fantastic m.a.n.d.y logo shirt .. many thanke to the get physical gang

fantastic m.a.n.d.y logo shirt .. many thanke to the get physical gang

fantastic m.a.n.d.y logo shirt .. many thanke to the get physical gang

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essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

mixmag >tune of the month< played by: clé, mathias schaffhäuser, 2000 and one, gregor tresher, mathias kaden, james talk, italoboyz, mylo, roman flügel, chloé, shinedoe...

hammered by samim, tobi neumann, dj t, d julz, laurent garnier,… big summer tune ! don t sleep…! summers here, and get physical are ready to greet it with a new 12 by christian kreuz, aka dakar – a breezy, organic, pop-tinged house track bolstered by remixes from gavin herlihy and lopazz

amazing fresh remixes b yrex the dog & einzelkind plus original

the sun & the neon light ist das album einer band, deren songwriting und arrangement perfekt mit ihrem produktionsstil und instinktiven dancefloor- know-how harmonieren. es ist eine hommage an die nacht und ihren zauber, ihre mystik, ihre möglichkeiten, aber auch an ihre verkommenheit, und an das einmalige wunder von tag und licht.

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booka shade return with the second explosive single to be taken from their the sun & the neon light lp. >charlotte< appears here in four different remixes, two by booka shade themselves and one apiece by dubfire and matchbox. booka shade kick off proceedings with their own remix of >charlotte<, re-shaping the original into an expansive, anthemic dancefloor cut that grows out of spindly arpeggios into a glorious overload of drums and swirling synths

bad boy pete & marina come here with great pumpin hard techno.. solid working primetime material

incl great remixes by sascha funke and dj koze !! danse avec moi is the first single to be taken from noze s new album, songs on the rocks, the french duo s most surreal and scintillating vision of dance music yet, to be released on get physical music on april 25th. the 12 is equipped with remixes from sascha funke and the inimitable dj koze.>danse avec moi< is a proper love song. it is also noze s first ever song in french, and so with typical perversity, they thought it might be amusing to call upon an american to do the singing - the wonderful dani siciliano, best known for her albums for! k7 and litany of collaborations with matthew herbert. dani duets elegantly with david lafore (who also penned the song s lyrics) over a propulsive, swinging 4x4 drum tattoo, bouncy bassline, rippling harp and lavish string arrangements. as is so often the case with noze, the piano is at the forefront of the arrangement, providing not just straightforward melody and harmony but eminently danceable rhythm. it is an anthem in the making. you should know better than to expect a straightforward remix from kompakt s resident mad scientist, dj koze.

uncompromising three track 12 inch of sheer dancefloor firepower!! sure shot.. hit ep !!

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

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jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

elektrochemie is back after a short break with an excellent 4 tracker !! great pumpin electrofied techhouse mover styled up with the galvanizing vocal presence of caitlin devlin

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huge melodic minimal strahler , incl remixes by philip bader & pantha du prince

rmxs by paul ritch & guillaume & the couto dumonts >2 fast 4 u< was one of the stand-out tracks from kook kook, a tune positioned somewhere wonderful between techno, house and disco, and of course it appears on this 12” in its original form. but for the lead track, lopazz hands over the reins to paul ritch, whose string of fine releases over the past year or so – for labels like resopal, fumakilla and get physical – have made him one of the scenes most sought-after names. a single-minded 4x4 pulse sets the pace, providing the basis for increasingly intense, tribalesque percussion, and dubbed-out samples of lopazz s original instrumentation. this unbelievably deep, hypnotic remix demonstrates an allegiance to both classic detroit techno and the razor-sharp vanguard of modern day minimal techno. on the flip, lopazz offers >2 4 fast u< to another underground techno visionary for re-interpretation,this time guillaume, also known as guillaume and the coutu dumonts. beautifully produced, exuberant eps for mutek and hartchef discos have seen guillaume become a producer of note to those in the know

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tiger stripes is mikael nordgren, one of the most respected names in modern house music. he produced the much-loved >dark tradition< 12 inch as d malicious for francois ks wave imprint, winning such fans as jerome sydenham, dennis ferrer and carl craig along the way. he s released records, solo and in collaboration, on labels like ibadan, king street/nitegrooves, slip n slide and gossip, and was invited to remix faze actions >in the trees< for the recent juno re-issue. somehow he s also found time to run the hugely esteemed go! bang clubnight in stockholm... recently, however, mikaels been concentrating on his tiger stripes alter ego, releasing extraordinary 12s for liebe detail, urban torque and now get physical.….

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

released to accompany damian lazarus and dj t.s monza club vol. 2 cd, this ep includes one exclusive new track from up-and-coming youngster, jamie jones, and a hard-to-find modern classic from 1987 via 2002 in joakims remix of >elle et moi< by max berlin.

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remixes by woody & dj t.!! dj t.s >the dawn< 1st appeared in may of this year, and it was a 12inch of typical poise, refinement and dancefloor effectiveness from the get physical boss. now its time for the remixes... first up, t. himself tackles >jam pot<. the resulting track is the dancefloor monster that >jam pot< always threatened to be - subtle, intelligent, but unswerving in its intention to rock the floor. for a fresh treatment of >the dawn<, t. hands over the reins to woody, the legendary former resident dj at berlins e-werk and a true architect and soldier of the citys techno underground.the result is undoubtedly psychedelic, but the powerful, minimalist drum patterns and sheer production panache mean this will be a big hit with the feet and hips as much as the mind. this is a remix 12inch you cant afford to miss - two very different productions which will stimulate both cerebrally and physically. the dawn is here!

the dusty springfield classic getting a 2007 electrohouse makeover by neodisco includes mixes by mondo, rockstroh aka groovestyler and 2 4 grooves

get physical are pleased to welcome paul ritch, following the well-received >fortuna ep< (together with anthony collins) with his first solo-tracks. over the past year ritch has earned his stripes with solo releases on resopal schallware, minisketch and paradigma, and as one half of handycraft, whose le bal masque ep on kickboxer was a recent underground hit. ritch saves his best for physical, though, with two minimal house tracks of real energy and sophistication comprising this new 12inch. a master of slowburning intensity, ritchs begins >june< in understated fashion, but build after build, and the onset of busy, chattering percussion, sonar pings and ravey acid lines take things to a wholly different level. ritchs skill is in accumulating layer over layer of effects and then, in a magical instant, stripping things back to raw elements, some of the compressed, filtered breaks on >june< will cause serious dancefloor damage and delight

you might not think youre familiar with kramer, but chances are youve heard his music before. better known as larrson, the berlin-based dj/producer has released a series of acclaimed 12inchs on esteemed labels like traum schallplatten and bpitch control. he now adopts the kramer guise to deliver a 3-track ep of smart electroinfluenced and minimal house on berlins get physical. kramers first forays into music were as a singer, guitarist and songwriter, it was hearing bpitch boss ellen allien dj for the first time that inspired him to make and play electronic music. his rock/funk prehistory is subtly apparent in the eps a1, >runner<, which begins with a warm, rounded kick and busy, clicking percussion before urgent hi-hats and a hard snare sound take over and aim the tune squarely at the dancefloor. the centrepiece of the track, though, is a synth riff that summons a taste of vintage electro, while sounding purely 2007

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.