rock

rock

black vinyl

remastered 50th anniversary reissue.

remastered 50th anniversary reissue.

reissue of the 199 album from the brian jonestown massacre, pressed on black 180 gram vinyl.

eco 2lp 140 g black vinyl

solo instr. without orchestra

brian d souza (auntie flo) and or:la team up with two long form ambient pieces celebrating the humble mushroom. the sleeve includes a scratch and sniff smell component and incorporate uv paint that will only show up in dark light

2024 remaster

stunning song based vocal album from brian eno. limited crystal clear 180 gram vinyl, housed in a gatefold sleeve.

cover not mint - vinyl unaffected. with the present four tracks compilation of exclusive techno productions, rebekah delivers the third and last part of clrs new format, which consists of an hour and a half dj mix and two subsequent eps

cover not mint - vinyl unaffected. the stereotype remixes offer quality and variety. clr takes this chance to say thanks to brian sanhaji, one of the label s most promising artists, currently on his highly successful album release tour

cover not mint - vinyl unaffected. big album !! on his debut album >stereotype<, brian sanhaji invites us to a multi-layered sonic environment. a stylistically versatile, entirely club oriented record with traces of minimal, house and dub, always true to its techno origins

cover not mint - vinyl unaffected.

ltd promo

cover not mint - vinyl unaffected. two peaktime tracks in best stompin clr tradition by the new artist brian sanhaji

remixes from brian sanhaji and peter van hoesen on picture vinyl.

cover not mint - vinyl unaffected.

hand-stamped whitelabel release.

strght introducing you the mutations of thomas hoffknechts rtch track. mutations by truncate, luis flores and an only on vinyl mutation by brian sanhaji.

four remixes from four outstanding artists. no words needed, listen to the music

after the acclaim of time travelers im made of stars lp last year, followed by two successful eps on his chronicles diary imprint, michele pinna brings his time traveler moniker back with remix report ii + chapter ix ep featuring powerful remixes by three key names in european and us techno. the ep opens with the veteran visionary dave clarke who delivers a complex industrial version of interstellar made of deeply distorted tones and punk influences. detroit techno militia take over with their reinterpretation of b-29 where a groovy and energetic atmosphere is set from the start, adding a vigorous touch to the track. brian sanhajis raw techno roots are showcased in alpha, with pulsing and dense beats yet precise cuts, turning the track into serious dancefloor material. time traveler is closing up the ep with hammering beats and distorted riffs and three menacing tracks in line with his dystopian sci-fi vision.

incl alexander kowalski remix

brian is about to open up his „multiverse- to us and proves again his outstanding skills on his modular gear. this time you will listen to tracks off the regular four to floor dj-tool. focusing on melody structures, this ep is right in time to kick off the festival session. spaced out, sequence driven analog techno
support by: angel molina, richie hawtin, florian meindl, alex dolby, cain, etapp kyle, jonas kopp, nihad tule, kirk degiorgio, norman nodge, arnaud le texier, laurent garnier, bas mooy, regal, dave clarke, blank code, donor, chris liebing..

sensor001 kicks off with a massive 5 track ep from one of the label heads himself, brian sanhaji. road-testing those tracks in his highly recommended live set’s during the last months. ‚specular reflections’ seems to be straight out of his modular synth rack with raw, sonic sequences over bass heavy analog drumming. hard hitting, stepping techno to serve the dance floor.

following the acclaim of time travelers im made of stars lp, michele pinna presents the remixes report i, featuring remixes of tracks from the album by four key names in european and us techno. these remixes take pinnas dystopian sci-fi vision and place it firmly in the club, with each artist providing their own unique take on a different track from the album.

cocytus, meaning -the river of wailing“, is a river in the underworld in greek mythology. it flows into the river acheron, across which is the underworld, the mythological abode of the dead. dante describes cocytus in inferno as being the home of traitors and those who committed acts of complex fraud. the river of wailing is divided into four arms: antenora, after antenor from the iliad, traitors to country. judecca, after judas iscariot, traitors to masters and benefactors. caina, after the biblical cain, traitors to blood relatives. ptolomea, after ptolemy, governor of jericho, who murdered his guests (1 maccabees), traitors to guests. based on these assumptions cot labelhead hours crafted three pensive tracks, one of which was reinterpreted by brian sanhaji.

on his first release for droid recordings, master sound technician brian sanhaji drops two hard, gritty tracks. a1, * macronomena* , is an unmissable, surprising thrill. a filthy, grainy bass synth gets mangled by filters and lfo, pushed out of time, and forced back into a perfect, funky lock with the pummeling beat. nearly five minutes in, the machine breaks down and falls apart, only to slam back into groove with new, jack-oriented elements. b2, * synphone*, plays things straighter, manipulating the optimal gears and levers of the techno toolkit for an undeniable dance floor mover.

german meets the detroit code.

15 years of drumcode, vol. 4 with chris liebing & brian sanhaji , an on the flipside slam (soma rec)