the receiver series presents six remixes of tracks from peter van hoesens acclaimed perceiver album. all six interpretations showcase the best of what contemporary techno has to offer

updates / edits by peter black. first up is is an edit of >performance< by tones on tail. on the flip >ween - zolo ft< mixed with kraftwerk s >numbers< + a danceable version of u2 s cover of >neon lights< by kraftwerk. limited blue vinyl

enthält original-remixe von belindas größten hits, gemischt von shep pettibone, william orbit, steve beltran & keith cohen, peter arata & rick nowels, justin strauss und mehr. zu den ausgesuchten tracks gehören die klassiker �heaven is a place on earth�, �leave a light on�, �summer rain�, �i get weak�, �circle in the sand�, �(we want) the same thing�, �live your life�. frei sein- und mehr. gepresst auf clear vinyl zum rsd 2023!

supported by: dixon, seth troxler, gilles peterson, moxie, francois k, osunlade, josh wink, jovonn, kraak & smaak, tensnake, horse meat disco, crazy p, leo mas, luke solomun, hot chip, nightmares on wax, honey soundsystem, danny tenaglia, red rack�em, soul clap.

inclusive peter van hoesens midnight haze remix

this release features a classic track by new-formed super-duo, lemi, who are stephane lefrancois and jason miles. this duos love for everything percussive and melodic comes through in *all i see is you*. treat yourself to the infectious rhythms and harmonies of the vocally driven original and the remixes by miguel graça, right2dance and koyla.
support by: laurent garnier, m.a.n.d.y, onionz, tony rodriguez (brothers vibe), rainer trubel, tyler stadius, joshua iz, marques wyatt, mark farina, julius papp, peter christianson (lawnchair generals), erik schneider (giant step / bastard jazz), murray richardson (baker street / rebel waltz), humberto matias (social disco club), jeannie hopper (liquid sound lounge / wbai / artonair.org / cielo ), doc martin, jamie kidd, voytek (my favorite robot), sascha weisz, mike burns, gvibe, mauricio aviles, giom, philip arruda, amir javasoul, trevor walker, christian pronovost (lost heroes), cesare cera aka black mighty wax, eleonora cutaia (samurai fm / m2o), dj the fox(antena 3 / dancetv / clubs), makossa (radio fm4 / vienna), dj reeplee.

including boris ochs, george perry & peter latino remixes.
supported by: dj misk (altroverso), nic fanciulli (saved records), dj linus (exun - gigolo), paco osuna (mindshake/plus 8 // club 4), kiko martinez (docepulgadas radioshow), claude vonstroke (dirtybird // mothership), richie hawtin (minus), the glitz (voltage musique), nicole winter, bait & switch (sophisticated retreats), andy cato (groove armada), homebase (beatwax), satoshi fumi (klik, plastic city), alexander aurel, mark jackus (cuscus), hell i am, rob slac (chillin music, om records), alexander bien (electrosound.tv), joy kitikonti (start records), tagträumer, (blackfoxmusic), lonya koval (asymmetric recordings), oliver roos (diametral records), pizeta (autan records), mag - tsugi (tsugi magazine) and many more...

you can not stop them! with each release they even seem to get higher and yes...deeper too. we are proud to present shahrokh sound of ks fourth black label appearance with three remixes of their highly acclaimed album >dripping point<.dripping point got massive support from djs like rainer trüby, peter kruder, atjazz, sasse and me.

great house anthem with vocals from the chicago legend robert owens. already no.1 in the november charts of dj karotte and dirt crew!!! massive support from peter kruder and monica kruse as well!!!

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsun� music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

jesper dahlback is one of swedens leading djs/ producers with a lengthy back catalogue to his name, including co-production on two tiga albums, the hugg and pepp project with cousin john dahlback, and remixes for the likes of rex the dog, zoo brazil, arnaud rebotini of black strobe, thomas p heckman, robyn, the knife, and depeche mode. jesper has music in his genes, but it was the musical movements in detroit, berlin and london that inspired him to start producing techno, back in 1991 in his bedroom studio. completely hooked, by 1993 he d formed the stockholm-based globe studios together with peter benisch and adam beyer (following a chance meeting on the train to love parade?) and has worked there ever since. in 1996 jesper started the imprint, blank, mainly for his own material, and simultaneously launched joint venture dk with thomas krome - one of the first labels in sweden with a techno house crossover approach! in addition to making music for various techno labels around the world and working with planet rhythm, jesper met up with swiss-born stephan grieder who had just started the svek label. the duo started to experiment with different sounds, drawing on house musics roots, utilising vocals and acoustic instruments. jesper now describes his sound as >ranging between the analogue sounds of the roland sh101 and the precision mathematics of my computer. i m a researcher and developer of unheard sounds! since the founding of globe studios, i have always been looking for new ways to bend the rules and test the unknown. when i dj, i just play my own productions blending old classics with new unreleased demos.< a producer first and foremost, jespers dj dates find him weaving a soundscape of his productions, remixes and collaborations with new material at every gig, as well as musical elements and sounds worked through the set. one of his favourite current ventures is his part in jori hulkkonens acid symphony orchestra.

amazing sexy chicago funky tech track , contains remixes by dj funk, trevor rockcliffe, peter black !!

cd album + dub cliche, a special edition cd with dub remixes plus new tracks