played by richie hawtin, joris voorn, karotte, dubfire, anja schneider, laurent garnier, nick curly, monika kruse, gregor tresher and many more...
frankfurt based dj and producer pascal mollin ties up to his numerous productions in the early 90s with appearances on sven vaeths original harthouse imprint amongst others. the elephant ep is reflecting his most recent works, solid and groovy aesthetics of techno which is perfectly enhanced with this superb pan-pot remix.

the artform label began in 1997 formed by jamie anderson as a platform to release his studio productions. artform soon had the attention and support of other music pioneers and released early works by jerome, steve rachmad, dave angel, stanny franssen and jesse rose. the mission for the label was to bridge the divide between genres of electronic music by experimenting with fusing styles and developing new sounds, a legacy which is still apparent today. after a short break artform now returns with a fresh new track by jamie anderson to relaunch the label joined by a huge remix from amsterdam‘s jerome. the pair of have worked together many times with releases on 100% pure and jerome‘s own outland records. this past year has seen jamie‘s productions on labels such as cocoon, rekids, klang elekronik and harthouse, and this release proves to be one of his strongest yet. predator continues in the labels direction of forward thinking tech house with a classic sound of the 909 creating a sinister backdrop of detroit inspired techno.

remute heats it up to the max with his new monster-tune blaeserli. massive techno-sounds youve never heard before! promised! comes with a kickin rmx by deepgroove & jamie anderson, who had an amazing year with stunning releases on cocoon, rekids, harthouse, and more

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

>realtime art< - that s how blackisbeautiful call their electronic music art. an analogue idea within the digital age. inspired by the aesthetics of analogue music devices, the first album of the dortmund-based producer team will be released in september via the upcoming cologne-based techno label 200. blackisbeautiful partnered up at the vrstck club in dortmund two years ago. they bonded through their deep connection to analogue art. residency atvrstck and a musical and friendly collaboration were to follow. both look back at long-term musicianship and life experience. while tim dicke paved his way into the electronic scene through being a drummer, bassist and soloartist in punk and hardcore bands and later on as dj, Ümit han quickly moved from djing to producing his own tracks. in 2006, Ümit won the remix contest to gabriel anandas >glücksmelodie< and also released tracks on karmarouge, meerestief, harthouse and other labels. blackisbeautiful created two tracks in real handicraft with alerion and purpur: mesmerizing and enthralling at the same time! music that invites you to dance and yet puts you to rest for a closer listen. attention to detail and experiment-happiness get you addicted to blackisbeautiful: occasional street recordings of sounds in everyday life and sampling of snap-shots run through their dynamic sound images.

its already well-known that cocoon recordings is a sucker for tracks that stand out of the usual field of - lets be honest - often uniformly reduced tech-house, and the past nine years of the labels history have proven this sustainably. and the rhein-neckar area based team flatner/lopazz are again two hot candidates to leave their very special mark on the summer of 2009. after all, circlemusic manager alex flatner is rocking the floors as a dj and producer for already 10 years now, having been releasing for labels such as harthouse or black nation, whereas the heidelberg-born stefan eichinger aka lopazz has made himself a name with releases on imprints from the likes of output, international deejay gigolo and mainly get physical. together they celebrate a very funky understanding for percussive techno, which is setting highly meaningful moments for the primetime, particularly by means of lascivious vocals. i wanna take you all night long, for sure! and you definitely cant find a better expression for the perfect pounding symbiosis between bass-focused club stompers and economically dosed pop elements than its time to make up your mind.

big with: paco osuna, afrilounge, dave ellesmere,.. this vinyl features four remixes of the kassette boys ep from click | click and m_ferrià the remixers are: chatterbox aka christopher manik (autist/ harthouse/ nyc) empro & jozwiak (upon you/ home sweet home/ berlin) zhao (archipel/ clever music/ france) eff&lle & jitzu (weplayminimal/ kaufe musik/ italy).

ready for the first release with 2 great minimal techhouse melodic tracks with a tuch of harmony! debut of the spanish top producer jaumËtic (regular rec.) in cooperation with the french duo citizen kain (mbf / harthouse) on killa beat. massive melodic techhouse with fat percussion and hit-appeal! including remixe by french top dj sarah goldfarb (treibstoff) with an groovy techhouse bomb

supported and played by kasey taylor, emerson, mos, joel armstrong, deerk hollaender, stephan hinz, dj three,.... solead are respected for the great diversity of their music and have already caught the attention of respected labels from around the world. with releases on john digweed s compilation transitions 3 and vitalic s label citizen. the serpent ep combines minimal techno grooves with abstract jazzy melodies. remixes by highly acclaimed boris brejcha aka anna (harthouse) and deepchild (om, freerange) gives a great, cross genre diversity to this release. techno, house, minimal and funk in one package

after great releases on harthouse, nero and pickadoll here is the next briliiant double a side from zoo brazil!!

after great releases on harthouse, nero and pickadoll here is the briliiant double a side debutsingle from zoo brazil on swedish joia records

this is a very cool meeting of minds here on this cool 12inch from adam beyers truesoul label. after nihads last release on tresoul he has receieved hi acclaim and this superb funky building club track simply rocks from start to finsh. joel has been on a superb steady rise over the last few months with releases on giant labels such as harthouse and cocoon. his track as always has an amazing twisted deep intensity.

huge 3 tracker with tracks & remixes by james emsley (platzhirsch) & billy dalessandro (siteholder, harthouse etc)

electro project of the highest order. buzzed release including a zoo brazil mix (pickadoll, harthouse)

after his immense 2006 hit with his mix for mias song entitled >anz der moleküle<, which could be found in the playlists of nearly all the top djs and also on compilations such as >ministry of sound – annua< bee-low is releasing on some of the most successful and renowned german labels of electronic music: karateklub( >navajo ep<), polo records, combination records and did rmxs for harthouse, amused records and big city beats recordings,... especially the bee-low remix for the a+b release >horizon< on big city beats recordings charted in the german club charts (dcc) and caught the eye of markus gardeweg the a&r at kontor records!

patrick lindseys funkwelle imprint is one of the big surprises in autumn 2007. with only two releases, saying dubfires >roadkill< and patricks >wanton mood< this label can be found in lots of different dj cases at the moment. this brand new single shows the two different faces of the former harthouse producer. >kami kamikaze< is a what the name already says, a tech house killer sawtooth dance floor attack and >the darkelf< continues the tradition of >im tagtraum versunken< and gives you for sure the creeps.

big with chris fortier, angel molina, pablo bolivar, ulysses, maurice aymard, xpansul, dj nori, inaqui marin. after his great maxis in harthouse and autist and his fantastic album recently released on the label of frankfurt >die maschinen kontrollieren uns< regular reaches under his pseudonym anna to make a lot of noise black is dynamic, aggressive, and extremely direct,breaking the dance floor!

when we released the first atom-1 with hertz, we couldnt believe how big it would grow with support from the whole swedish mafia (lekebusch, mull, ozgur etc). this time hertz is back with 3 new tracks to die for and a remix from ozgur can (truesoul, pickadoll, harthouse, mouseville) that will do the trick! we call this funky, minimal techno at its best

stockholm born joel mull started his dj career in 1995 at the age of 20. from that point on, he consistently expanded his musical background with many releases on labels like kanzleramt, harthouse, railyard and his own label inside. he also created monike

slamming hypnotic techhouse action from henry (known from his classic releases on container, harthouse , mfs, superstition...) and denis karimani aka remute. dominated by a sustaining synth-chord, percussive beats and a funky bassline-bit this tune sounds absolutely fresh... incl superb efdemin remix (dial, liebe*detail...)

der hello repeat labelchef erweitert sein revier. nach cocoon & harthouse wird nun das kahlwild markiert. nachhaltiger minimal den man auch in monaten noch riechen kann

the 4th release on john henry come from the label boss himself: zoo brazil. everybody knows zoo brazil from various releases on many many labels including music for freaks, get physical or harthouse… bitch boys is their latest elaboration of electronic dance floor dynamite… synthetic dance music with fierce basslines, simple synth licks and kool drum programming with a certain dose of funk. digital garage culd be the name of the game!

funkwelle.net is a brand new label founded by by kanzleramt, harthouse, terminal m producer patrick lindsey. the first release comes by frankfurt based producer and newcomes sascha kloeber. but there is no chance for prejudices because this fellow knows how to create kickin deep and reduced techhouse for nice moments.. tip.. supported by monika kruse, martin landsky, audio soul project (mazi), herbert boese, marc romboy, jussi pekka, sharam jey, namito, sian, patrick lindsey, mike monday, lützenkirchen

>need in me< remixes by the munich dj team micky monza & joseph disco, not only did their own mix, but also teamed up with their friend domenic d agnelli to work out a great minimal dms remix. and a rocking remix by iceland man thor who not only collaborated with bjoerk, but already remixed pascal feos and anthony rother and released on minus, novamute and harthouse..

over the past 12 months the prolific zoo brazil have had releases on get physical, systematic, fine, harthouse and dessous. zoo brazil now kick off new tsuba offshoot, tsuba ltd, with a 2 track ep of driving electro-tech-house. dj support from: tiefschwarz, nic fanciulli, mike monday, geoffroy

classix from eye q, harthouse, superstition, planet love !

2016. twentyfive years after der dritte raums first release on sven vaeths harthouse and eye q label, andreas krźger aka der dritte raum locked in his studio again to create electric friends, an album ostensibly meant to make up for his previous album aydszieyalaidnem and it marks a shift to a more pop direction