rod stewart and the royal philharmonic orchestra play sir rod’s biggest hits. pressing on 180 gram double vinyl, housed in a gatefold sleeve.

double 12 inch, one black & one white vinyl + download card.
>stereotype< the second single from bristol industrial dub pioneer mark stewarts recent album the politics of envy gets reworked by a host of guest producers. hyper dub duo hype williams unravel stereotype into a fiercely breath taking dub-spectacle, unfolding three-quarters of the way through into a sky-bound grand finale. fred venturas italoconnection remix radiates with a cosmic-coated, sugary burst of popular 80s synth and as expected plenty of italo spark & flair. daniel b of front 242 pulls the originals fuse, and rewires it into what you would kinda imagine a 31st century electronica frankenstein would sound like. renowned techno figure perc gets angst and intense with a heavy, mechanical but beautifully crafted remix destined for the most no-nonsense of floors. chicago native chrissy murderbot channels the same high impact baltimore sound that you will find in machinedrum and schlachthofbronx productions, carrying us out guns blazing with ballistic footwork drum beat firing. finally, mark stewarts dub version of the song and a taster from his upcoming >exorcism of envy< lp to be released later in the autumn.

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

if you have been exposed to this cultural phenomenon called electronic music for more than a while, you will certainly have in mind something more than bright sunsets and perfect waves when you evocate that part of our awesome planet called california. the west coast has provided an own-harvested sound that strives to differ itself from surrounding mainstream conditions, making it fine and classy when it comes to underground house and techno music. alland byallo aint no rookie on the issue, rolling beats for enough years now to need no intruduction. with productions on labels like dirt crew, liebe detail, dirty bird, poker flat or nightlight music (allands own imprint) he can be well considered like the last but one exponent of a whole lineage of californian producers.

big 1988 hits incl a-ha, duran duran, kylie, yello and many more on translucent blue 3xvinyl !

80s disco and soul nuggets

180 g vinyl

years 1984 on 3lp incl frankie goes to hollywood, u2, nik kershaw amm !!

a collection of 28 disco classics on double vinyl.

collectors item!

collectors item, inaugural release celebrating 1st anniversary - artwork from acclaimed canadian contemporary artist amy stewart. 100% of vinyl proceeds will be donated to supporting indigenous cultures and decolonisation.

great compilation of disco classics from the 70s on vinyl lp.

feat ahzz, bobby mann, cloud one, clyde alexander & sanction, foster jackson group, golden flamingo orchestra, kessler, le o roy, louise murray, mary clarke, queen yahna, rudy stewart, various artists

riot 37: 4 remixes of 4 tracks which will take you on 4 different journeys, all of them, undoubtably, in first class

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

a few times a year, a label releases a single that rocks the industry and the upcoming release from hidden recordings does just that. gregory shiff, who has also released off of such high caliber labels as stewart walkers persona label in berlin, produced the original and the label enlisted techno luminaries adultnapper, tony rohr and pheek, along with deepak sharma and dieter krause to add remixes to put together a five track monster that will, and should be in the crates of djs around the world for the rest of this year and beyond. the best part about the release? the remixers brought their a-game and put forth effort that has helped make them some of technos most revered producers and artists. simply put, all five tracks rock and will pound the dancefloor

throughout the life of bbe very few djs have left a long last impression on our ethos - real music for real people. vincent williams is one of a few active djs today whose versatility and all round knowledge covers so much ground.

stewart rowell & louis gaston are otherwise known as the streetlife djs with over 30 years turntable experience between them, and a blatant disregard for music genres! the rules are, there are no rules! they add samples, accapellas & sound fx to the equation. compliment that with some of the most cutting edge electronic dance and alternative and the result is something exciting and very refreshing. the pair lives in london, is resident at together and also plays at ministry of sound, renaissance, the end, chibuku shake shake, gatecrasher summer soundsystem, ibizas space, get loaded, gobal gathering etc. the track will be featured on the much expected kitsuné maison 6 compilation out in october with a club version on the b-side, this new tracks from the english superproducers is sure to be the falls dancefloor anthem

reynold is back on morris audio citysport for a killer minimal groovy 12inch named >montrose place< – already his third release on this ever consistent morris audio sublabel! 3 powerful and dancefloor oriented track! above all the main track >fuzz< with his huge reese style bassline will be ready to rock the club! berlin based reynold, the man behind trenton records and one half of duplex 100, does not intend to slow down. he will soon release a full length album on stewart walker s label persona

nice price

nice price

die erste ausgabe mit dem titel -sherwood at the controls vol.1: 1979-1984- prŠsentiert 14 von sherwood produzierte oder remixte tracks zwischen post-punk, mutant-disco, dub, funk und electro aus der hochphase zwischen 1979 bis 1984. klassiker und raritŠten, cd-erstveršffentlichungen und zwei komplett unveršffentlichte tracks (prince far i, voice of authority ft. congo ashanti roy). alle formate unmixed.

as watergate carries into its 12th year as one of the worlds elite clubs, it seems more than fitting and possibly long overdue, that pan-pot, who has been an integral part for nearly the entire lifespan of the club, will be curating the 17th installment of the illustrious watergate cd series