sometimes a track is so hot it just has to come back around again. about ten years ago brett johnson and dave barker (stucco homes) wrote some unbelievably catching house tunes, one of them being temptation and lies. so it just seemed right to give this track yet another life. deadbeat and mike shannon dive deep into a stripped down techno groover, removing the constant use of the vocals and creating a rolling techno dub version. some seriously deep bass in the production that works the subs in all the right places. ernesto ferreyra and guillaume coutu dumont aka chic miniature give you a playful melodic version on the flip. full use of the original chord progressions, combined with the guys signature marimba/latin percussion leaving you with a lush, warm summer hit. then brett dives into the track again giving you the oohs and ahhs mix. a ten minutes work out with bjs patented groove focused on the vocal harmonies in the original. the result is a warped, spaced out, long player that is sure to twist a few heads. mental just about sums it up. of course we had to include the original masterpiece for those who didnt find it the first time round. a favorite of everyone involved on the remix project i think youll agree that the temptation and lies cynosure mixes do the original some justice.
phonogenics >postcard< is slow burner, building and rising to a eventual climax of melancholic underwater deepness. this song will no doubt be played by those in the later time slots and anyone who wants to add a little journey to their mixes. our main man dex aka dave barker is back with another slice of some quality melodic quirky goodness. >yikes!< has a very chopped up funk/soul feel mixed with solid house beats. studio trickery and a hidden japanese opera helps the track evolve from its soulful beginning to another world entirely. finally, we are very pleased to bring you the first of many musical efforts from amantu wilde. not much is known about amantu as he is a bit of a recluse and does not offer up much information about himself. >g-g-got my eyes on you< is a very retro sounding track reminiscent of some classic new wave jams. pseudo industrial percussion and excellent filter work make this track something to remember. something strange for sure but we think people will like the break from the mod rn sounds
blinding, melodious deep-tech 4 tracker from dave barker who already can boast impressive releases on imperial dub, classic and collabos with his buddy brett johnson. jump right in on last train outwith its rattling, metallic rhythm, sweeping pads, a catchy piano melody and smooth key changes or get into a skanking mode with the off-beat, resilient roy roosterwhich bears a ressemblance to late 60s / early 70s reggae instrumentals not just because of the beats but also for the exotic spaghetti-western-like melody
WINSTON RILEYS ROCK STEADY & EARLY REGGAE 1968-1969 (LP)
12 Inch LP 20.06.17
these collections of winston riley’s early reggae releases shine the spotlight on his superb vocal productions with the shades, the mad lads, and of course the techniques, and feature the impeccable lead vocals of dave barker.