the new album from pianist, singer and composer eliane elias.

• gorgeous, meditative waterbowl recordings, some the purest ambient work we’ve heard in years
• mastered by rashad becker
• photographs jens ziehe, design bartolomé sanson
• riyl philip corner, eliane radigue

musique hydromantique is the second solo album by tomoko sauvage, archiving many years of performance-based practice on the waterbowls - the natural synthesizer of her invention, composed with porcelain bowls filled with water and amplified via hydrophones (underwater microphones).

all tracks written, produced, by v.i.c.a.r.i / mastered by iraciv

nsdos is back with some new toys from outer space - on this ep we hear six figments of his twisted imagination, caught live .... on this very dense and captivating ep, kirikoo des goes back to the 90 s with some cut up electronica flair (-christine +2-, -dona j haraway-) reminiscing oval s work or some experimental shake shakir tunes. the longest tracks though feels closer to a club from the future with some eerie pads (-fa-) and liquid rhythms patterns typical of the nsdos touch we love (-yuko-). overall this ep is a much cerebral effort and yet still keeps a vibrant and gorgeous organic side to it. demanding the full attention of the listener, the reward in the end is a total bliss taking us in a deep dimension. -space is the place- as the master sun ra once said

reissue of very rare and sought after 1979 opus by italys i signori della galassia.

over the course of a year, keith fullerton whitman performed a piece of live electronic music a few dozen times entitled >generator<. the debut was given in san francisco at root stratas on land festival at cafe du nord on september 19th, 2009 … over the months that followed stagings took place in venues ranging from flooded basements to festival stages in baltimore, boston, brooklyn, chicago, easthampton, iowa city, jamaica plain, northampton, raleigh, saint louis, san francisco, somerville, & washington d.c.
this lp covers the final two performances of the piece over two consecutive evenings , the opening solo set from the final night of high zero festival in baltimore at the theater project, september 26th, 2010, then the performance during the for eliane night of the propensity of sound festival dedicated to eliane radigues work at issue project room, brooklyn, september 27th, 2010. these recordings show the piece in two different iterations, taking two different trajectories entirely. they are considered as the definitive versions of the piece.