first release from the portuguese vinyl only label, dreams come true. born from the childhood dream of his mentor ostinato, dct aim to reflect his passion for vinyl records and electronic music. for this first release, nothing better than bring together friendship, passion and talent. in the last couple of years floog and ostinato became close friends and crafted this release togheter. the original tracks from floog reflect all his versatility fusing minimal with some spicy and tasty vocals, following a different path of the classic rominimal sound. the remixes are the reflection of the label owners personal taste. antraum (traumer and anton) did a huge remix with an infectious groove, a huge bassline, and certain sound complexity that makes you dance from the first to the last beat. ted amber its for sure one of the bastions of the classical rominimal sound. this remix shows all his talent to build unique vibes in each release he does. dreams come true is now unleashed, and we ll keep sharing them with you.

acc records presents the reissue of bastions self-titled lp, one of the most scintillating and coveted records of the yugoslav 1980s.

the thule vaults open up once more to give us further insight into the foundations of one of the great bastions of icelandic deep house and techno. plastic is an early alias of yagya, who was on searing form when he originally made the river electric 12- back in 1999. a metallic finish gives -brain plasticity- it s unique appeal, while -translated translations translated- heads into dubbier territory (albeit with some cheeky bitcrushing thrown in for good measure). whichever cut you plump for, thule have dusted down yet another gem of unique scandinavian techno you won t want to be without.

melbourne talent mos howieson makes his solo 12 inch debut with two heavy diverse originals, backed with remix trips from marco shuttle, eerie boss and recent time to express killer, plus berceuse heroique and macro artist, l estasi dell oro. kemuri beats with abrasive movements engulfing the listener, while bastion soothes with bukem-esque grace and weight. mr. shuttle drives the title track into hyperspace with a steady modular pulse. bastions rising melody is chopped to a galloping groove to the cosmos.

alex agore can be described as one of the bastions of the true house music, gaining notoriety for his no nonsense house productions. his unique deep sound has a resounding feel of classic 1990s with a refreshing melodic vibe.

fresh dot colour series, three hypnotic tech house slammer. flumo gets back in its old ways, no matter how many blissful digitalizations remain behind. >pink< dot olour series could be acquired and enjoyed in a vinyl format. three bastions and banners of our label sign this work. a captivating piece unveiling the summertimer, where sonar sets a crucial place..

large music chicago! bastions of quality house, large music have joined forces with belfast based producer ric mcclelland aka scope for the release of his outstanding debut lp. as a special gift to sound purveyors everywhere, large music has released a vinyl only sampler featuring 4 of the stand out tracks from the album. laidback grooves such as i dont and the breakbeat fueled workout of >wont be long< bring a certain diversity to the mix, giving the album real depth. ric also stretches his musical muscles with the downtempo charmer >myles groove< and the 80s flavored >the drop<. seven reasons displays a breadth of sounds that make for an engaging and genuinely interesting listening experience.

nice price deal !!! up to this point, diogo accioly and diego mouras partnership as talking props has taken off and reached the heights of international acknowledgment almost effortlessly. acclaimed not only by their peers, somewhat denoted by the fruitful joint ventures they managed to forge which renowned names such as vincenzo, argy, but also peer whose attention they managed to grab, labels reputed as bastions of quality music such as suara and dessous. quite predictably, it seems that in the case of this release on the d-edge records, the label sprung from the club where they hold their long-lasting residency on thursdays, they made some of their best efforts to date, releasing two deliciously infectious numbers.

pastoral/tropical soundscapes and post-brutalist compositions by max loderbauer and jacek sienkiewicz from their ÒendÓ cd seem to evoke those situations where can actually hear objects, shapes and time flow itself, a sort of synaesthesia which erases and obliterates beginnings and ends of events, processes and phenomena. apocalyptic and contemplative spaces generated by this pair of seasoned sound creators explode genre bastions of ambient and idm, leading into the spectral areas once explored by such pioneers and popol vuh or ilhan mimaroglu. above all, etheric and extra-sensitive ÒendÓ marks the meeting of two incurable individualists, who use various tools of their trade to come up with a surprisingly atemporal effect, an insistent pulse of detail on an ever-morphing background. without vivid commentary and recognizable soundbites of the present, ÒendÓ is simultaneously an interesting projection of hopes and anxieties of the new age. core of tracks included on the record has been produced on the occasion of max and jacek appearing as a live duo during 2015Õs berlin atonal festival, which resulted in well received Òalpine-tatra-himalaianÓ ep Òridges-. remaining compositions are natural conclusion of their friendship, conversations, meetings, trips and recording sessions that operate according to the rule of free improvisation with a reduced instrumental setup.