only one music proudly presents 34th floor experience aka rhythm of paradise!

feat st david & nico lahs remix

mashup of c&c music factory vs bbe & underworlds cups

septuagenarian brazilian music icon elza soares teams up with the cream of sao paulo’s avant-garde musicians for an album of apocalyptic, experimental samba sujo (dirty samba) that tackles the burning issues of 21st century brazil: racism, domestic violence, sex, drug addiction and global warming. the woman at the end of the world is elza’s 34th studio album and her first to feature previously unrecorded material, exclusively composed for her.

smooth , elegant , groovin deep house at it best

the production and dj sets from metabomen aka krause duo is constructed for the most part as a free-spirited bunch with a special twist. it doesnt matter whether the material is with a jazz catalog, a frizzy sound, a dragging house or a techno press. an inimitable signature is not only clearly identified, no, but for the listeners of krause duo the good ol 10-second preview doesnt need three guesses. the answer from every contestant in the studio booth comes as if shot out from a cannon, so distinct is that krause formulation. from depth and nevertheless a clubby art with stay-fresh ideas. here, reliable doesnt mean stagnant. for the (up to now) 34th release from musikkrause, ian simmonds is comfortably on hand for both sides of the vinyl disc in the studio. out comes two monumentally deep waltzes full of raunchy charm and a knee-deep appreciation for jazz. the impact of both tracks is so spiritual that to speak of dance music is not the issue at hand, but rather something of a ghostly slam to the body. if you listen closely enough you can hear the diligent work of your own being. by means of the poetically-painted tones of simmonds and the clutter, which despite the many tonal designs and devices in this >authoritive-techno<, it has no fore-bearer. you can also tell the form of the work undertaken by the joint venture krause/simmonds isnt complete by a long shot even though in this manifestation there is nothing left to add. the distribution of dynamics appears to be so well-coordinated that there is simply the thrill of savoring such thoughtful club music

34th release from kenzo’s artikal imprint from relatively new recruit akcept.

2018 repress dope new boogie straight out of melbourne, australia. tip! fronted by long-time collaborators françoise dargent and benny badge, so good to you showcases an evolution for silver linings and the duo s signature soul-boogie sound.

label honcho bloody mary returns to the helm for the 34th release on dame-music, two original tracks knockout and no feeling is final are backed with a huge remix from none other than berghain resident, label boss & renowned producer marcel fengler. alien electronics, ominous pads and a heavy dose of acid craft unmistakably analog cuts that tread the line between electro and techno. ‘knockout stretches across the a-side, a pulsating, incessant acid line snakes its way about the raw 909 drums, tweaked and breaking in a series of hat and crash rolls reminiscent of classic chicago joints. on the flip, marcel fengler masterfully re-imagines knockout in to a driving percussive, workout, subtly adding and removing elements into a hypnotic, frenetic cut worthy of the dance floor. finally, no feeling is final slows the pace, haunting metallic strings rise and fall between twisted circuitry, an emotive number that could just as easily warm the crowd early as it could jerk tears at close. dj support: marcel dettmann laurent garnier maceo plex / maetrik kiki bpitch control orde meikle erol alkan luke slater jonas kopp chris liebing richie hawtin monika kruse james zabiela

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

skylax records, the company focused on realeasing original obscure dance classic and everything that sounds fine to their ears! for this 34th release, we give you the opportunity to grab 6 fantastic trax done by nick beringer. straight from germany, this talented producer delivered some of the best deep house music around. entitled *the second floor ep* (after the 1st floor ep out on wax classic 4), it starts with *afterhour cut 1* which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly.

for our 34th release on area remote we are happy to welcome our canadian friends the junkies and nathan barato to the area remote family!

for our 34th edition on remote area we welcome back david labeij!
a producer since 2006, david has been credited as one of the most promising artists in amsterdams new school scene giving him access to labels such as 100% pure and intacto, as well as finding fame as half of polder, a collaborative effort with lauhaus.
with his signature solo sound verging on the hypnotic side of house and techno, david continues to captivate the international party goers with his distinct and futuristic take on dance music.