reissue, crystal red coloured vinyl

into the light is launching a parallel and limited series with contemporary material from both greek and international artists. first stop is the album postclub prism by the german producer cass. offering ten gorgeous ambient pieces about light and romance. since 2012, niklas rehme-schlüter aka cass. has released albums of varying styles, from the rather organic and loop based ambient pieces on loops & farewell sketches and the red atlantic ep on throne of blood in 2017, influenced by 80s pop sonics, to the more balearic and percussive recordings on the sound of glades together with wolf müller in 2016. on his new record postclub prism cass. explores his affinity to calm and atmospheric ambient music at the threshold to the reverberant sound of club music.

das album von 2013 jetzt erhältlich als ltd. edition gatefold lp! record kicks präsentiert das neue album der italian soundtrack funkateers calibro 35! es gibt eine sache, die können italiener besser als andere, nämlich funky soundtracks. quentin tarantino weiß das am besten: soundtracks italienischer spielfilme der 60er und 70er sind beliebt. calibro 35 macht mit der musik, was tarantino mit filmen macht sie leihen sich, was sie lieben und machen ihr eigenes ding daraus, oder wie das rolling stone magazine sagen würde calibro 35 sind die faszinierendste retro-maniac und authentischste sache, die italien in den letzten jahren zugestoßen ist. the budos band trifft auf morricone.

(180gr) token welcomes new blood. antigone debutes with the cantor dust ep, a 2x12 that showcases his musical versitality,from spacial electronica over detroit-inspired grooves to rasping mechanical techno with booming low-end and grinding drones.

italian soundtrack funk that sounds like goblin recording at stax! (wax poetics magazine)
record kicks proudly presents the new album by italian soundtrack funkateers calibro 35! there is one thing that italians do better than others, funky soundtracks. quentin tarantino knows best: soundtracks from italian movies of the 60s and the 70s are the thing! calibro 35 does with music what tarantino does with films. they borrow what they love and they make it their own. with rolling stone magazine words *calibro 35 are the most fascinating, retro-maniac and genuine thing, that happened to italy in the last years*, think at the budos band that meets morricone.

next up is the highly anticipated second release on graphene.. enter into a future prophecy world, where the stark realization of armageddon is foretold in all its hell-fire glory. solenoid is the narrator and observer of a planet controlled and afflicted. the future of the humanoids is about to concede to a terrifying conclusion. prepare to be sucked into a repressive nightmare. first up colony is a carved slice of visionary purgatory. distorted pads swirl in whirlwinds of vortex like cylinders. its a piece of perfectly crafted technoid mayhem. on the flip feathermen begs the questions who are they what will they do what is their mission all remains unanswered, except to acknowledge that a vile plan is at work. it s an hypnotic trip that eerily changes with every play. the main riff attacks your cranium with subtle but deadly force, eating its way into your soul. shuffling rhythmic drum patterns are juxtaposed with curious bells and creeping washes. the feathermen are in control. last on the flip pandemic is the absolute realization of a contaminated world. the pathogen continues to take down more and more of the planet. steeped in urgency and despair, the spaceage break gives insight to how the world might be after the annihilation....a new beginning or a end of all ends you must decide. one thing to conclude is that however much they unleash their destruction, they can never defeat nature itself. solenoid delivers a distinctive, badass ep that additionally works sweet as a dj tool. to be continued... words livia terri played by dimi angelis (figure, smallville), obtane (synewave), ben sims (drumcode, hardgroove), perc (perc trax, clr), bcr boys (nachtstrom)..

thomas hesslers ep is the first player through crepuscular shafts & sonic subways.. beware the trail. first track - lost - cements you into a vacuum of suffocating synths that precede a poundin kick.. you are propelled into a tunnel. the bridge of the track is a course in restraint, giving way to menacing drive & looping side sticks.. siren like washes takes hold, swirling & disorientating the listener. on the flip, - 12 channel madness - best conveys the tone and atmosphere of the release. the murky darkness & pace feels inhuman to the core, but not without infectious rhythm breakdowns with flavors of old & nu skool shuffle timbres. these tracks are also - tools - that do not sacrifice on complexity. the haunting synth washes carry us through but offer no comfort. insanity & intensity reaches catharsis but never overpowers the overall mix. - berlin movement - is the final track on the ep that affirms you are still inside the tunnel. the incisive hook lines impel you to find your way out. the kick is more subdued forcing you to go with the melody until the break & bridge lapses back & the restraint builds to hypnotic frenzy. a dry, howling wind prevails.. filtered and distorted. thomas hessler succeeds in taking us through his tunnel of contradictions: alluring, menacing, emotional yet coldly detached. listen up: you might not escape !
words: livia terri

label chief guy gerber returns with a stunning 12 inch double ep on his own >supplement facts records<. all seven original mixes in this release were written and produced during the summer of 2009 and each one captures a particular aspect of this period for guy. summer time meant busy time this year! apart from touring and being based in ibiza for his weekly residence at space, guy managed to find studio time to work on his album (scheduled for 2010) and this release. my invisible romance is an intimate glance into the seemingly borderless music production world of guy gerber. whilst delivering gerbers signature production style this release also surprises with its romantic elements and as usual he teases the listener with his trademark dream-like adaptations. the inspiration for this release came from guys regular performances and majorly from the time spent on the road- as a guest artist in friends studios and from his work in >improvised studios<. >my invisible romance< is a release close to guy gerbers chest, filled with emotions and surprises- a truly intimate collection of musical works

dj mix, obwohl psytrance immer ein wenig ein nischendasein innerhalb der elektronischen musik geführt hat, ist die szene sehr gut organisiert und vernetzt und feiert sich auf zahlreichen partys und festivals. renommierte edm djs haben den goa-trend für sich entdeckt und dafür gesorgt, dass die hypnotischen sounds ein größeres publikum finden.