hot! massive rockin new breaks monster on the aside !! funkatech have been getting serious support all year and are dramarically building their rep and this single proves exactly why

after several works on sound division, southern fried and remixes for some of the most popular producers worldwide such as david guetta, bob sinclair or erick morillo he presents his first ep on our own imprint with this massive 4 happy people ep. his original mix is all about bass. distorted, mean and loud and actually a pleasure to use for kicking serious ass. the tea mix is more driving and fluently building up with steady percussions and filterings on the bassline while the alex delia remix focusses on minimal aspects and fragments perfectly twisting the tune for the likes of any underground set

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

more deep chicago house magic from the label that started it all. veterans bernard badie and vocalist extraordinaire dajae teaming up on this three track gem, a bumping deep and moody floor filler with a typically catchy cajual vocal. train is the main cut on this one, featuring a tight tracky beat, some up and down bass and a nice array of warm keys, definitely in line with vintage mark grant/cajmere/glenn underground vibe. now is more of a stomping dub, with a hypnotic vocal cut up over a tough building funk house groove. another winner from the home of the windy city house sound.

the latest offering from redshape in his special style. a -side is a massive track that builds around a seductive and effective minimal detroit-ish groove with a driving bassline reminiscent to some carl craig works. but redshape totally builds it to another level with sublime melodies and a additional bouncing bassline! a track that gets the crowd focused on the music and keeps going for more then 8 minutes! b-side is a typical redshape track, an addictive groove and then slowly building and teasing the listener/dancer

stal is one alias from wj henze., he has been producing seminal, groundbreaking tracks for the last few years now. he has his white tuna imprint where he records under the artist name - stal. here we have the brand new wjh 2 tracker under this moniker with the a side – southern hemisphere recieving big support .- the track itself is an wjh journey that starts with the intro cleverly builds with immense drum edits and a funky synth bassline teasingly building towards the peak drop before all hell breaks loose during and after the break. the reaction on dancefloors has to be seen to be believed with this one. this will be a limited edition so be sure to order early!!

first release on swayzaks 240 volts label. feat steb sly, roger 23 and conrad black

berlin s miro pajic has an extended history with his multitude of techno releases and alias. >data devils< showcases his modern talents and ear for the dancefloor. begin with the original creations >bubble trouble< and >data devils<. hypnotic and quirky digital pathways into an often hidden soul of berlin and electronic dance music. both cuts snap the groove and rise to the occasion grabbing the listener with the keyboard workouts and the dancer with his slick backbeats. the return of john selway(semblance factor/tronic) to tora is an epic and massive adventure. selway crafts the title cut into his own, building with layers before he unleashes a frenzy that will not go unnoticed. promo of the remix is already in the hands of top jocks (cristian smith, beyer,hawtin, abe duque) and is primed to be a memorable fall highlight

tom neville is a seriously heavyweight producer who has taken the scene by storm over the last few years not only by making releases for his own love minus zero imprint but also by remixing artists like calvin harris and making fat releases for key labels such as toolroom. this one sided limited edition for under love minus zero has got some serious, serious potential. it has to be hrad to be believed and canm only be described as a minimal building masterpiece…

marvelous track by the new breed of israeli top producers elegant universe. this ep is perfect for the summer, combining a nostalgic fat electro groove building it up to a huge epic break filled with strings, taking us back to the groove afterwards. pushing forward oldschool trancey vibed remix comes from top rising and very talented english producer tim davison

compost black label #25 is some kind of premiere, because this is the first remix ep in the whole black label series. the protagonist in this one man play is the bavarian jack of all trades christian prommer in a new staging of wagon cookins start to play. in the past prommer has been co staring in classic performances like trÜby trio, fauna flash and voom:voom. right now he is stirring up waves of enthusiasm with his own drumlesson project on sonar collective and his floorshaking tech jazz meets classic house reinterpretation of koops drum rhythm a. but now draw the curtain and experience prommers play going through a real strong development giving each of the three acts a significant and distinctive character. from the slowly building ecstasy in the main mix and the uplifting joy in the piano scene to the sublime floating and jamming in the closing act he convinces in every role. great deep house theatre!

dave dk has been buried in his studio the last couple of months fine tuning his debut album lights and colours for moodmusic. its almost ready and here we have the first single coming on strong from this talented producer. sweet yellow takes on where he left with okinawa dance on mood limited and midi rain on playhouse slow building, complex grooves keeping the floor nailed from the first moment on, building an anthem with strong synthlines and his trademark sounddesign of effects and percussion. prism is more housier in the beetz department, while building on vocal snippets and chugging keys keeping the tension on high alert. taking the best of the past and combining it with futuristic themes we are sure dave will be up for big things in the future

peter has already graced numerous labels with his unique yet constantly evolving studio style. after numerous afterhour situations with the doc family, we caught wind of grummichs new productions. we believe that the therapy ep continues the development of peters uncompromising underground productions. the title track, therapy, is a nine-minute journey into dancefloor dynamics. slowly building with concentrated breaks, therapy works it out and then some. label boss, aaron hedges, has been giving it heavy dj support and has found that its been quite some time since well placed hat crashes can drive an audience crazy. minimal, sexy and sleek, but at 7 minutes the listener is surprised with a full on new-rave lead which takes the song in a different direction. get it is a nice tech-house track with building percussive patterns and highly concentrated synth breakdowns. this track is only for the most sophisticated house djs that know when to drop a track like this. drymilk is a seriously twisted hard minimal track. nasty sound effects and perplexing pitch shifts will keep you guessing. is it genius or insanity? you be the judge!

the track starts off with addicted grooves & basslines building up with clever vocal use and lovely drum patterns which create this cool atmospheric & accomplished piece of work!on the a side we find the fantastic lutzenkirchen remix, of course well known for his top releases on great stuff recordings, his russian experience ep on tomcrafts label craft music and their collaboration with tech house master john aquaviva on blu fin records. on the flip the the great original mix by lush7 & bas molendijk! this excellent 12 already receives heavy support by top jocks as benny rodriques, michel de hey, phonique, warren fellow, lutzenkirchen and many more so make sure to not miss out on this essential disc, pure quality stuff!!

the original tracks from tim paris and partial arts had recieved incredible support from the likes of all big cats around the world (from l.garnier to chris duckenfield to jef k.). this new set of remixes should definitely go the same path. a side sees tim turning an after hour belter slow building and hypnotic track, while b side sees partial arts keepin it tweaked and funky with breaks

the next series of vinyl cuts with remixes introduces lee van downski and agnes at the remixing duties on previous pan pot.on the aside we have a solid,tight techno interpretation by lee van dowski with a fascinating cut that defiantly makes the dancefloor shake on the come back ! on the b side, agnes comes with a ultra deep remix of twisted sounds rotating all over the soundscape. a track that keeps on building and evolving through out all its extend

been impressed by his remix on wall of sound... i loved it. i also heard he won some remix competition. like a grammy, only not a grammy. the tracks he sent were amazing... but his hair, while being orange (no bonus) was not corn-rowed. while i argued vigorously that i had worked too long and hard building up turbo to see it go all >ginger<... von party defended the duke, saying it might show how open-minded we are. when i re-listened to the tracks i decided that it was well worth the risk. so.... what you now hold in your hand is the debut on turbo of duke dumont: the mysterious bad ass from the wrong-side of the tube, the hardboiled london underground pioneer who once had to eat a sampler to survive, the future of dance music, and the past of the future of dance music

pleasure me is typical of ramirez productions, once again hes creating dance floor mayhem, with the trademark phat dirty bass, building tension to a frenzied breakdown & sleazy vocals, this is sure to be championed all over this summer. on the flip the guys at slave have installed fellow sheffield producer leiam sullivan (four:twenty & dogmatik) he turns the original into an underground deep, brooding, rolling techno record, undeniably one for the heads.

the fresh newcomer does it again! outstanding minimal / not minimal techno on quagmires second o dchimera ep, ion ludwig goes back to the future. influenced by the rhodes piano and jazz ensembles from the 50 he delivers an ep which has a highly instrumental background. music to listen while drinking a scotch and smoking a cuban. centerfold connects you to the world of dreams. hypnotizing repetitive rhodes are characterizing and building house grooves characterizing this track. step by step you start to understand what this music does to you. forward to the history. white exterior is modern and classic jazzmusic for the mind and feet

huge support: joe t. vanelli, annie nightingale (bbc radio 1), uk cool cuts charts, ivan smagghe, satoshi tomie, dmc buzz charts, john acquaviva,… hell yeah is building a huge following with its straight up approach of releasing dancefloor destroyers with plenty of attitude! maskio is the alter ego for santos and it toys with all things acid. this project has already produced great tracks like >acid theory<, >analog pressure<, >detroit land< and recent crowd pleaser >human jungle<. >monday< has already seen the light of day on mantra vibes last year but got a bit lost in the world of distribution going bad. however it still reached out through the internet and now due to popular demand its getting a full release

born in australia but moving to japan in 2000, luke le mans is the main organizer of the night >quop< in osaka which focused on bringing big international djs and contribute to create a scene in the roughest japanese city. after releasing his debut ep on trapez luke is back with this 2 tracker ontrenton. much more mature, his talent as a producer are undeniable and we hope that this will be the beginning of long series of old school but yet modern minimal material for trenton. >dark helmet< has dry beats and a funky bass line with a crazy chords pattern that has some sort of a b horror movie vibe… like a minimal techno version of a dario argentos soundtrack, dark helmet will bring you out-there! the second track called >lisa< is a bit more old school but still rules and the endless loopy bass ramp that just keeps on building up will make your legs feel a bit less heavy and your mouth a bit thirstier… slg is back on trenton, but for a remix this time. after is very first ep on our label we are proud to have him back. his version of >dark helmet< is just outstanding… pure slg style, it has it all: detroit, minimal, forward, groovy… if you are still sitting in a clubs corner after hearing that on the p.a…. means that you have serious issues with being able to feel the funk!!

release no. 10 is by labelfounder and mastermind mario ranieri himself! he offers a new variety in his music style on this 12inch!on the a side there is a nice clubby groover with some melodies building up and the typical vocoder voice! also youcan finda

frankie comes back with a 3 tracker ep >a hair dressing story ep< beetwen freak in house and minimal techno a1 balance starts straight with rollin techy bassline and unpredictable weird & distorded medolies a2 shtootsh in a more housey way groovy mid bass and cut voices on the flip b1 lucky duck is a crazy 10 min versatile groovy track beetwen minmal techno and weird jackin house feeling building up an unusual floor burner ...definitely a must to have..

rmxs by guy gerber & meat katie moguais new sideproject >ataque< is musical excursion and subcollection likewise. this very first 12inch is the upbeat to a whole series that gains inside moguais future world. on b1. cocoon activist guy gerber shows his very interpretation of >ataque< with a dubby, agile forward motion. as usual, gerber has a smart grasp of building tension, as well as reducing this track to the max. the b2. remix was created by famous australian fellow meat katie, who shows his large straight potential, imposingly. his playful-plastical view rounds up the corpus and returns it into the tokyo night of tomorrow

the new eisfach comes with two building techhouse movern

hybrid deliver a monster of a remix building soundscapes of synth layers for maximum take off flip for a 303 flavoured remix by elite force

chrysanthemum ep is the first new recording from kelley polar since his hugely successful debut album released in 2005, love songs of the hanging gardens. the seeds of chrysanthemum are described by mr. polar himself as a confluence of the apocalyptic fear that permeated all cold war childhoods, comic book illustrations of blood and violence abstracted into flora and a b grade science fiction novels portraying two teens in the final throes of lovemaking as the world is destroyed in nuclear apocalypse. yet despite this decidedly dark and unique approach, the song is nevertheless pure pop catchy and indelible once heard. rosenband is lighter in subject matter yet just as deep musically, filled with synthetic layers and rhythms that reveal themselves slowly on subsequent listens. despite the immediacy of the melodies, there is a detail that permeates all of kelley polars work and rewards the attentive listener. a completely reworked instrumental version of rosenband is stretched across the b side and is dare we say it a dancefloor killer, with a long, mix friendly intro building to an incredible crescendo. the track is arranged and mixed by morgan geist and was done so with djs in mind!

after the huge cross-over hit impressed here comes the next single by solee. different again combines the fresh sounds of electro with a nice melancholic and trancy melody. the huge slowly building hell of a break will leave your crowd with their hands in the air…for sure! on the flip you will find a superb hypnotic minimal remix by voltique, who already released on get physical, gigolo and love triangle. last but not least there is a remix by newcomer pascal vert with a nice laid-back appeal

hammered by: david phillips, sebastian leger, mike monday, nudisco, fex, martin eyerer…. german label combi int kicks off 2007 with three crispy minimal tracks, aiming straight at the dancefloor. well, what also could one expect from a 12 inch called >tony der schieber< (tony the pusher). in charge of combi ints fifth release is frankfurt producer reboot aka frank heinrich, who adds a dark tech-flavour to the labels versatile profile. building up slowly >tony der schieber< is a track rich of detailed rhythm- and sound-programming. no wonder that this guy is sharing his studio with promising cocoon-artists ingo boss and chris tietjen.

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

new stunning limited series on ostwind !! >een.1< is a really ear candy - hit alert. the great jackin groove and the spooky hookline rock the crowd for sure. for fans of trapez, mbf and earlier teibstoff releases a must have. >een.2< on the flip is a phat building techhouse mover full of hypnotical detroit chords which blow your mind away !! for fans of martin buttrich, carl craig & co. supported by monkey mafia (fat, wighnomy broth.), holger nielson and daniel bell !! >een.2 includes samples fromm mescaline circus by dan berkson & james what (pokerflat rec)<

deep italo with narration, dark feeling synths and a techy edge. unique b side dub, synth drenched, italo/techno with building atmospherics and stripped down simplicity, opting to lose the vocal. dj friendly accappella also included on b side big big tip

brothers bud return with another chunk of boisterous bass in the form of yap yap, a casio fuelled concoction of heafty beats and cheeky bleeps! the a side is as solid as we have come to expect from the boys bud, with yap yaps robotic vocals building to a typically funk stained breakdown. on the flip escobar and vito steer things more towards electro house territory ensuring there is something for everyone on this peak time belter

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

nice building techno track (one sided) on this obscure release.. no additional info on the label or artists but its strictly limited to 300 copies. a different version of this 9 minute anthem will have an official release on another label soon. cool record that will kill it on the dance floor and even tho that logo rip-off is very much 90 style its still kind of funny

incl. amazing audiofly mix !!! played by oxia, stephan bodzin, mike monday the italian super producer remo strikes back with another sure shot of dark and electro soaked house monsters – most of you will remember him from his collaboration with chelonis r. jones on giant wheel. big ball bass-lines are fighting against each other while a stomping beat and sci-fi synth sounds hold it tight. on the flipside no one else but uk upstarts and prolific producers audiofly (get physical, tsuba, connaisseur, …) deliver a super hypnotic and driving remix. smooth arpeggios and a slowly building melody make this a floor shaking bomb! not to be missed.

arturo has been championing the classiest nu disco sounds at his club miocuore in pescara, italy with guests like the idjut boys, stevie kotey, greg wilson, maurice fulton, joakim and alden tyrell and building the most loyal of followings.stevie kotey picked up his album on a recent gig there and the first single svolvaer is destined to take arturo around the world in a bear disco dub spaceship. svolvaer is aptly named after arturos favourite place in norway, a country that has been, in artists originally introduced by bear funk like lindstrom and prins thomas, a musical inspiration to him. arturo adds his own italian flavours though and even bear funk gold artist fabrizio mammarella was enlisted on the guitar lead flipside track rego dancer. its a family affair as they say, but you dont wanna mess with anyone from the capone family

2 frequency is a very old school sounding breaks affair flip over for a top pilch remix who takes the track in a different direction with this huge building intro

railyards sean palm sets the tone with his debut release, pluce. funky electro tech with building pads that sound like a love child of james holden, terry francis and dan curtin

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

loved by luetzenkirchen, laurent garnier, sander kleinenberg, kiki, deep dish, dj chus, peter kruder .. right before the release of the new gusgus album >forever<, the band teamed up with former gusgus singer daniel agust to produce >moss<.. gung ho artist greg churchill from new zealand adds a driving peaktime remix full of trance flavour. tim deluxe delivered his best remix he ever did, hypnotic, building and powerful..

loved by luetzenkirchen, laurent garnier, sander kleinenberg, kiki, deep dish, dj chus, peter kruder . right before the release of the new gusgus album >forever<, the band teamed up with former gusgus singer daniel agust to produce >moss<.. gung ho artist greg churchill from new zealand adds a driving peaktime remix full of trance flavour. tim deluxe delivered his best remix he ever did, hypnotic, building and powerful..

long time no petar dundov record on music man but that was only because he was building a new studio. this ep is the very first result to come out of it by the way! the croatian techno lord drops another wicked 3-tracker in his own unique sound. running man on the a side is a slow builder, but the flip has that typical dundov style again. three absolutely stunning tracks and a nice preview to his forthcoming album on music man! watch out

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

new kid on the block jordy lishious is already building quite a name for himself in his home land holland delivering top form dj sets all over the country. expanding his talents he now drops 2 tracks full with funked up badass monstrous tech electro house.already supported by erick morillo, steve angello, marco v, benjamin bates, erick e, fedde le grand, dj delicious, wally lopez, dave spoon, mark knight, martijn ten velden, chuckie, don diablo, dj dlg, mync project, mike monday, robbie rivera and more

taken from the tribute to robert moog album. an amazing track from bangkok impact (probably our favorite on the album). great building disco track in the vein of lindstrom. plus a rocking uptempo pieve by lowfish (cocoon/ghostly). plus a massive uptempo model 500 kind of techno/electro track by luke eargoggle. three great tunes on one piece of vinyl! must!

on the a-side orlando comes with an oldskoolish dark detroit track >pimp the princess<. a mysterious, almost psychedelic / mental, atmosphere, build around a solid groove. it also has a perfect building up, breakdown and climax. this is really something to experience anywhere, anytime. the b-side contains a ritzi lee remix on >pimp the princess<. typical ritzi lee style. hard, funky and uplifting. the bonus track >meltdown< also has a solid groove, oldschool style techno, with mental hypnotic sounds to pull the crowd to a higher tension. this one is for the true believers