the fifth modern cathedrals release by altstadt echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. throughout the 1905 ep, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. the remix of dry despair by abdulla rashim (ar) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. in contrast, the remix by stave combines elements of the originals drifting atmosphere with violent industrial percussion.
1954 is the fifth vinyl release on the modern cathedrals label by recent detroit export altstadt echo. staying true to the themes of the the year series that began with the 1913 ep and was followed by the 1905 ep, the artist continues to explore somber, broken beat techno with an eroded, highly-textured percussive focus. in the previous two eps from this series, altstadt echo was joined by varg, abdulla rashim, stave, and evigt morker on remix duty. for the 1954 ep, hes commissioned uk artist szare, who delivers a highly danceable revision that combines the ghostly vocals of the original with highly frenetic percussive injections. the artwork of the ep is aligned with the labels greyscale documentation of detroit, this time featuring the stunning architecture of the new center district of the city. the photos were taken by the artist prior to his move to berlin in fall 2017.
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