70s bomb !

ein klassischer pop- oder dance-song von früher in einem neuen mix mit dem sound von heute. jahrelang haben marc hartman und herbert gruber (der persönliche manager von supermax-frontmann kurt hauenstein) an dem perfekten mix gearbeitet, um ihn zu veröffentlichen.

austrias ultimate discoclassic from 1977 is back with amazing new remixes by icelands finest rockers gusgus. while the gusgus remix uses the full vocals with the great gusgus trademark sounds, the disco mine edit on the flip turns into a smashing peaktime dub

it began in africa long train running italy august hot amsterdam on the moscow express some supermax motion santana black magic a bassline della madonna strumming out the one night only in nashville so flute the star guitar licking disco rock n roll saves your soul fusion dance. supported by: thomas herb, hard ton, mathias weck fluxfm, marcus makossa wagner-lapierre fm4, franz underwear, moonbootica, bobby starrr of jack the box, riva starr, sin plomo, disco boys... -...lovely obscure italo disco...- gina sabatini lockdown radio intervista

after being one of the many standouts on the we are opilec…! vol. iii compilation back in 2016, i-robots glamouflage is now getting a full vinyl release with artwork by tomozo kevorkian, who was designer for nyc s body & soul, and remixes by a standout team of producers from japan to switzerland to south africa and the usa. opening up the ep is a fantastic new take ii version from label boss i-robots, who added exclusive chinese vocal samples recorded on the streets of huang jiang city many years ago. the track is inspired by ennio morricone and supermax and is a loose and infectious groove with brilliant drums and percussion and an elastic bassline that really gets you moving. it s a subtle update to the original—also included here as a bonus cut—which itself is a steamy and tropical sounding groove. swiss electronic pioneer schaltkreis wassermann then features on a version of the original that reaches for the cosmos with its rugged bass riffs, tumbling toms and busy, ever evolving groove. it has a big breakdown with exotic synths wandering through the night and oodles of effects and big guitar licks. the first of the remixes comes from kuniyuki takahashi who has been a big supporter of i-robots since 2000. he is a sound designer from japan who had a compilation of his works put out by music from memory back in february. his version is laden with cosmic synths and chants, grunting and organic drums and is sure to be massive this summer thanks to its open air vibes. detroit s underrated but vital gary martin is the boss of the teknotika label and his version featuring colten decker playing an unusual sax line shows another side to the motor city. it s a curious and mysterious tune that makes for an unsettling atmosphere that keeps you locked throughout as it snakes along.

elleorde was born 3 years ago at camp cosmic, an anything-goes music festival in the swedish forest that s recently been relocated to the german countryside. elleorde s debut record shares the same themes as the fest with a combination of time travel, cosmos, space exploration, sunsets on exotic planets, and universal love. not to mention, these are forest jams, mind you. the uk one-man project draws influences from war, dexter wansel, tantra, cerrone, ennio morricone, supermax, you get the idea. step in to the battlestar gallactica, open wide and eat the future.

nach diversen 12inch singles war es an der zeit, dass discotexas-mitbegruender xinobi endlich sein debuetalbum veröffentlicht. das werk stellt die breite der einflüsse des djs und produzenten vor. eingebettet in einen organischen house-sound mit disco bezug treten immer wieder vorlieben für pop hervor. die 54 minuten spielzeit sind homogen und vielfältig zugleich. es gibt intime, kontemplative momente aber auch eingängige refrains. rauheit a la caribou wird mit ennio-morricone-artigen sounds fusioniert. dj kozes fragmentartige deepness aus der kulisse des sonnigen lissabons heraus produziert. spaghetti-disco oder supermax in jamaikanischer dub-version. surf gitarre und deep house.

fright returns after a long absence in which we sought refuge in hades during the hail storm of gothic hysteria that passed over earths minions. some may remember us from the breakthrough debut release from gatekeeper or the unholy italo-techno alliance we shared with antoni maiovvi. now finally, we return, this halloween, with our most ominous mission yet. naum gabo aka glasgows jonnie wilkes (1/2 of optimo) and james savage started their illustrious career with a trio of releases as naum for kompakts speicher series then have most recently gone on to release music on dissident, thisisnotanexit, endless flight, world unknown and most recently optimo music. created and recorded between 2010 and 2011 in their hottrax studio, naum gabo have come up with > the crystal line<, > galena< and > dmitris darkness<. specifically delivered in mind for fright, they keep true to the labels mission of releasing music for unseen films with 3 mid-tempo and certainly melancholic gems that also maintain an unmistakable ng groove for the stranger dancefloors we know and love. an absolute highlight, > the crystal line< is dedicated to the late, great kurt hauenstein aka supermax. superbly cut loud at 45rpm, this epic tribute is what vinyl addicts dream of hearing.

das münchner produzenten-duo columbus veröffentlicht am 10. juni seine zweite single hubble . columbus knüpft mit hubble an die tradition des münchner disco-sounds an. der einsatz analoger synthesizer und aufnahmetechniken verleiht dem song authentizität und eine zeitlose Ästhetik. referenzen zur kürzlich verstorbenen ikone kurt hauenstein alias supermax sind nur schwer überhörbar. für die nötige clubtauglichkeit sorgen remixe namhafter produzenten wie ajello, in flagranti und pyjamas. für das artwork und video zum song ist das münchner designstudio the crystal beach verantwortlich.

j gorton is a seattle based producer and dj who has drawn on his vast knowledge of discos dark underbelly to put together these outstanding edits of lesser known, but no less wonderful cuts from the heyday. his informative and well respected american athlete blog has become an addictive and invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks which fell between the cracks of the mirrorball. cabana disco vol. 01, is the first in a series of ridiculously limted (200 copies) 12s. the series starts off with mr. les stache reworking three amazing rarities which include gepy & gepys 1979 disco classic african love song, alongside this sits an obscure cut from kurt hauensteins (of supermax) late 70s disco group bamboo, as well as the 1979 mid-tempo cosmic disco classic livin in the jungle by john tropea. this is an absolute essential for any disco enthusiast.

cool electro and disco flavoured club house mixes of 5 more strong tunes from the latest moonbootica album

edit of impossible rare cosmic disco version of in-a-gadda-da-vida by julia keen. on the flip there s supermax slo-mo acidic vocal groover aint gonna feel

sie sind zurück und haben nach ihrem brillanten erstlingswerk nichts verlernt. breitbeinige rockattitude mit feingeistigem sampling. techno ist, wenn man trotzdem lacht

one of the best swimming pool releases ever.. incl the track >bernard<, a beautiful lowtec remix and a shuffeld remix by funk disco legand supermax !!