the latest crimes of the future comes from dimitri distant and lvrin, two emergent artists with a penchant for pitch black grooves steeped in the kind of acidic, wavey styles that cotf are consistently striking gold with. -blasphemy- is a powerful slice of reductionist acid that uses a bare minimum of elements to create a sinister atmosphere to strike fear into the hearts of unwitting dancers. -dead sunday- is no slouch in the creepy department either, its clattering beats and bubbly acid line straining against a tape-stretched backdrop of synthesizer malaise. -achromatic- switches stance to slow, undead electro soaked in embalming fluid and filtered through a b-movie veil for maximum guttural impact.

airplay on tom ravenscroft (bbc radio 6 music), re:lax w/ re:ni, laksa & biggabush (nts), gage (nts), from the depths with drakeford (nts) premieres of four feet and blasphemy on trax mag and ransom note review on 2 hungry ghosts dj support from midland, bruce, re:ni, troy gunner, maya jane coles, minor science, via maris, mosca, blackdown/martin clark, horse meat disco, tony thorpe, daire carolan (all city records), deft, phototherapy, shadow child / polymod, lukas wigflex, soulphiction/ jackmate

déformation booléenne kicks off the divine blasphemy label. remix support comes from d. carbone and codex empire.

carbone records’ raving disorder series continues. delivered on transparent green vinyl.

nach mehr als einem jahrzehnt ist es an der zeit, den heiß begehrten katalog der stockholmer death-metal-legenden dismember endlich neu aufzulegen!

ltd to 250

rick hyde releases “plates 2” with features by benny the butcher, conway the machine, westside gunn and others.

vinyl lp plus cd in gatefold sleeve.

repress - standard cover - what? unit 2, the classic mad mike production for the seminal detroit house label happy records (a subdivision to underground resistance, distributed by submerge) remixed some decades later? blasphemy, you might cry, a sacrilege, others might say, discogs police sirens everywhere. whatever the verdict, approved and sanctioned by the copyright holder himself, here it comes again and again. begotten during a kink live set, successfully identified by the running back ceo, extracted and road tested as a phantasmal endorphin-producing staple in his dj sets, later released as a limited, stamped white label and now properly issued by popular demand. people whose life is not a big room or a rave in a car park, will find a tamer, but nonetheless heartfelt remix by romeÕs dynamic duo tiger & woods on the flip. deep doesnÕt always rhyme with sleep.

still reeking from the filth of the tv studio, tabloid mongering and howls of blasphemy from the old guard, dj seinfeld is proving to be a hardened veteran of the circuit. a new anti-hero for a humourless and devoid internet age kicking against the hollywood reptiles. ‘ruff hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. it’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. it’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. the losers, the freaks, gore heads. bare bones tackle for the floor and analogue anthems for the disenchanted.

what? unit 2, the classic mad mike production for the seminal detroit house label happy records (a subdivision to underground resistance, distributed by submerge) remixed some decades later? blasphemy, you might cry, a sacrilege, others might say, discogs police sirens everywhere. whatever the verdict, approved and sanctioned by the copyright holder himself, here it comes again and again. begotten during a kink live set, successfully identified by the running back ceo, extracted and road tested as a phantasmal endorphin-producing staple in his dj sets, later released as a limited, stamped white label and now properly issued by popular demand. people whose life is not a big room or a rave in a car park, will find a tamer, but nonetheless heartfelt remix by rome’s dynamic duo tiger & woods on the flip. deep doesn’t always rhyme with sleep.

strike #3 by giegling. edward brings a nice remix from kettenkarussell s i believe. the artists of the two tracks on the flip stay unknown. great sounds in a limited handmade cover.

supported by audiofly, steve lawler, marc romboy, sebastian roya, afrilounge, rekleiner, nick curly, reclick. the next artists on 8bit records come from downunder - directly from melbourne/australia with their first own ep. on side a is a track from mic newman, called >blasphemie<, a track full of exceptional sounds with surprising settings and derivation. feel like being in a casino. hear the roulette an the slot machines. and this ist all mixed together to a real warm track. >hermion< b1 is a classic 8bit track, musical cordial. the original mix is more minimalistic as the mic newman remix on b2 that is more based on athmosphere sounds