b-stock - cover with seam split, vinyl unaffected.

fourth part of the non-film music series from john carpenter. limited deluxe edition on tan and black marbled vinyl, includes clear 7� with exclusive bonus track �black cathedral� and screen printed b-side.

black 180 gram double vinyl in gatefold sleeve.

ltd repress of this much loved and in demand mike cooper re-issue on sacred summits / screen printed sleeve

die stecker wurden gezogen, die drums in der garage gelassen � hansonis kommt heuer auf ganz leisen sohlen daher. akustikgitarre, zurückgenommener gesang und ein paar tupfer e-gitarre, klavier und keyboards � mehr benötigt der musiker nicht, um �shark week� zu einer zwingenden angelegenheit zu machen. von folk über country und blues bis hin zur mörder - ballade � hansonis schlendert auf seiner melancholischen reise durch die songwriter-genres, veredelt seine songs aber immer wieder durch die entscheidende prise distinguierten 80er-pops. hier ein unwiderstehlicher melodiebogen, da eine prägnante phrasierung � der kölner vermählt us-amerikanische musik - traditionen mit einem britisch geprägten popverständnis und dreht am ende sein ganz eigenes ding draus.

originally released on wémè records 2013, mastered and cut at dubplates & mastering, berlin, spec: limited transparent vinyl edition, two clear vinyl lps in a screenprinted clear pvc outer bag, clear poly-lined inner sleeves, limited to 2.000 copies worldwide

the soundtrack for the highly stylized narrative 3d runner game �aerial_knight�s never yield� on limited double vinyl.

limited edition of 150 copies on black double vinyl with grey screen-print on side d. includes download of mp3 and a 50 minutes art film.

part ii - operated under extreme psychosis, performed live in the dead of night at the studio of the hague s pirate radio tonka , these two records contain an apocalyptic selection of the very darkest moments of its maker, an anglo-french bruxellois driftwood expat washed ashore on the west holland wasteland just to get even more lost in its empty shadow chessboard grid of luscious ghost town smoke screen structures built on nothing but loose sand, to get even more entangled in its reef-like vortex of the fleetwood parkland dune estates artifice of ugly evergreen high-tech verdure of rose and thorn , oh, yes, its many, many flowers sans mercee , red and white carnation, asphodel, or fleur de lys and fleur du mal , all awaiting, lurking gentle softness of the flesh, perfumed for luring prey, yet strikingly hard-wired through the courtly appearance and the troubling foliage of the count s many hidden pleasures, his many secret palace garden hedges, his royal seal concealed behind, oh, yes, its many, many spines, all hiding midst the ticket, like cloak and dagger, that poisoned slip of tongue, or poisoned tip of blade, and all s so easy to slip away and disappear into the vine and creeper, to make one trip and fall in smear of mud or was it blood?

welcome to nightlife. johannes klingebiel�s debut on rss disco�s mireia records. an atmospheric journey. melancholic, yet euphoria-inducing. johannes� five tracks cast their shadows into the darkness, mirroring patches of light that can be found if you wander out far enough. it�s simultaneously the soundtrack of sweaty dancers losing their sense of time and place and the hopeful feeling of a new day during a drive into the first light in the hazy morning hours. johannes is a studied drummer. he released music on labels like mule musiq, ancient future now and feines tier. he�s also one half of alma & mater and travels constantly with the bands c.a.r. and vimes. oh and he�s a great dj as well. he probably never sleeps. that�s how he manages to capture the magic of nightlife. the vinyl comes in a screen printed sleeve with hand stamped labels and is limited to 300 pieces.

astounding new material beamed via shemales atomic allotment,concealed in an outermost shadowy recess of darkest hyperborea. the musical paintbrush creates a harsh, barren landscape for hell transformation screens as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style.there is an indescribable and mystifying tension which builds within the work of shemale, the opening cut, dead city photographs being a prime example. the soundbite here simply cannot pay justice to this tack as a whole,as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding,with deadly,steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of tomb. converted followers of the atmospherically articulate shemale will need no further persuasion,as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of atomic allotment. special limited edition pack includes matte postcard insert.

the full 3 lp discography from andwella & andwellas dream as deluxe set on shades of grey coloured triple vinyl.

the full 3 lp discography from andwella & andwellas dream as deluxe set on classic black triple vinyl.

the flamboyant and off-kilter title track from rones latest album, mirapolis is one of the last solo tracks that the producer composed in the spring of 2017: its one of the rare tracks on the album for which i thought about the live performance. while putting the final touches to it in the studio, i imagined myself at festivals via memories of previous tours. i wanted to record a festive track, which completely stands by its funfair vibe. with this new four-track ep (including three remixes), combined with a new video by aurélie castex, rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor � and our screens. johannes brecht, shadow craftsman of the hamburg label diyanamics studios, offers a refined reading throbbing with cerebral pulsations. appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. german-based figurehead of the south american scene, comeme label boss and founding member of the late closer music project, matias aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. playful and wild, aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. french techno scene boss laurent garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood. a hypnotic and mischievous loop infiltrates itself without warning into the reptilian cells of the listeners brain.

experimental cinema sonics, electroacoustic research practice and shadowy wind instruments come together to form this unique interpretation of the mythical city of gold. utilising rare, half forgotten soviet era synthesisers vladimir karpov creates immersive soundscapes under the name xyr. the formanta mini keytar and the alisa 1377 lend karpovs music strange, seldom heard atmospheres which the st. petersburg native then combines with field recordings, toy percussion and wood flute to further build upon his utopian narratives. part concept album, part nod to popol vuh, his attempt to channel the thematics of the ancient tale of the muisca people through his modest home studio left a lasting impression on us here at 12th isle and were proud to present a selection of the tracks on vinyl for the very first time. originally confined to just 25 cassette tapes, for this edition we have assembled some of the most inspiring tracks from the sessions as well as the bonus closing piece aguirre song. immediately engaging, sincerely heartfelt and strikingly original, these are recordings we have returned to time and time again. limited edition lp comes housed in screenprinted sleeve. el dorado recorded april-august 2014, originally released via illuminated paths (march 2015).

a slow burning showcase of slowly evolving sonic substances and memories, a dense fog on a barren land steadily revealing the artefacts and objects hidden behind rocks and beneath the shadows, a static art piece hanging for months in a gallery rarely visited, allowed to decay into a beautiful immersive, solitary existence.
this release is mastered and cut by rashad becker in two parts, pressed onto heavy 180g wax with an lss logo hand-stamped centre, encased in a black matte silver screen-printed sleeve, including a b&w matte a6 postcard insert.

the album evokes the deadening american landscapes of school shootings, military suicides & societal dissolution. written and recorded in a crappy apartment in north hollywood while surrounded by poverty, drug abuse and suicide. a dynamic lp that covers a lot of ground in its 45 minutes: ethereal voices, techno rhythms, blasts of electronics. released in an edition of 200 on 180 gram vinyl with unique silk screened sleeves and stamps, color print insert and download code.

liquid swords instrumentals and -battle scene- print bundle. this bundle includes the 2-lp white and black instrumental vinyl housed in an original screen printed jacket, and the 18x18 inch print of the albums -battle scene-. to have the complete instrumentals and this amazing art print is essential for any gza and wu-tang fan and collector.

while hexagon cloud may be erikas debut solo release, this is by no means her introduction to the scene. for years erika has been a member of ectomorph and co-conspirator of interdimensional transmissions, but since these projects play shadowy games with identity and perception, she may just need that introduction. limited edition, silk screen cover with foil sticker enclosed collectable! tip!