hot dj tool for the club!

brill phunkin electro cut , plus minimal clickin flipside (the forest)

2lp+cd edition with two black vinyls in gatefold sleeve with printed inner-sleeves. cd included.

300 copies 140gr.
four boys from two different countries decided to travel to a new star. first stop: beta gruis

2 cd in 3-panel digisleeve with 24-page stapled booklet

...and in the end, not a great deal is known about the spanish duo futuro. the saga begins with the discovery of a cache of test pressings deep within the shelves of a very dusty record shop near the plaza del toros de valencia. as is the case with these things there was no promo sheet or any other information outside of three clues etched into the run-out groove: futuro, jollyman, mcmlxxxvii. through deduction and reasoning it was soon realised that jollyman was a short lived italian record label that closed it s doors in 1987. there were rumours for a while that jollyman was a mafia wedding gift to a music enthused female family member, but as the journey continued it became slightly more likely that this was a tax write-off for it s owners, as the label itself was never very successful, and was more likely an afterthought rather than a full on passion project. that is not to say that there were not gems hidden within it s small catalogue, most notably from noted library musician, composer and arranger alessandro signoretti, without whose help this release would not be presently in front of you. alessandro s assistance led us to the infamous hafenklang studio in hamburg, germany. the very same studio used by boytronic to record their classic lp the continental (some of the same dx presets can easily be heard on both albums) and despite the insane amounts of musicians that have passed through those doors the owner clearly remembered the duo and finally the mysterious futuro had names: javier c rayón and raúl láynez.

too late for the italo boom, and too early for the sonido de valencia craze, the recordings of futuro have sat on master tapes since 1987 finally awaiting their much deserved audience. bordello a parigi are more than proud to present this lost late slow-mo synthesizer italo masterpiece onto the world.

zweite produktion des japaners hoshina anniversary für boysnoize records nach seinem digitalen album *barcelona* im sommer 2014. die neue ep besticht durch das infiziöse *tough* sowie das entspanntere *motion emotion d.i.c.e*. zudem bietet die 12 inch exzellente remixes von *tough* der beiden us-techno-produzenten d marc cantu (spectral sound, ghostly), neben dabrye eine hälfte von 2am/fm, und greg betao (apron, l.i.e.s.).

slamming electrohouse businezz with cool male raps to rock the crowd!!

includes mixes by beta boy, marcel and silvio carrano!!

karim and beta boy put their hands on this house project which is very much influenced by electronic sounds!!

incl remixes by d.i.m.(boys noise), tronik youth (back yard) and bombo (institubes) !! first 12 release by jape. blending sounds of early beta band through led zeppelin iii to fout tet..

the second electrochoc sampler with tracks by trentemöller (tictactoe, pokerflat), nathan fake (b.c.) and freeform five (four musc, fine rec.)

slammin phreaky fhunky electro (house ) tracks , pure genius material...big feature in groove magazine ,+ heavy support from all the key djs: erol alkan, boris dlugosch, dj t., ivan smagghe, the glimmers, idjut boys...

the album has a very fragile, stripped down and haunting sound and is being roundly praised for it s beauty and simplicity drawing numerous comparisons to his early work with the beta band on the -3 eps- album. having previously recorded as both king biscuit time and black affair, both largely electronic based projects, steve mason enlisted the help of producer richard x and consciously made a decision to go back to basics: the album was written entirely on acoustic guitar with many of the finished tracks stripped back to reveal his undoubted songwriting talent. this special bonus edition includes a bonus disc of the album -ghosts outside- which sees the original album given a dub reworking by dennis bovell.