yellow coloured vinyl.

infiltrate welcomes obergman. electronic masterpiece!

new years deal - ca2+ first appeared on last years compilation scandinavian swords ii and gait cycle ep further showcase excellent, sterile and cerebral noise rhythms from this upcoming stockholm producer.

stockholms dungeon acid returns with one of the strangest, nastiest acid records to date.carnal knowledge is caveman techno, one chord hammered with hypnotic precision, a two-note acid line adding an air of polyrhythmic mystery. the heavily processed sounds of copulation comprise the bulk of the atmosphere, the whole thing feeling like an alien, updated version of lil louiss immortal french kiss. the instrumental version is a slightly swingin’ variation on the same theme. dungeon acid principal jean-louis huhta is known for editing the sweetest parts from his hardware enduro-jams. the bonus beats title for b2 is a bit of a misnomer in fact, these are the sounds of mutant, futuristic lovemaking in all their glory, perfect for sexing up otherwise sterile dance music. get some!

docile recordings is an independent artist label that chooses to follow its own identity. docile works to describe the beauty of our existence and depths of our depravity. these tracks represent a struggle to preserve a time and place into the grooves of the only medium that can accurately display our craft. docile is vision kept alive by good will and loyal service. docile recordings number twenty five starts with a soulful bop stumbling around nonsense words that form rhythm in an upbeat minimal jam. track two spirits a moving melody through random digitals and walls of harmonic hypnotics. track three has a childlike appeal with its cheap keyboard and boisterous synth knocking an easy melody through moments of naive transcendence. track four lumbers with a simple sterile funk thats pulled along by a masochistic chant. the names of these tracks are listed below.

medical records presents the debut full length release of kline coma xero. a self-titled lp influenced largely by the sterile and isolated iconography of authors such as philip k. dick, william gibson and jg ballard (from whence the bands name is derived)

ambareesh invites you into a paradoxical fusion of murky sound that pushes boundaries beyond banality. the juxtaposed *emotionless sensitivity* penetrates the senses creating a canal for deep sensitivity that runs contrary to indifference. between the rugged, jagged appearance lay the intricate essence of hidden quality as tracks reveal provoking denotation. *illusion* reveals the deep trudging that cuts through the whipping vibe. *bipolar nervous system* brings a sense of suffocation as the tormenting tandem of fragmented sound haunts the solar plexus. *walking through sand dunes* is a carefully constructed piece, stimulating successive pulsation as frightful ambience permeates. virile, cagey crawling sensations infuse as ambareesh concludes with *dehydrated*, a hollow, sterile piece of synthetic techno. this second ep by ambareesh on amba amba records is truly a careful union of tumultuous sound, provoking rowdy sensation that stimulates visceral response.

3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

pascal pinkert aka dollkraut is a unique specimen in todays world of clean and sterile music production. the dutch producer is best described as an analogue sound wizard with a golden touch for pop moments. his music often sounds like a past that was more beautiful, more broken and more glimmering than it actually was. dollkraut dares to sound like no one else, cinematic and glamorous, rough and haunting. his tracks are driven by a deep love for old lo-fi fuelled recordings,70s space age synths and john barry or ennio morricone fuzziness galore.

continuing the exploration of bristol 4/4 variants, immerse proudly offers forth this decisive two-tracker from the prodigious mind of jacob martin, better know as hodge. you might be more familiar with hodge from his work as part of outboxx, who we proudly debuted on ime025. that said, he first surfaced last year with the deadly conjecture on another fine bristol institution, pollen. one thing rings true in any of the output hodge is associated with, melody. shirking the safety of sterile mechanics that so many producers hide behind, he tackles interplaying notes and harmonies with a fearless exuberance. opening track the fall kicks off on a jerky groove and ice-cold organ murmurs, gently easing in layers and clips of sound with the same joie de vivre as akufen and other micro-house progenitors. ‘crush’ kicks off on a more decidedly broken tip, keeping the twostep shuffle slow and easy as whispers of garage skip in between the warm pads. the overriding vibe on hodge’s ep is one of unpretentious, good times tunage.

dachshund is a living example of a musician who doesnt take himself too seriously: his lively productions, where his passion for experimentation in rhythm and sound are clearly evident, stand out as a welcome departure from the sterile work of so many other heads in the scene. besides humor, an easy-going jamaican feeling characterizes his sets and tracks: the swiss dj, producer and label owner has his musical roots in reggae, which he has followed all the way to the sunny caribbean. no wonder then, that we can hear the dub influence in his current musical output. true to form, dachshund presents his latest release on the berlin record label, highgrade records, where the beats will blister through the speakers in unexpected combinations and grooves. around every corner there seems to lurk a new mad idea or sound sequence from dachshund, who leads his listeners equally as he misleads them on the dancefloor. with a sly musical wink, he offers us three tracks >shall we<, >soul free< and >tell me< produced with sophistication and elegance. these tunes switch almost imperceptibly into a grooving mind-trip that perfectly fits the title of the ep. this is the equivalent of a relaxing invitation to dance: >shall we<? … but, of course!

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

skat, the paris underground groove machine, the ever banging and so respectably personal sounding producer is onboard with us at sthlmaudio! mais oui!!! fred aubourg a.k.a. skat made his first musical education in the early 80s in rouen by listening his father during his radio show. hidden behind the mixer, he discovers artists and musical styles which would soon become essential for him, and would naturally lead him towards house, hip house and hip hop as well. he will then build his first loops with a k7 recorder in the mid 80s... skat comes here with a deliberately house ep. and it makes us all happy, because weare tired of the sterile, tired of the clicks with micro kicks

mos ferrys sublabel fenou returns after a one year break with a new limited 10 vinyl edition. the first releases realize collectors price and show a path to a universe of experimental, minimal pop. dapayks >dehalledretro< is probably known as part of his liveset. the calm and reduced, but groovy track emerged from a bunch of loops hes playing with during his performances. its a proof that shows, minimal is not always made of clean, sterile sounds and dry wood-like tones. dredl kiboshs flipside >i found you< is spinning around broken beats and intelligent grooves, beyond the klikkaklakka standards. its a link between four-to-the-floor and downtempo-breakbeat, very soulful