2xcd! all the biggest cosmic gate hits!

arran was doing a photography course when she joined the band, and at her first rehearsal she brought along a notebook. written on it was dark room notes. we had gone through numerous terrible names, and felt this was one we could settle on. we were lucky she wasnt doing a knitting course. >we love you dark matter< was recorded in a live setting as such, keeping over dubs to a minimum.

nach der veršffentlichung des neuen albums tomorrows harvest, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten. jedes neue vinyl enthŠlt diesmal zusŠtzlich einen downloadcode sowie einen boc sticker aus der jeweiligen zeitphase. zuerst erscheinen die alben music has the right to children (1998), geogaddi (2002) und the campfire headphase (2006), im zweiten schritt das minialbum twoism (1995) sowie die beiden eps in a beautiful place out in the country (2000) und trans canada highway (2006).

just a classic!

essential tracks from the 2000s on black 180 gram double vinyl.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers’ third album. “solchi” is a deep search into previous moments in lorenzo nada’s lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbc’s current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbc’s tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements. for this project, gbc invited several musicians into his home studio, both old friends and new. they helped to recreate the sounds of the original recovered recording, as well as add fresh ideas to the project.

just as magnified record grooves reveal dust constellations and lunar landscapes, so too does godblesscomputers third album. solchi is a deep search into previous moments in lorenzo nadas lifetime, influenced by the presence and power of music. his process began with the recovery of some old cassettes, mixtapes nearly forgotten, audio recording of voices from his childhood, and lots of dusty jazz, soul, and hip-hop records. as the starting point of this travel merge with its end, past and present combine to form gbcs current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks, colored by synthesizers, guitar echoes, scratches, samples, fading voices and kalimba. the album is a collection of sixteen stories, sixteen soundscapes, each of them gbcs tribute to the path taken thus far, an homage to his love for music. the recording and studio work took place over a year, with the adding and subtracting of many elements.