time is glass is the 21st album from six organs of admittance, continuing a cyclical pattern of acoustic records released roughly every 6 years.

salsa / latin music

180g double lp (vinyl only!) recorded in 1974 and unreleased until almost thirty years later, the album was written as the soundtrack to a ballet which dealt with the legacy of slavery in brazil. raw, atmospheric and emotionally charged, maria maria reveals one of brazils greatest ever songwriters at his creative peak

this new signatune various artist ep is something special to have in anybody s record collection! it starts off with a cosmic and trippy tune by timo called pilar , followed by ravisher an excellent warm up tune by romanian loy. litmus comes back on the label with shoelace a bouncy minimal beat guaranteed to get tired feet up dancing, and hyacin closes the ep perfectly with hayzy

astropolis records adds to misericordia’s w.lv.s (electric rescue and the driver) four remixes that amplifies the rave vibe of the ep released last year, with more power and agression, with four distinguished guests from techno and hardcore spheres: french veteran the hacker, the mysterious and rare lunatic asylum, the pilar maxime dangles and techno hardcore figure torgull. a must have for all lovers of the french techno and hardcore scene, a wild ride taking you straight to hell!
the hacker rebuilds blacksmith in his vintage and industrial spirit between electro, acid and techno, while the lunatic asylum rework of misercordia will catch you up in the dark room of dance, with delicious breaks and metallic spirals melodies added to this rave anthem. flipside, maxime dangles is turning misericordia in a muscular but melodic late night techno assault with dark vocals and his typical synths and chords, while torgull’s version steps up the darkness with a techno hardcore rework, raw, heavily haunted by vocals, textured and sensory.

with the exuberant *hot inside* ep still ringing clearly in the consciousness of revellers across the world, berlin-resident jimmy edgar hands over the reigns of his newly-minted ultramajic imprint for another vivacious outing to launch the metaphysix series, a concept that was developed alongside long-time creative partner pilar zeta.

detroits berlin-based jimmy edgar is on a mission to manifest dance culture on a level deeper than any bass can drop. synthesizing his passions for esoteric philosophy and 90s club music, edgar announces a new ep, label launch, and special projects with fellow multimedia mystics machinedrum and pilar zeta.

who the hell are bleep district i hear you ask? well for those of you who havent heard their awsome debut on replay records they are matt powell a founding dj of the legendary quadrant soundsystem and the inappropriately nicknamed matt rhythm who rumour has it spends his spare time pressing random buttons as one half of deep house anti-heroes rhythm plate. coming straight out of leftfield, bleep district have exploded onto the deep house scene like a musical gas leak. their quirky, chunky, dancefloor orientated beats causing serious damage on dancefloors and working mens clubs around the counrty. these two devout christians and still practising altar boys have decided to continue the religious theme of the bleep of faith ep on the highly respected winding road and titled their debut for ornate music… end days ep. revelations (rapture rub) kicks of the ep with a clearly deluded shaun ryderesque gentleman professing his faith over a big moody analogue bass and detroit style stabs on a track that would make the staunchest non believers begging for absolution! and on revelations (pillar of salt dub) they take things nice and deep for those more reflective moments in the evening.

buddha bar presents sahale

fusing latin american sounds with european electronic beats can often produce a bland and rudderless dross destined for derivative lounge compilations and deliriously dull playlists at pretentious after work cocktail bars. not so with the aptly named 1st trip, the superb sophomore effort from the equally aptly named los transatlanticos.