regular black vinyl release.

this latest work from vanity productions is a turbulence steadied to rest with care, and marks a critical high point in the project’s evolution. as the nom de plume of posh isolation’s co-founder christian stadsgaard, there is a deeply private yet fiercely empathic quality to “only the grains of love remain”. pirouetting between his collaborative work with loke rahbek as damien dubrovnik, as well as the empire line with varg and iron sight, to name just stadsgaard’s most recent activity, the inwardness reserved for vanity productions is perhaps a necessary step. that the emotive experimentation should generate such a touching soliloquy is an arresting watermark, presenting only the grains of love remain as the most eloquent work of the project to date.

the empire line present six cyclonic episodes for confined spaces on their debut album, rave. comprised of posh isolation s christian stadgaard (damien dubrovnik, vanity productions), jonas ronnberg (varg), and with isak hansen (iron sight) on tantrums, the trio s marauding live shows have been translated into a slippery set of pummelling techno works, watermarked with florid noise. rave is a celebration of contemporary rave culture, focused on the everlasting and transcendent as the night slips out past the day. with living-for-the-weekend hedonism irretrievably converted into a manicured, violent cliche, building new worlds and forging new modes of intimacy takes an exceptional sincerity. naming some of the crews closest to the empire line in the album s titles, their spaces are examples of just how rave culture persists as a transgressive stronghold in people s lives. ranging from k-hole anthems to jacking, close-range sessions, rave still bears the traces of the group s experimental background, ensuring the tension is kept up through the catharsis.

in january the debut album the damage is done by hot coins, the disco crossbreed project by danny berman (best known for his house productions as red rack em), was released. his personal time machine journey into the sights and sounds of downtown new york sometime around the late seventies/early eighties is much more than a tribute to his heroes of those times. its also a brilliant examination of todays club music.

generic modification in effect here on this 3 tracker from seasoned producer and remixer travelling incognito, hush-hush and strictly on the q.t. . straight out of east london, pacific rim dubs mix up deep, bumpin house with soul and boogie, rude acid with funk and fidget grooves with pure disco. in a mash-up style, but without the comedy beats and not a whiff of irony in sight, pacific rim dubs vol1 takes a selection of infectious snippets from the soul/ boogie vaults and blends them into proper house floor fillers

achterbahn d amour is courtesy of edit piafra & iron curtis. rooted in nu&#776,,,,rnberg, city of love. jx2 is another slammer, guided by lush pads and some quirky acidish bassline that cuts from your left brain to your right brain and then straight to the next dancefloor. there is no escape, dont even try! the other side of the platter has more to offer: the middle of is a high standard dj tool with heart. repetitive loops all over and no end in sight. but(t)! exactly the right amount of dirt to keep you movin and shakin that hips. oh, we have to admit, no rnb samples were used at all. sorry guys! if youre into pop music with a certain love for jackin house music, youll probably go for into the wilde. this song was recorded just before a mad club gig in berlin and you know what to expect: pitcheddown and pitched-up vocals, a live bass and drum machine workouts galore. frank says: these guys are hot as hades. early plays by gilbr (chateau flight), axel boman, basic soul unit, hunee, san soda, roberto rodriguez, red rack em, sasse, ethyl, patlac, matthias vogt (motorcitysoul), francis inferno orchestra, snuff crew & foffie.