>selfish< is hard tons debut ep for gigolo records, an artist in the true sense of the word, and one that appears to follow the same lineage as previous label mates fischerspooner, tiga et al!

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

limited edition 7 inch of this future classic!

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

naum gabos (optimo member) remix creds include franz ferdinand, hot chip and mgmt. psycatron is a recent r&s and planet e signing. big remixes!

gigolo shirt with a big frontimprint... (gigolo shirt with a big frontimprint... (85% cotton, 15% viscose))

gigolo shirt with a big frontimprint... (85% cotton, 15% viscose)

great muscle shirt, black with blackimprint, (100% cotton)

great muscle shirt, black with blackimprint, (100% cotton)

great muscle shirt, black with blackimprint, (100% cotton)

phat hell remix taken from peaches last studio album -i feel cream- released early 2009, -lose u- is definitely one of the highlights! written and produced by peaches and james ford and jas shaw aka simian mobile disco the original single was one of hell s records of the year. in true gigolo style hell and christian prommer set about remixing -lose u- regardless of release commitments or marketing schedules and the result is found here on this limited edition vinyl only release.

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

in the wake of the ubiquitously received teufelswerk album dj hell sets his sight on a forthcoming remix album. with this in mind we would like to introduce you the thomas schumacher remix of hells disaster single!

the model is no stranger to gigolo, and we (the royal we) are no strangers to the model. as a supporter of gigolo records, you, our fated reader, should be familiar with our protagonist previous gigolo adventure. but in the words of the late george harrison, >all things must pass< and with this in mind we would like to reintroduce...
the model doesnt just have his own sound, he has in fact attempted to engineer his own genre: dark-techno-baroque. the sound has been crafted through a penchant for aristocratic mannerisms and a passion for high fashion and low fetish. it also happens to pretty succinctly sum up part of his unique personality. set against a backdrop of refined charm, there s an underbelly of something dark and brutal, which is possibly the best way to describe the a-side >in the night<. in many ways this could be seen as a return to form for gigolo, immediately poppy but structured as a classic song with haunting vocals underpinned with a driving techno rhythm. to further consolidate the techno aesthetic look no further then >flex on the b-side and you have a pounding track that could have been played by daft punk in 96 and will probably find a home with a diverse selection of djs today.
the >vampire funk ep< is the first release from the models forthcoming album on gigolo. the concept is in the same vain, but delves deeper into the dark-side of the model. exploring his fetish with the night and creatures that occupy its opulent corridors. like classic transylvanian tales the music from this album will present details that set the mood and composition to create tracks with narrative regardless of lyrics or words. the result being music that moves both bodies and minds and stirs the blood. as pretentious as this sounds the author of this mindless scrap of paper has the fortunate privilege of speaking from experience. as the mind that moves the hands that moves the keyboard is the mind that is being moved by the music as i type and you read. so we are already part way there. the rest will unfold in the coming months.

techno at his best .. great remixpack from deetron -- what a bass and jay haze ... fresh techno so wirds gemacht toll

one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

radioslave rmx! epic piece of music, one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

phantastic remixes by superpitcher (kompakt) & jesper dahlbõck!

big record! drawing inspiration from such a rich land helps us to recognize the root of sei a s transformation to the highly accomplished producer that are supported by ben watt, dj hell, john digweed, james zabiela, laurent garnier and tiga!

welcome to marrakesh. each track has an unmistakable flavour of its own, from the exotic melody and cheeky line of marrakesh, to the arrped-out melancholy of juno ride!!

these two have paid their dues and have released on some of the most prestigious labels in dance music. kompakt (meditation ep, fears inc.) mood music (memory lane refund ft. sasse), cocoon (mindflexes) and r&s (everytything remains/cryptid

the latest gigolo release is one for the summer! aptly titled hot it comes courtesy of ivano coppola and christian prommer, the former being one of italia s most respected dj s and the latter being, amongst other things, one of the main collaborators for hells critically acclaimed album teufelswerk. taking a sample from willie ninjas classic record hot and building a track around the chords and the vocal leads us to our starting point ivano coppola plastic mix!
ivano coppola has been the resident dj at milan s plastic club since 1992, so it is fair to say that he knows what works on a dance floor, or, to use a popular phrase, what is hot and what is not. it is with this historical knowledge that we find the genesis of our track. i found it necessary to go back in the past, to start producing once again in a 90 style - using samples. the next step was to come back into the future and reach out to christian prommer, highly respected by many including ivan i consider (christian prommer) one of the best producers of the moment! he loved the idea, the remix was huge, and so we decided to co-produce the record. simple!!!
but, for christian this was more then a remix, hence the co-production credit! i liked the idea of translating an early 90 s house-music-sample in to a sample-style-percussive-techno-tune. lots of live played drums and percussion in this one, of course. i only later learned that the sample we used is from one of my house music heroes, maws louie vega. naturally the record found its way into the hands of gigolo in the best way possible, and in the tradition of such a great record label – i played it at the gigolo night in munich and hell came to me dancing and took the tune into his heart.

it s all about jack! germanys mysterious collective return to the gigolo fray with two more tracks of body jacking heart-pounding mayhem.

(playgroup remix) techno as it should be, a dark, avant-garde battle between technology and emotion!

rothers latest release is like a point a to z on his impressive body of work and gigolo is extremely happy to present this to the congregation! the melting of electro with other genres is what makes the electronic scene and its music more interesting than ever before...

teufelswerk the german for devils work is hells masterpiece and a towering double album follow up to 2004s ny muscle and his breakthrough 1998 opus munich machine. across 16 exquisite tracks divided into two themes, night and day, hell weaves an intoxicating spell. night sees hell in more familiar nocturnal surroundings as detroit and chicago grooves battle the ghosts of kraftwerk, neu! and daf with notable vocal contributions from bryan ferry and p. diddy.

dj hells international deejay gigolo imprint brings the debut album release from australias kikumoto allstars: house music!!! in the spirit of the original chicago acid house of marshall jefferson, larry heard and adonis, and with the intensity of modern dance, comes kikumoto allstars aka dj/producer cam farrar.

a simply lethal cocktail of grind and drive, a deeply infectious groove combined with funky bass and distorted vocals. hell can really pick a winner every time

a soundscape of dance floor dreams - soft yet progressive, a track that commands you to dance. shine kicks up the pace, balancing a heavy elasticized bottom end with some deep and dark synth action!

the lead single from dj hells forthcoming album teufelswerk. as a stand-alone piece of music its as solid as the dance floors it will be played on, but immediately hints at the wealth of ideas that exist on this forthcoming album.

you still cant stop the house! in the spirit of the original chicago acid house of marshall jefferson, larry heard and adonis, and with the intensity of modern dance, comes the kikumoto allstars aka dj/producer cam farrar.

heavy, heavy analogue synths attack from the start and here the layers just keep building - stabs, pads, bass and a melodic string arrangement designed purely to heighten your senses. epic and intense

excellent two track vinyl sampler , taken from the forthcoming dj hell mix-cd elven... (out on 23-02-2008)

brill 80s infected electro pop tracks, incl new remix by adamsky / ltd repress

ultraphat tech electro-pop…corey hart sampled... Überhit / incl bangin chris liebing remix / ltd repress

phreakin tune , incl remixes by savas pascalidis & dj naughty !! / ltd repress

repress, 4 classic jeff mills tracks

jackpot embodies chicago house and electronic elements with a voco-vocale telling you how to jack until you hit the jackpot ... pure. dancefloor. cash on acid builds and builds to a stabbing/ hand-clap acid frenzy... and what comes up must come down.

fetisch & me return to hells gigolo for their second joint ep release with >the calling / useless man< - techno for the strong / words for the dirty minded. fetisch & me are the production team behind terranova and more recently the lotterboys / girls

here you have a little history of house music in one package. i ve lost control (an ode to the sleazy b / marshall jefferson trax records release) is played by ame, radio slave, phonique, shinedoe, d julz, alex smoke and more.

eye catchy dress for girl .. cool style

the first single from hells upcoming double-disc concept album teufelswerk. .(ink & needle remix) the disaster pulses with balanced minimalism, and that erotically sinister hell signature touch.

fresh from his recent 24/7 recording sessions comes this ultra powerful double sider destined to blow your headz and keep yer feet dancing on a never ending story. no need being a musicologist to realize where gigolo takes his major influences from sounding like a blatant contemporary response to disco don giorgio moroders classics with a deep cinematic emphasis as created by the synth lines. meanwhile klubhead takes where those ultra magnetic grooves which would make the reputation of the zanzibar such as underground solutions luv dancin or dee dee braves my my lover left in the beginning of the nineties.

the deep and powerful track voyager and really gets of on b1 with minimax 1. minimax 2 takes the pace even higher with punchy snare beats and spaced-out effects. every one of these tracks is ideal for the dance-floor and will work well in a party set: just what you need to get the crowd jumping

a gong chimes the start of title track and straight away this massive tune launches into a kicking beat and funky bass groove. fetischs most recent hit coll. is with fellow gigolo princess superstar on their lottergirls project

new gigolo slimpats ... 2 cowbobys he he he

although berlin based dj woody has long been a member of the gigolo crew, having the honor to play at some legendary gigolo nights, this is woodys first solo release for gigolo. and what a fine entry onto the gigolo-scene it is: sure to get people in the know talking... and dancing! woody is the original sonic funkateer whose life is completely focussed on music and his very own definition of funk. hes a genuine kind of a guy, needing nothing more than two turntables, a mixer and an audience to know hes alive. for him djing and making music is not just a job, its his destiny. just one listen to a track like august and you know how much painstaking attention to detail, and love, has been poured into the production of these tracks. august is a cerebral sounding track that will lift you to another level. a version of august is featured on the double cd 10 years anniversary compilation gigolos cd 10 (gigolo210) selected by gigolo boss hell. booty bar is another pumping and raunchy tune thats guaranteed to get that ass shakin. its and slammin beats and funky, almost jazzy, synths licks plus the sexy vocal samples gives this number a succinctly gigolo feel to it. with songs like this, its no wonder that woody is one of the most respected german djs on the international scene