1st release on parisian label warm music. track taken from babamars first album ' whatever happened to our pionners' it's no one else than missive founding manager p-o and procuder mister j to take control of the a side. a classic missive production . funky minimal and 100% dedicated to the dancefloor. on the flipside , multi artist inabeathead , this french-american producer and designer shows us is cinematic view of babamars's track. abstract breakbeat for a journey into his universe. first inabeathead album will come in oct 2005. b2) is the popy original version : vocal electro tune that rocks the dancefloor

releasing these new tracks taken from the katapult various artists #2 compilation has an advantage : it enables karat to make you discover a wider bunch of artists than on a regular 12inch

funky electro influenced filtered house with a remix by non other than tim deluxe who turns the original track into an electro house monster a must have club anthem

bearback is back , this time bigger and better than ever ! not only do they bring the sexy , sleazy funk from the stars on down — this time they even hit it off with a little forward thinking soul on the inside cuts ! some could say that these guys could very well be the most ironic producers in the minimal scene

the second release is even more trippy than the first maschine.. dark & weired minimal deep tech with an electroacidhouse track completed this stuff you might have heard from oliver lieb before.

especially in ibiza the track has actually been one of the most played traxx during this season. chab has hooked up with nobody else than jd david who is responsible for the vocals on david guettas the world is mineto create this progressive house mega monster.. here is a short list just to name a few supporters : pete tong, didier sinclair, kurd maverick, antoine clamaran, disco boys, david guetta, tocadisco, john digweed.

rhythm slaves with this newie for the knee deep usa imprint. musics in my soulis a typical grooving slice of house excellence, with stabbing keys the main feature, joined by a bumping analog bassline, chunky beats, and soulful vocal harmonies. dbr strips the track to just beats and minimal keys on his take, making it more of a mixing tool than anything else. on the flipside, copyright also take the track back to the bare essentials, reconstructing it around a wandering new bassline, while the vocal harmonies are joined by soaring synths, sultry piano, and crisper beats on a surefire peaktime house please

a colourful music mixture with groovy minimal and poplike experimental song where the familiar experiments of clicking snippets of niklas meet the cheeky, demanding and dreamy lyrics from eva's notebook. just from first brief listen 'close up' is even stronger than expected, dapayks sound is even thicker , intense and more worked out than with his recent singles, eva's voice is even more beautifully blissed and see through , the lyrics more refined. a grown up and thrillingly versatitle 'real' album project, 3 of the 8 tracks are definite and extremely rocking floor anthems

more than 5 years ago, the highgrade boss is back with his 3rd laylines.. tom keeps the swing sexy and presents a cool stripped down electronic techhouse record! a classic clark piece!

the opening series of stars-music hs finally come to an end, even more hi-fidelity and more emotional than before. so far the best release from stars-music. valve is for blue, sleepless nights with the neon lights of the city in the backround, kick and snare unsparingly mashing between the concrete heightsÓ minimal deep deep space disco boogie with techhouse flavours

hotter than the current weather, this uk outfit are easily the most sought after team at the moment ! big tune, ist published by defected music ltd

goodflife is back more open-minded than ever with some serious italo/ebm tracks polygamy boys 'transparenz ep' is a rough-edged electro/ebm-driven statement against fear that is created by our very own governments & corporations. the ideal of clarity, transparenz, brings us closer to recognizing & rejecting this fear that is used to control and manipulate our daily live

the starter concept is more minimal funky stuff than his usual productions, in time brings his more melodic side to the forefront with massive keys and pads sculpting the highway for the bassline and the skippy beats. proper houze music like we like like you like like we know it

forward thinking techno from tony rohr (weave-remains-cocoon- electric avenue). the main cut is a monster. remix not a remix begin as a mix for infrastructure records with sounds from function and kero. but it became more rohr than infrastructure and here it is. funky minimal yet punching groove for the floors. synth jerks and percussion dropoffs highlight this soon to be summer mainstay..

a big floor shaking electro house groove that is more authentic than some, incl. lee cabrera mix and trent cantrelle rm

this is wicked wax , which is definetly an old school meets new school record . you will hear the 303 , 808 morphed together with new machines of this era. 4 songs that rock the floor , both in the beginning , middle and end.(haha) without giving you the names of the people involved on this record , we will give you a clue - - one of them is has been rocking out records since 91 (he is german) the other was once a child superstar whos albums have sold more than 4 million to date (no kidding , he is from south america) and the other is one of the hottest producers in the moment (who recently had a nice haircut)

not everybody understands house music but the man frank west - winner of this years copa colonia - learned his lesson! six streetwise tracks, raw n dirty beats & some of the sweetest samples feelin, uh ah, frank west says… do you love eddie amador s house music so than you will love this one!!

finest deep tech-house with strong dance floor capabilities. haunting whispers and funky bass evoke that tech-chill than ony kenneth can chieve !!ltd backstock..

hard working purveyor of high quality techno music , a dedicated student of dance music's rich history and a steadfast believer in the bright future of electronic music. many influential and respected pioneers of the industry are looking to rennie to carry the torch as one of the next wave of ground breakers and mr.foster is more than ready to let his music shine

here is the return of nice cream, producer of the worldwide best-seller (more than 5000 copies) song2 ep. grab this banging rock-house track

'ama_zone' comes with a massive clubmix, which is a footstompin tech houser with a catchy filtered hook. this sure works on every dancefloor. the flipside provides the dubmix with minimalistic flavour and swirly vocoder vocals as well. harder and more quirky than the original club. both of the mixes are highly recommended and powered by the big names: dj antoine, fergie bbc1, greg churchill, disco boys, tunebrothers, jca, tom novy, hernan cattaneo, judge jules, azzido da bass

yes.. it took more than a while.. but finally.. here is chan n mikes no.10 and beside 3 rocking tunes by mr. forshaw himself you'll get remixes by tsr, bob brown & je:5 ,i mean, you cant ask for more… and theres now way well write our arses off, as you definitly know what to expect!!

'let it go (dont worry)' comes in that clear and crisp jussi-pekka style, but with the fine acid synths and a punching kick drum it's maybe a bit more impulsive and punchy than his previous works. we're entering deeper territories on the flipside. 'distinct only within' is a tight but deep and floating techno/house track which leads over to 'the yellow emperor' on b2 with spheric and drifting sounds

bigger buzz on this record than winnie the pooh's honey pot

strong hardtechno schranz. already plays by rush,wittekind,pet duo,lars klein, leo laker !

james taylor is none other than half of swayzak! 3 track ep with amazing freaky minimal tunes

more tech house than house..in & out swingt deep untill drifty

fat house tune...inclusive remixe from slam.. dub mix more techno than house

ark makes us happy again with his punkfunk. weird stutterhouse patterns with hip hop grooves and funky vocals. for the latter he has invited two guests: on sucubz xavier vindard sounds even dirtier than james brown. this album should be listened to with your sneakers on because you wont stop moving your feet till your neighbour rings the bell

comes along with >sandwinder< and >do san<in his typical jack-style and shows on the flip side an enormous tool that remembers on the last release on planet e with the tres demented-project.at least one can say that this record will point out the variety of the label between house and techno and who can do this job better than jackmate?!

more intimate than recent swayzak productions, carthage milk takes us back to the style of snowboarding in argentina, the album that first charmed us with its pure and rolling sound. with a touch of house and a deep ambience, james taylor gives us a more personal sound. the beautifully produced techno, seasoned gently with dub, gives this album an unforgettable synthetic warmth.

a serious bass rub and with some little additions as a clonky rhythm, sparse synth and a robotic voice it's more than enough to drive you up the wall. the freaks remix is more opulent, crammed with raw snare hits, clonky percussion sounds, quirky eccentric synth melodies and rubbery acid lines popping up everywhere: someone should invent a novelty dance to that

follow up to the huge 'better than you.'

18.04.2005. back in !! three tracker of italo disco classics - all the tracks on this e.p. are back on track for the simple reason than they are all guaranteed floorfillers. tracklisting: a1. franz & shape 'countach' b1. ajello 'harlem usa'b2. nemesi 'cosmica'

official mayday & low spirit release!!! cool electronic techno, 100% clubby mayday 2005 hymn. stronger than ever! original extended, version 1.0 & ps pro choice mix

4 tracks on this ep - one is more different than the others. from uplifting electro with lovely vocals to dark and sick grooves. well-fitting remixes made by oscar & ivo deutschmann

no strangers to high-quality remixeing or releasing nothing less than exquisite productions of their own , josh wink and ricardo villalobos remix > dj minx s >a walk in the park<

beloved chicago superstars cajmere and dajae do it again with another massive vocal bomb. if soulful tracky house aint your thing, theres always green velvets bass-heavy remix which is more electro-house than his usual techno beatdown.bound to be massive!

ultraphat minimal electrofied techhouse plus a hotter than hot minimal tech >> mathew jonson remix !!

back in stock !! border community - artist !! this is the sound of the moment!! ultraphat modern techhouse monster with electro - acid influences >> hotter than hot!!

phat french funky raw styled stuff

a smooth and sultry late night gem that's got miguel migs and jay-j written all over it. d' s cozy keys, hypnotic drums, analog bleeps and a soulful vocal performance from leena do the trick here. one main mix, and two deeper than deep dubs on this special release

excellent minimal deep funkin house selecetion

2 tracks both completely different but equally good the a side is smooth n funky houser for the summer whilst the flip is an electro based analogue journey with a mad breakdown. not the most prolific of labels, slide prove quality is better than quantity

repress!! excellent techno club tracks with detroit flavours

2 firing tracks + additional reworkings by none other than marco bailey himself & blueprint & surface master, james ruskin.

4 strong strong tracks in curent 80s electropop hype cliches. wild pitch techfunk pure, sometimes spooky electrotech house that will be played for christmas still.this is players stuff. swear!

super+ totally re-freaks the track into two electro-punk versions with energetic distorted guitar riffs and enough effects on the vocals to give them a whole different slant. lil devious main mix cuts out the vocals and is more hypnotizing than hanussen with its spiraling loops. for those who like it sweet n mellow theres also a pleasurebar remix working those strings to great effect.

a bass-driven groover, with a few techy elements complimenting the solid bassline, menacing vocal sample, and crisp beats. the dub mix fattens up the bass and slows the tempo a tad, turning the track into a dubbed-out house funker. on the reverse, how long is a bit brighter than it counterparts on the other side