7 search results
CHAPITRE 05 (180G VINYL)
12 Inch
18.03.22
autonome records presents their first vinyl release, including tracks from yant, setaoc mass, cirkle and hiss (aka rove ranger).
ATNMVA005
Autonome Records
LLUVIA DE VERANO (180G VINYL)
12 Inch
08.11.19
pascal viscardi with the 2nd release from saft sublabel born. pressing on 180 gram vinyl.
STILL LIVING IN SLAVERY PART 3
12 Inch
09.09.14
the third and last twelve inch of the still living in slavery remixes series.
STILL LIVING IN SLAVERY - THE ALBUM (3X12 LP + CD)
3x12 Inch + CD
26.08.14
triple lp includes the cd version - limited 100 copies only!
STILL LIVING IN SLAVERY PART 1
12 Inch
08.07.14
the next part of mr raoul ks album >still living in slavery<. it is delivered in a picture sleeve that will hold all three records and will also look very good on your record shelf. musicwise, the first side features all three chapters of >dounougnan magni< stretched over almost eighteen minutes. pure afrofunk bliss with beautiful keyboards played by kuniyuki takahashi. the track also features the vocal talents of hamed sosso who accompanies the listener throughout his journey. an emotional trip, starting in hot desert plain and ending on cloudy hilltops.
STILL LIVING IN SLAVERY PART 2 (RON TRENT REMIX)
12 Inch
17.06.14
this twelve-inch is the first in triple that will make up the vinyl version of mr raoul ks album still living in slavery - his first album on his own label. the second twelve-inch will be release in a picture sleeve that will be able to hold all three records.
STILL LIVING IN SLAVERY - THE ALBUM (CD)
CD
26.08.14
still living in slavery is mr raoul ks third album. it is, however, the first one that will be released on his own label baobab music. he thought for quite some time about to shift the african instruments and african rhythm structures that uses in his production processs into a more dominant, more exposed position. giving them a role of there own and freeing them from being bound to a groove coined by a four-to-the-floor kickdrum. while using dominating drumsounds when producing records aimed for the dancefloor seemed reasonible, they werent needed for the storytelling concept throughout this album and are left to the accompanying remixes.
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