flash atkins hits hard with the second 12 inch,, to be taken from his critically acclaimed * the life and times* album on paper recordings. this time he pulls in three of the world’s best producers of underground future disco and all of them step up the plate to score a bullseye with their first throw.

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee

vinyl only - limited 100 numbered copies pressing on marbled vinyl
first issue of the new flash forward unreleased series with a great team up : oneiric and man-d.a. ! emanuele luzzi, the man behind onirico (-stolen moments-) and oneiric (-blue envelope-), comes back with one exclusive unreleased track, composed at the time of -a tone colour of onirico- (1992). due to the hypnotic strings sample and emotional minimoog solo, -aurora- hits the target at first listening, reminding happy sounds from that period. ultimately, another great release from flash forward! man-d.a. - calling 313 : this track was conceived in 1992, during a very prolific period when he was remixing songs by juan atkins, underground resistance, blake baxter for the legendary umm label and the detroit influence is evident ! remastered for flash forward! past and furure classic !

vinyl only - limited 400 copies pressing first issue of the new flash forward unreleased series with a great team up : oneiric and man-d.a. ! emanuele luzzi, the man behind onirico (-stolen moments-) and oneiric (-blue envelope-), comes back with one exclusive unreleased track, composed at the time of -a tone colour of onirico- (1992). due to the hypnotic strings sample and emotional minimoog solo, -aurora- hits the target at first listening, reminding happy sounds from that period. ultimately, another great release from flash forward! man-d.a. - calling 313 : this track was conceived in 1992, during a very prolific period when he was remixing songs by juan atkins, underground resistance, blake baxter for the legendary umm label and the detroit influence is evident ! remastered for flash forward! past and furure classic !

this winter tresor dons hardhat and flashlight once again to exhume more lost treasures from its stated past. under the guise of its own 10-year dormant archiv series-which saw cuts from the likes of robert hood, jeff mills, blake baxter and eddie flashin fowlkes brought back to wax and dancefloors worldwide-comes a reissue ep straight from the heart of the clubs former wertheim department store days, courtesy of long-time resident juan atkins.
pressing on clear / translucent vinyl.

tresor records marks its 250th release with a very special project indeed. continuing to forge ahead whilst remaining ever mindful of its legacy, tresor proudly presents infiniti - the remixes: a trilogy of classic cuts and new reworks from one of its original detroit linchpins juan atkins. dubbed as his pure techno project, atkins produced two full-length albums under the infiniti moniker-the infiniti collection, released by tresor in 1996, and skynet two years later. 16 years on and they are as relevant today as they were pioneering then, brought further up-to-date here with a series of fresh takes from some of technos pioneering and esteemed figures: thomas fehlmann, tv victor, function, redshape, sleeparchive and the re-release of dubtechno vanguard moritz von oswalds remix of >think quick<, originally released in 94 on metroplex. part two picks up the pace, heading further down the timeline with >flash flood< - originally released in 1995 as part of one of the labels famous annual compilations, re-edited by sandwell districts function. skynets punchy classic on the flip, >skyway< rounds off the ep with a killer old-school remix by technos masked crusader redshape.

paper recordings ben davis takes off his flash atkins cape and mask to launch a new project exploring things left of centre and balearic. in these disposable times, stubb will celebrate community and diy with a limited run of 300 vinyl screen-printed kraft card sleeves of commissioned illustrations by artist rachel johns plus hand-drawn labels by hebden bridge s the egg factory. we are launching is a journey in to psychedelic balearia with one of the most exciting artists of recent years, jane weaver her mercury music prize long-listed album modern kosmology was described by the guardian as -a lean and thrillingly addictive slice of unearthly pop-. the stubb collaboration is a sublime head trip to the deep reaches of space and electronica with hallucinatory guitars, burbling synths and arpeggiators that are beautifully set off by jane s ethereal vocals. mike lindsay is founder and producer of folktronica pioneers tunng and his distinctive tones sing the praises of doing nothing on boring days, which is psychedelic leftfield pop at its finest. the track is locked down by a nagging fifth bass with vocal pops, hand claps, muted afro guitar, washed synths and arps that build before the choruses hit in a wave of analogue keyboards and fuzz guitar. after that, a gloriously stretched outro takes you straight to the mediterranean. there s also an edited instrumental that brings out the sunshine...

speeding through the neon sky and hunting replicants everywhere...deckard makes his debut on to rack & ruin.

limited 2013 edits of love will tear us apart on white coloured vinyl.

already support by miguel migs, dj harri, abicah soul, gavin hardkiss, alf tumble, flash atkins

another brilliant disco/funk edits by sleazy mc queens camp! supported by laurent garnier, ashley beedle, michael reinboth, dj harri, erol alkan, tim sweeney, ben mono, james flavour, nacho marco, atnarko, flash atkins, doc martin

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman in new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peaktime territory with the sinister sounds of john boy, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. innit takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion. extremely limited edition with handpainted covers

classic 1992 detroit techno by producers like kenny larkin, juan atkins, eddie fowlkes, dan curtin and more.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman-in-new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peak-time territory with the sinister sounds of >john boy<, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. >innit< takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion.

produced and mixed by juan atkins !!

those of a certain vintage may have a soft spot for global underground s after hours series, which promised to soundtrack -the party after the club- by joining the dots between woozy progressive house, deep techno, electronica and, of course, ambient. some eight years after the last installment, the long-running club brand has decided to re-launch the series. apparently, this latest installment took a year to put together, and featured tweaked, edited and gently reworked tunes layered up for a more enjoyable listening experience. musically, it sticks to similar territory to previous installments, updating the sound a little via tracks and remixes from ewan pearson, lawrence, scuba, matrixxman, michael mayer and joris voorn.

armada prŠsentiert die trance-hits der saison. 46 top-tunes von den spitzenvertretern des genres. brandneue clubstŸrmer und nagelneue remixes. mit armin van buuren, paul van dyk, dash berlin, paul oakenfold, giuseppe ottaviani, alex m.o.r.p.h., richard durand, u.v.a.