minimal groovers from ghita liviu and stefano razzo, remixed by bruno pronsato and andrea ferlin.

like frames of cinematic atmospheres floating between twisted sounds to create hypnotic landscapes, turning pages is a collection of the latest tracks of: ghita liviu, roger dee, livio pinna(feat. q-indie) and stefano razzo, back on vinyl after some years, trying to express what comes next.

after a successful label launch with eps by tigerskin and spektre heimatmelodie now presents an all new artist, alfredo clonk. and this guy is one to watch as he has a completely original sound aesthetic, something which you can say of only very few artists. the a-side >doppelkorn< (a german high percent alcoholic drink) is a primetime mixture of driving 909 beats, whissping snaredrums and groovy sequences which spontaneously bring the slogan >rave is back!< to your mind. a bit deeper appears b1, >back to bombay<, a dark bass-synth on a techy percussion basement puts the dancers into a relaxed groove

the industrial project of oliver ho and tommy gillard at its most subversive and evocative, with two preoccupations threaded throughout: middle-eastern percussion, most vivid in the chimes of casting and the driving doumbek rhythms of burning and the sands and the structural iteration of chaos, underlying a collage of wild left-turns, scornful of repetitive hooks and other musical routines. early birds bag a 7inch by hos desert burials, evoking classic punk/funk hybrids like cabaret voltaire.

wncl recordings and kevin mcphee have spent many a moon discussing a shared love of mood ii swing, dubplate culture and bobby champs amongst other things. in between times, the canadian young-gun has been honing 4 tracks to present wncl012 – a finely crafted extended play in which mcphee gets his clonk on. >…in keeping with wncls hard jacking groove tendencies mcphee produces four slices of brick hard house that you will be hard pressed to even try and overlook.< (sonic router)

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

the debut of sardinian mono records is committed to touane (resopal, persona, minisketch), mr bizz (tanto quanto, monomental, rohs!records, pong musiq) and to the same ness & bettosun (6th studio, splitsound, clonk records, nuhar records).
centred on a typical sound that include percussions and melodies, this release is developed starting from the guest touane that, so inspired, give us warm and involving melodies enriched by percussive elements really personally and never presumed. side b submited by ness & bettosun and the mr bizz duo, close the record with 2 tracks with an house taste with ethnic and hypnotic influences.

die neue piemont hat etwas von dem was man früher clonk techno genannt hat, eine rhythmische reduzierte funkige & >metallene< perkussive art die sich immer weiter hochschraubt bis auch der letzte fuss mitwippt