long awaited new release on the ddd label and now genuine record store in paris, here are two unreleased tracks made by luc marianni back in 1988 and resurrected from original tapes! new omar s protégé o b ignitt gives a brilliant reinterpretation of mariannis music and confirms the d still rules the world of dance music

killer new ob ignitt on fxhe. motor city melancholy at points.

on his first release for berceuse heroique, rotterdam’s finest dj overdose meets one of the strongest producers of detroit, mr. ob ignitt. overdose creates the best soundtrack for a “march of the robots” scene with dead city. the mighty bounce of early dr. dre productions meets some nasty electro carnage. on sorry to disappoint you can hear the classic west coast electro sound of some of his older releases mixed with some funky sci-fi synth lines. then, ob ignitt takes this monster of a tune and creates one of the gnarliest house tunes of this year with a proper g funk bassline that will properly test your sound system on a good night.

ob is back with two on-point detroit nailers! mixed by omar s and recorded at fxhe studio

selected deal - two of the d s finest throw it down with a varied ep ranging from gritty acid to hyped house jams. mad good.

o b ignitt returns with his obonit imprint. a doozy of an ep, ignitt serves up his last reese cup on the a side, while omar s gives us a mix of ignitts own -let it do what it does-.

true old school quality house and techno tunes by o b ignitt, known for his collaborations with omar s, on the first release for his own label.

killer tracks from ob ignitt of wayne county cops fame.

80s influenced house tracks from omar-s and ob ignitt, that are both hypnotic and psychedelic … first fxhe release for 2012.

new omar s album featuring john f.m. rick wilhilte norm talley and o b ignitt.

fxhe going for the professional look on this killer mix cd celebrating a decade of operations. stone-cold classics like oasis13 and the omar s remix of gunnar wendals 578 rub up against recent hits such as o.b ignitts oh jabba, sex and wayne county hill cops pt.2. vital!

und, mor elian is a relatively new name on the block, but her deft tastes have seen her share the stage with the likes of kerri chandler, mike dunn, seven davis jnr, dj qu and many more, and most recently, releasing her debut vinyl release on the excellent prime numbers label, featuring fxhes ob ignitt on remix duties. on drum vortex, mor strikes a killer release for hypercolour, enlisting two big remixes on the release from joey anderson and markus suckut. on her original mix, drum vortex rolls out a ricocheting drum workout that indeed goes through the vortex, otherworldly voices and cosmic drones sit in the middle of the mix whilst the rides and hats intensify. joey anderson has proven himself as one of the most diverse house producers out there, with offerings for dekmantel, syncrophone recordings and tanstaafl planets. joey remodels drum vortex into an old style warehouse dub, rolling congas and snares with incessant synth stabs and bending strings, making up for one serious remix from mr. anderson. another interpretation is on offer from markus suckut, whose techno prowess has shone for labels like rekids, be as one, mosaic and his own exile label (run with johannes heil)

news of the record first broke back in december, when omar-s, real name alex omar smith, contributed a three-hour mix for ra’s 500th podcast. the lp will be smith’s fifth full-length release, and arrives three years after his most recent album, 2013’s thank you for letting me be myself. like almost all of the detroit artist’s catalogue so far, the best lands on smith’s own fxhe records. it comprises 11 tracks, featuring collaborations with fellow motor city acts such as norm talley, ob ignitt and kyle hall.

two tracks and her debut release from mor elian on prime numbers backed by a remix from the detroit prodigy ob ignitt

since 2009, vincent koreman a.k.a. drvg cvltvre has been working on his own blend of dystopian acid, no wave and dooms day deephouse , which he proved impressively on his release on crème organization or porn wax. for his permanent vacation release he is perfecting his methods and style , which is equally influenced by suicide, sun ra and terrence dixon. on remix duties for -night time is the right time- is original chief rocker and omar s protégé ob ignitt who puts some extra swing on top and makes sure that it is always the right time for this one.

more 80’s luc marianni unreleased material remixed on the flip by london producer bass clef (punch drunk, idle hands…). after timeless remix by fxhe’s o b ignitt on ddd, best 2012 album nominee bass clef samples 3 tracks in one providing an extended crazy minimal tech à la matthew herbert bass track (yes it exists now !).

omar s - nothing left to say!