next up on hell yeah is -the most balearic record i have ever released- according to label boss & it comes from japan s disco don max essa which features a four part track, themes from the hood, the cad, & the lovely, on one side of vinyl, and two more on the flip. essa was born matthew bruce and the uk artist has now been releasing his blissed out beats on labels like feel music, electric minds, bear funk and is it balearic? recording for a decade. a prolific producer whose big hits like panorama suite/uptown vibration (is it balearic?) from 2010 have long been in the hell yeah boss s record bag, essa first approached the label with a bunch of tracks. a good correspondence alchemy ensued and together the artist and label decided to put out the most timeless 12inch possible. the exquisitely ambitious themes from the hood, the cad, & the lovely is almost 12 minutes of serene ambient synth work that is like a soundtrack to a hot summer s day. heavenly chords sound just like a breathy female vocal and as they come and go, one finger piano tinkles add real emotional beauty and gentle twinkles shimmer in the distance. half way through lazy drums propel things along at a loveably lethargic pace and immediately place you on the beach. on the flip, saguaro is just as organic and beautiful, but has tumbling drums, wooden hits and soft claps as well as essa s magical synth work all bathing your soul in warm rays. b2 buran chime is perfectly horizontal and expansive, with tinkling triangles, angelic chords and scattered hits and harpsichord sounds all radiating effusively. this is timeless music that will calm busy minds now and forever.

in spaces, composed by the brussels based producer haring, talks about what is living between several spaces and places, the feeling of having several homes and the ability to appropriate these spaces. haring has indeed composed this album between brussels, paris and istanbul. the encounters, the anchoring and the discovery of these cities come together in these ten titles which are each in their own way an ode to these cultures which opened new musical perspectives for him.

audiosapr is one of the most consistent albums you�re likely to come across in russia�s gost zvuk entire back catalogue. surprisingly, the full-length by saint petersburg�s scene veteran kuzma palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label�s masterminds. sapr stands for the system of automatic projection (a russian term for computer-aided design, cad) which defines the album�s experimental yet complex and interlocking heart. based around a central theme of immediacy and spontaneity, audiosapr builds upon the foundations of early, pre-detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. it�s clearly music that can be attributed as hybrid, however it�s not you re going to think about while listening to �audiosapr�, palkin�s definitely most inspiring work to date.

wet top mud off huggers! deaf font answer back wii thaw foe king numb a real heaven order for thin stall meant often rex drawing cad or can ease sum serious angst worries - ouuuuut hear. deep young hole, baby. blood hymn edit a reign in mere e-wood soaked hick forties shit. grab a pipe at descends damned line a cut text raw wags sends low could view t. soul ive had reaping old riding? shoe breathin! and guess whose cramp pulled the x sought tough dead banging cc lion shock healer? know less than the moth hair fog in sea care hum self - owe chess - hats write - c cares in turn nash on all is seen daos and hiss gelling like your deepfreeze on a meat so morse knightin down tongue wins. oh yes brothers and sisters, say c cares, say u if o, say aimin ants nap patio core puss!

atmospheric tech house and crispy downtempo tracks from benjamin brunn.

new album from the sao paulo carnival collective, led by thiago fran�a.