camea&#700,,,,s latest release on her imprint neverwhere pays homage to her hometown seattle&#700,,,,s original underground rave warehouse, naf studios, where she went dancing in the late 90s and began her journey that ultimately landed her in berlin. also where nirvanna&#700,,,,s “smells like teen spirit” video was filmed (and ironically now a catholic publishing house), the hedonistic venue is legendary to those who picked up rave flyers scattered on the streets of seattle and took a chance on an emerging new electronic music scene. both originals reflect the raw warehouse vibe of this era, and matrixxman and markus suckut have weighed in with heavy remixes. markus puts his signature on the naf 97 original with a deep space atmospheric techno banger, and matrixxman reworks the original 303 recordings in jack u, sending it into another dimension - and even further.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

camea ist zurück mit ihrem zweiten release auf ihrem label neverwhere. - signs - heißt die neue single, zu der sie auch zwei große produzenten, ian pooley (innervisions, pooled music) und andré kronert (figure, stockholm ltd), eingeladen hat eine ganz eigene version der tracks zu erstellen. wie üblich mag camea alle schönen dingen dazwischen, und mit dieser ep führt sie dich durch ein spektrum von magischen sonnenaufgängen bis hin zu dunklen, pulsierenden keller raves.

slamming 3 track pumpin minimal techno madness

die in seattle geborene camea gehört spaetestens seit ihrer city watch over me ep zu den aufstrebenden künstlern von bpitch control. nach ihrem dub-electronica-beitrag love on the balcony fuer die where the wind blows-compilation untermauerte die letztjaehrige neverwhere ep eindrucksvoll ihr gespuer für raumfuellende grooves und formvollendete melodien. nun erscheinen mit der remix edition von neverwhere vier neuinterpretationen, die allesamt neue facetten aufzeigen.

first album from author neil gaiman and fourplay string quartet.

phat collaboration...