the palm trees whistle in the pink meteor shower. an entanglement of nature’s mystical tones settle. sonics trigger movement in the oceans crust while giants filter the earth’s waters, thrusting the waters with their gnarly space knobs. the damsel in distress is a hadronic mechanical design like no other, moulded, tested and shaped by the entheogen melanges of the omegian race. many a cosmic knight whipped there sword out to retrieve , but in rightful and aware conquest the dilation and deja vu of multidimensional experiences returned the opal tone to the omega men. the midi rain will dance , and the grooving aqua orbs of life will continue on. - eddie

ltd 2016 repress
thomas melchiors >feel sensual< in an unreleased mix plus 2 brandnew tracks on the flipside. we cant think of any better present for the labels cat.no. 80. recorded at deep sound therapy, london and berlin.

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

die beiden areal aushängeschilder nehmen den titel wörtlich & knallen munter rum. pan/tone dagegen liegt im hinterhalt und nutzt den Überraschungsmoment

the needle-drop fuzz that cues sam amidon s fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians.