a new label by nachtbraker

gaetano battista has been popping up intermittently for some time now, most notably under his own name on boe recordings back in 2013. now he s adopted the name mental vibe construction for this turn on chez damier s courtesy of balance, bringing his most forthright dancefloor cuts to date. guru is a muscular, punchy slice of house music executed with a midwestern toughness and lashing of synthetic soul. lifestyle is equally enchanting in its melodic qualities without skimping on the rhythm section, while lee theory takes things deeper and funkier. chi soul touches on uplifting techno tones in its illustrious synth patterns, but it s still got a house heartbeat pumping away at the centre.

hans solo, frontmann der legendären hip hop formation ai-tiem legt bei seinem debut als solokünstler gleich eine dissertation ab. dissertation ist ein konzeptalbum und wird seinem namen gerecht, was die auseinandersetzung in vielerlei hinsicht angeht. bekannt für seine politschen texte blickt hans solo hierbei tief in die abgründe des menschlichen daseins. mal zynisch und boshaft, aber auch oft ironisch mit einem augenzwinkern. musikalisch schlägt er eine weite brücke zwischen oldschoolbeats und elektrolastigen fast schon psychodelischen klanglandschaften. auch das artwork des covers unterstützt das gesamtbild durch seine bildsprache und macht dieses doppelalbum zu einem zeitlosen gesamtkunstwerk. mit der unterstützung von nur wenigen anderen künstlern (lustikus, david dollar, sicktunes, the staticfield, adelsmann, chaid, ponchmann, peztboy) schafft hans solo hier seinen ganz speziellen mikrokosmos. auf einer fast 80 minutigen zeitreise in wahrsten sinne des wortes geht hans solo textlich wie auch musikalisch durch alle höhen und tiefen des gesellschaftlichen miteinanders.

limitiertes orangenes doppel-vinyl plus 10 inch im klappcover, downloadcode für das album plus instrumentals inklusive.

doppel-vinyl im standardcover, downloadcode für das album plus instrumentals inklusive.

chicago 1992. ray barneys dance mania imprint has already been making its presence felt on the streets since way back in 1985 with a slew of releases from luminaries such as lil louis, dj pierre, vincent floyd, armando and many more. step in parris mitchell, under his rhythm ii rhythm alias with a 12inch of pure deepness for the label, oddly this the only one parris released using this particular name. a touch of jazz is a languid, soulful roller that stands out amongst the more tougher edged, frenetic releases on dance mania. this is some late night, smoothed out business across 4 alternate mixes. it s all uptempo snapping drums, shifting jazzy keys and that ridiculously catchy bassline, pure deep house basically. this is the first time a touch of jazz has ever been reissued in full, just as it was originally released in 1992, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. do it tonight!

church label boss seb wildblood continues his catalogue with sw004. the release follows wildblood’s much sought after cassette from earlier this year (sw004) which featured three of the four tracks on the record, whilst the new addition doesn’t deviate far from the sw playbook. ‘every body looks good at the restaurant’ offers up meandering sax melodies, warm jazzy pads & soft percussive layers amidst an intriguing monologue.

deleted - strut praesentiert hardcore traxx: dance mania records 1986-1997, die erste definitive retrospektive von chicagos wichtigstem housemusic label. das label half bei der etablierung des ghetto-house-sounds und repraesentierte die street level clubkultur in den neunziger jahren. es entstand als raue alternative zu trax und dj international mitte der 80er jahre

waldhaus (artillery, toolterror, men in motion) is one of the biggest talents of the hard techno scene. this record features four versatile and recognizable industrial techno and industrial hardcore tracks with huge breaks and thundering drums.

the finns from new judas are back with a new release to convince you all to believe the hype. this time pets on prozac meets obi blanche on a split 12 where tropical beats meets gypsy tech. pets on prozac hailing from helsinki, finland knows how to turn nocturnal melancholy into tropical psyche house. starting out as a noisy punk techno band back in 2005 the set up was a trio of handsome men all bringing a taste of their own into a solid blend. after getting their debut single out on uk label house cat recordings they quickly earned their fifteen minutes of nme fame and got recognition on the blog roll. obi blanche, the man behind the twitchin and grindin beat music he himself has dubbed hobo-tech has come a long way to greet you. the tech-savvy finn has travelled a winding road of differnt sounds from his position as a guitar vendor in the rural viking midlands to his current studio chair in his new haven berlin. starting out with a technics 1200 turntable and a numark mixer he began to produce hip hop beats in his teens, smoothly progressed via mod to idm and onwards to produce his nowadays sweaty hifi vs. analog electro mosh

back in stock.. archaische elektronik von owen ashworth. zum flachen klang uralter, batteriegetriebener casiotone-keyboards singt er von tiefem zweifel durchzogene gesänge der liebe, melancholische popsongs..