1983 live recording from marvin gaye on gold coloured 180 gram double vinyl.

1983 live recording from marvin gaye on clear marbled 180 gram double vinyl.

red vinyl

the royal philharmonic orchestra plays motown classics.

the greatest hits from zapp & roger for the first time compiled on a 2 record set. 1x violet / magenta and 1x orange / pink split coloured vinyl, housed in a gatefold sleeve.

bbc live recordings from amy winehouse available on vinyl for the first time. the 180 gram triple vinyl is housed in a trifold sleeve

score from the 1983 movie “the big chill” back on vinyl.

live recordings of marvin gayes greatest hits on 180 gram vinyl.

the soundtrack from the documentary film “hitsville - the making of motown”.

superb album by east los angeles band the village callers, recorded live in 1968 and released on eddie daviss rampart records. seasoned and popular band at all the top venues, the village callers brought many different sounds into the mix: jazz, soul, r&b and lots of latin percussion. their only lp consisted mainly of groove-filled covers such as i heard it through the grapevine, i dont need no doctor, joao donatos the frog and a medley of aretha franklin hits. hector, one of the standout cuts on the lp and its only original song, has been sampled by beastie boys, cypress hill or de la soul among other hip-hop artists.

classic alert

clear 180 gram double vinyl in gatefold sleeve.

clear / smokey marbled 180 gram double vinyl in gatefold sleeve.

live 1975 edenhalle amstersdam - 1st time on vinyl !

60s compilation on coloured double vinyl incl aretha franklin, cat stevens, santana & chuck berry !

double vinyl in gatefold sleeve.

limited 180 gram double vinyl, housed in a gatefold sleeve.

a collection of marvin gaye’s motown classics on one vinyl lp.

limited & numbered edition - 2x 180 gram lp + 2x cd in gatefold sleeve.

double vinyl reissue, celebrating the 40th anniversary of elton john’s historic first tour to russia with ray cooper.

27 classic mowton tracks incl jackson 5, four tops, marvin gaye a.m.m.

16 of the biggest soul hits from the iconic motown label. including the likes of marvin gaye, the supremes, stevie wonder, michael jackson and many more.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

a fantastic and rare soul-jazz album recorded in adelaide (australia) in 1976. originally pressed and released on crest records and fully licensed by the hot casa team to reissue it on a deluxe 180g vinyl. . sue barker is a jazz singer from the 70s – and one who isn t afraid of picking up a bit of soul. most of the album features covers from duke ellington to marvin gaye, curtis mayfield or even james brown!

auf drei cds songs von marvin gaye, stevie wonder, aretha franklin, smokey robinson, james brown, michael jackson, gladys knight & the pips, otis redding, al green, barry white, ben e king, nina simone, the supremes, billy paul, booker t & the mgs, eddie floyd, spinners, marlena shaw, sam & dave, carla thomas

*one hand in the air* bezieht sich beispielsweise auf *so appalled* von kanye west - manfred mann hat dessen original nun neu arrangiert. mit the prodigy und disco boys verfährt manfred mann genauso. zudem liest sich die gästeliste beeindruckend: till brönner spielt auf jedem zweiten stück trompete, kris kristofferson leiht einem stück seine stimme und kanye west ist natürlich auch zu vernehmen. zudem wagt sich manfred mann an neuinterpretationen von klassikern wie *light my fire* oder *we will rock you* - absichtlich stücke, die weltweit hinlänglich bekannt sind. manfred mann erklärt: *gerade weil jeder die stücke in- und auswendig kennt, habe ich in meinen interpretationen die optimale freiheit. wenn ich passagen weglasse oder neu arrangiere, denkt der hörer diese ja trotzdem mit*. neuinterpretationen - von bob dylan bis bruce springsteen - haben manfred manns gesamte karriere geprägt, *lone arranger* führt diese tradition somit fort. und keine frage: das album bleibt bei aller konzeption typisch manfred mann, nicht zuletzt weil die spielfreude am keyboard vernehmbar ist.