r&s welcome back highly-revered techno artist benjamin damage with his new double headed single ‘malfunction / binary . ‘montreal’ from his debut r&s ep proved to be one of the label s biggest techno releases of the last few years - the pummelling drums, intense atmosphere and beatuiful melodies are synonymous with the music that has made the label timeless. road tested in benjamin’s heavy artillery live shows across the globe, malfunction / binary pick up where the last ep left off - pistoning rhythms, breakneck beats and monolithic bass, but this time the mood is more reflective and optimistic - skying cloud-like pads offer a dreamy counterpoint. made between london and berlin, following recent live shows at berghain and oval space, benjamin’s wanderlust and restless studio dynamic sees him continually breaking down his gear to travel, “being on tour with all my gear i find it quite easy to work in new places,” he explains. “i like the energy of different cities and it s good to keep moving.” this new ep is announced ahead of a huge, all hardware live show at sonar by night in barcelona. with ‘malfunction/binary’ sure to do the business and an album in progress for r&s scheduled for 2019 it’s going to be an exciting year ahead!

early support by: laurent garnier, ame, marco bailey, jennifer cardini, terrence fixmer, kyle geiger, marcel dettmann, apparat, richie hawtin, vril, charlotte de witte, sasha, benjamin demage any many more..

electro meets techno ep with heavy remixes from long-time producer umwelt and 50weapons heavy-hitter benjamin damage. tbilisi-born & brooklyn-based sophia saze s sound explores eclecticism from downtempo work on get physical to upcoming releases across other genres coming out this fall. dusk & haze 001 is the debut of a daring experimental label breaking all boundaries of limitation. producer in 2017. recently signed to get physical, she also has a major ep on dusk & haze & other exciting releases in 201

nep was a loose multimedia collective formed in 1982 zagreb, ex-yugoslavia. the founder dejan krsic collaborated with various artists in a quest of re-thinking the stale concepts of art history, position of the author and the barriers between pop and elitist high culture. heavily influenced by walter benjamin and andy warhol in theory and brian eno and kraftwerk in music, krsic created nep as an umbrella term (meaning nova evropa) of diverse rule-breaking activities, covering graphic design, music, photography, video, news-media and theoretical work.

and the true secret of their value is the sobriety, the austerity, of the living space they inhabit. it means that they do not simply occupy, visibly, the space they belong in, but have the scope to perform a variety of unforeseen functions which enables them constantly to surprise us anew. this is what makes them precious and elevates them above the level of a common object.« walter benjamin, spain 1932 grischa lichtenbergers new release »spielraum« is the first of three vinyl eps to thematically accompany the 2-part album »la demeure, il y a péril en la demeure«. on »spielraum«, lichtenberger presents the elements introduced on the preceding album in a different context, but without defining them too precisely and breaking them down to only one dimension.

happy hardcore refixes of underworld and breaking benjamin