiercely throbbing rhythm.