remastered reissue on blue smoke coloured vinyl.

dj support from: kahn & neek, mala, rsd, joker & many more.
* big, bad and heavy! two of pinch’s biggest dance floor bangers, remixed by one of uk dubstep’s hardest hitters, kromestar. guaranteed rewinds. * ‘the boxer’ first appeared on tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. kromestar stays true to the original but switches his stance to swing hard with a left hook, southpaw style. after a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. tried and tested dancefloor damage of the highest order. * flip then for an equally dangerous remix of pinch’s deep medi release ‘swish’, from back in 2011. simple, effective and deadly, kromestar gives this classic an update, setting it up for another few years of wheel-ups

trifold coloured vinyl triple 7 inch

rodhad’s debut album ‘anxious’ sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps “kinder der ringwelt” and “söhne der erde” as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlin’s rougher outskirts, as a teenager he was able to grasp the final flashings of berlin’s mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, “1984” and “blindness”.

for centuries, young wild boars have been denied of their right to gather freely and fall in love. their military based rituals were designated to reinforce twisted ethical principles in the minds of the followers and were the only social interaction allowed. a group of young infidels finally stopped fighting the urge and created a new ritual based on dancing, called lambada. this spiritual journey awoke the suppressed spirit of the wild boar and revealed the sincerely beautiful nature of this noble animal. sadly, lambada soon became known as the forbidden dance and all its partakers were persecuted. to this day, lambada remains an underground ritual and the legalize lambada crew is on a quest to revive it by throwing disco parties and pressing undercover vinyl. true infidels in the likes of riccio and mikeburns are sending us the first manifest!

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

true to form, souvenir are back with a snappy summertime release perfectly hinged & ready for sweeping the dancefloors. souvenir 036 various artists features lewis boardman & maher daniel blending their sounds, and converging on this ep for some magnificent effects. the a side starts out with daniel - he is a new, but solid name amongst the techno-gambit, having released on labels such as get physical & bedrock, as well as on souvenir. while his remix workings of >rumblefish< earned him a 2 1/2 month long-spot as number one on the techno charts. with >here and now< with dark, driving techno that sounds like its been made inside of a blazing house-fire. burning & singed, the the layers fall heavy upon one another - with a penetrating dancefloor deep-ness to the bass. next up, >icaros< on the inside a track…spins a dark & deep nighttime soundscape, deep into the depths of a jungle somewhere. a distant & hollow vocal of a tribesman hums hauntingly in the distance, with a severe & driving bassline to make you run like a scared little raver deep into the jungle. on the b side, boardman takes over, one of the uks newest talents - recently remixing for nina kraviz & yousef - with >tranquilizer,< on b2 is quite a minimal retreat…with some intergalactic space-fight sounds thrown into the mix, alongside the rolling bass, and chug-chugging. b2 enters the title track, >the broken is beautiful.< a nice, chugging bass-line meets a ethereal chopped up vocal, carefully flowing in & out of the bass-line….to meet up strong midway thru the breakdown

after the phenomenal success of their 1st release, division recordings has been established as a label providing new innovative sounds with boundless potential in every genre. now noisia are ready to present the next installment of division: seven stitches is a slice of electric heaven, a veritable fighter pilot performing synth acrobatics & bound to hit your g force! an appropriate follow up to the bending craziness of yellow brick, seven stiches was initially commissioned for wipeout pulse (psp). sony loved it so much they decided to also feature it in the wipeout hd (ps3) game too. a tune diverse enough to satisfy on every level, throw it down amongst friends or up on stage but be sure to make it loud!

rodhads debut album anxious sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps kinder der ringwelt and sšhne der erde as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlins rougher outskirts, as a teenager he was able to grasp the final flashings of berlins mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, 1984 and blindness.