the international freakshow theatre is opening its doors for 2009s spring season. coming along with the sunny weather we bring you another minimal house weapon that is deep, dark and dangerous! the 3 producers who are responsible for chainletters ep belong to the next generation of the clubmusic business. these young guns are mirco violi, fabio gianelli & sercan. during the last year they already were able to proof that the sound they are creating is definitely more than capable of competing within the international clubmusic scene. with releases on imprints like underground limited, off or welt sounds they gained tons of positive feedback. the well balanced and textured grooves these guys deliver are all carefully crafted while the subliminal vocal samples and stunnin effects keep the perception fully occupied as well as offering various mixing opportunities in the process. on the flipside of international freakshow no.12 youll find another phat, tribalsih minimal housetune done by them called mugatu says as well as some more hypnotic house remix of get around by berlin based till von sein who also created some really successful tracks in the past on labels like dirt crew records, morris audio or trenton, that gained full support of various top names

compost black label #25 is some kind of premiere, because this is the first remix ep in the whole black label series. the protagonist in this one man play is the bavarian jack of all trades christian prommer in a new staging of wagon cookins start to play. in the past prommer has been co staring in classic performances like trÜby trio, fauna flash and voom:voom. right now he is stirring up waves of enthusiasm with his own drumlesson project on sonar collective and his floorshaking tech jazz meets classic house reinterpretation of koops drum rhythm a. but now draw the curtain and experience prommers play going through a real strong development giving each of the three acts a significant and distinctive character. from the slowly building ecstasy in the main mix and the uplifting joy in the piano scene to the sublime floating and jamming in the closing act he convinces in every role. great deep house theatre!

driving big room tracks

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

dm classics !! all tracks recorded live by mobile one at the empire theatre, liverpool on 29.09.1984 !!

anna von hausswolff explores the sound of the pipe organ.

disco/balearic

the music in this album is derived from works originally commissioned for the five hour music theatre work alif, as premiered at berlins maerzmusik festival of 2016.

cd edition in 2-panel digipack, 20-page booklet with exclusive pictures and notes from jeanne moreau, franois truffaut and cyrius bassiak (aka. serge reznavi).an emblematic actress and a memorable figure of the french chanson scene, jeanne moreau passed away in 2017. she started singing as an amateur in theatre like the comŽdie franaise, but always wanted Òto sing balladsÓ. the man who wrote her first songs was her friend: the painter cyrus bassiak (pseudonym of serge rezvani) and like for many other artists jacques canetti was the one who brought her to a recording studio to record her first songs in 1963. this album pays homage to jeanne moreau by compiling for the very first time all the songs written by cyrus bassiak, including 4 songs that were nowhere to be found until today.

nach der veršffentlichung seiner dreamzone ep verbrachte der gebŸrtige finne jaakko eino kalevi das vergangene jahr hauptsŠchlich damit, shows und festivals von europa bis japan zu bespielen. letzten sommer veršffentlichte der finnische workaholic zudem seine -yin yang theatre ep- fŸr das beats in space label des new yorker djs & radio hosts tim sweeney, die mit ihrem bohemen disco-sound erneut aufzeigte, wie vielseitig kalevi sein kann. die zweite hŠlfte des jahres 2014 mixte kalevi sein fertiges album dann in new york mit nicolas vernhes (the war on drugs, run the jewels) und zog anschlie§end nach berlin. sein selbstbetiteltes synthie-pop album erscheint mitte juni auf cd und vinyl via weird world/domino records.