2021 limited edition repress of punch drunk classic... bristol music godfather, rsd, returns to peverelists punch drunk label with another heavyweight soundsystem double header, jah way/speeka box. jah way is a duttyweight dread fuelled steppers rhythm designed to test the sturdiest of boxes from bristol to brixton. speeka box is pure summer bubblin roll out vibes. infectious and irrestistable. the kind of bassline you ll be humming for weeks. big tings for rsd this year! constant rotation from peverelist, appleblim, pinch, headhunter, ramadanman and more.

nice price deal !!! for elim009 we bring you a very special ep from atlantan live wire distal. making his mark on the current underground scene with tracks such as >grape donut<, as featured on the soul jazz compilation future bass, the monstrous crunk/footwork mashup >coke bottle< on grizzly, not to mention a plethora of top quality online mixes, his always quality embassy label and bringing the cream of bass talent to his sub traction nights in atlanta.
support from: 2562, breakage, distance, benufo, moldy, ramadanman, pinch, appleblim, joy orbison, joe nice, loefah, addison groove, sinden, starkey, kastle, dubbel dutch, julio bashmore, clouds, dave q, incyde, xi, wonder, mensah.

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

brand new release on apple pips from upcoming star brackles, one half of funk step outfit brackles & shortstuff, combining influences spanning techno and garage this is the apple pips sound and their pushing things in an interesting direction, both with their music and their stunning artwork. support from appleblim, mary anne hobbs, ramadanman, untold etc.

‘aus music ... all night long’ as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn ... all night long.

martyn needs no introduction and his p-funk inspired melody and bassline provide another entirely fresh take on the deliciously broken rhythms we have come to love from him. we thought it only fitting that we should try and get a different take on lee jones’s ‘aria’ for the project, as it has been the most in demand single from the first 20 releases on aus.