coloured 4lpbox incl 28 page artbook, slipmat & stickersheet

classic cuts by steve o sullivan! limited heavyweight vinyl! decks tip!

repress incoming! kaiser on key vinyl.

the new album from nas on gold coloured double vinyl, housed in a gatefold sleeve.

leipzig’s qy join r.a.n.d. muzik recordings with two deep and classy cuts pressed on 10 inch record with full cover artwork. a1 a club ready, bass heavy stomper with plenty of percussion work that always manages to maintain it’s composure. b2 is a deep and warm and dubby with plenty of swing to keep you moving.

my third week in amsterdam i found my way to a small speakeasy tucked away amongst a labyrinth of cobbled alleyways. a doorman waved me inside, a knowing smile twisted around the half-smoked blunt hanging from his lips. i made my way down crooked, narrow stairs into a dimly lit room full of patrons nodding in the haze, feet tapping in time as they smiled and sipped at green-tinged cocktails. the soft sound of glasses clinking amongst murmured conversation served to accentuate the flaw in the scene before me, there was no music. realising i d paused in the entrance long enough to draw a few amused looks from the tables nearest me, i regained my composure and headed towards the bar, pondering the mystery before me. i reached the counter as the barman was mixing a cocktail and waited, but before i could order the man turned and placed a glass in front of me, the same half smile on his lips the doorman had shown me as he nodded at a specials board listing a pistachio sour. it sounded good so i took it to an empty seat and returned to my examination of the bizarre room. as i sat down a grinning girl next to me offered a toke on her joint, and as the no indoor-smoking law was clearly being ignored here i gratefully took a careless draw. as my coughing subsided i took a deep gulp of my drink, and suddenly music flooded my ears. my jaw dropped as i raised my head to see a guy on stage mesmerising the crowd with chill beats, house music permeating the formerly silent bar. the girl with the joint smiled at my amazement. his name s sune she told me, welcome to 8 till late.

this mini-album marks a shift in emphasis for lustwerk music, with boss galcher lustwerk choosing to showcase the work of another producer for the first time. he s apparently been nurturing florida-based quavius for some time, encouraging the young producer to -experiment more- while following his instincts. it seems to have worked, because the majority of music on this debut release is top notch. it covers a lot of ground, with the a-side alone moving between r&b-inspired hip-house (-love the way-), hip-hop (-magic man-), woozy electronica (-r n v-) and spacey deep house (-composure-). there s naturally plenty more to enjoy on the flipside, too, from the old school deep hip-hop bump of -m 320-, to the crunk-tinged, cut-up goodness of closer -can i be-.

after a spot of chronological chaos last time out, nado regain their numerical composure with a sumptuous four tracker from new york renaissance man quinn lamont luke (bing ji ling) loose and limber after a chakra aligning cover of loose ends for phantom island last summer, the paqua frontman brings his linen suit and boat shoes to the good ship nado, joining moonboots and boardman for a relaxed session of horizontal dancing. taking a pleasant vacation from his trademark blue eyed soul, qll packs up the mic and lets the music do the talking, treating us to a dreamy quartet of instrumental grooves.

le tchadien, originally released in 2008 on mr raoul ks critically acclaimed 12inch himalaya, gets the doublek (mr raoul k & kaito) treatment. while the original track was a rather short and lush piece of afro-funk fuelled house, the reprise explores some whole new territories. soon after the relaxing intro the track takes a sharp turn that leads listeners and dancers into foggy darkness. but instead losing itself and all hope, doublek show that there is light and hope even behind the darkest shadows. its all about keeping your composure and keeping your head up. as a special gift for the creative djs out there, the flipside contains a beatless reprise, ready to be blended with your favorite beats. enjoy your vinyl.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

the rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenals 98 fa cup winning side. the nigel winterburn of the release is coyotes without the e, a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles. aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust, while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder, an ebm and industrious dancefloor workout.

the catalog of pink stallone & joey washington singles continues with the arguable gem of their collaborative sessions, mine. the second daniele b & eddie mars co-production, mine exhibits the steady progression of the stallone sludge-funk thump, again fueled by gushing maturity and composure from washington vocals. eddie mars even delivers his own stunningly-authentic production of the stallone/washington sound, marking the first official mars rendition of pink stallone since his inception as a producer and member of the live group. with this comes two workouts by master of the deep the revenge who provides a stripped back timeless dub. one of those tracks that will still sound great in twenty years time. simple and effective with a hint of grandeur. finally wrapping things up are s.a.s (subb-an & adam shelton). following the bumping foot & mouth release earlier this summer we had to ask the boys to give there twist and they sure delivered. acid base and full throttle beats transform >mine< into a jacking dancefloor destroyer, be warned!

black gold also contains a rendition of sandy denny s who knows where the time goes, in a minimalist arrangement that ends in an uplifting orchestration true to both the writer of the song and the performer. throughout the entire performance ms simone keeps a regal, aloof and sometimes goofy composure, her monologues in between songs ushering the listener a little closer to her moving performance.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

the very best of chemical brothers !! limited edition 2xlp - push the button !

german dj & producer tadox, already released on labels like highball, composure and combat skills delivers the next harder techno ep for the third fat spanking !!

the legendary dj maxxi disco energia and energia buia tapes, highly coveted by his obsessive fans and thought lost for several years, have been re-discovered, re-mastered and made commercially available for the first time ever. only previously the ownership of a select few enthusiasts these tapes held legendary status amongst certain individuals, only ever spoken of in hushed tones, these two volumes (this being volume one) serve as a quintessential guide to the italio disco phenomenon. once heard, never forgotten these are some of the finest dj mixes that youll ever have the privilege to hear. peppered with classics and underground gems, the composure and construction of spaghetti disco classics are truly outstanding. the mixes have been dusted off and cleaned up for new millennium heads to enjoy. so bathe your ears in their magnificence as you transported away to northern italy in the early 1980s enjoy disco energia Ð spaghetti disco classics volume one, volume two to follow shortlyÉ. please note this is a very limited release available for one time only