nach bescheidenen, ersten acid-house-sets in der legend�ren hacienda bis zu dj-residenzen in weltber�hmten superclubs, nach einer umfangreichen diskografie mit studioalben, mixsamplern und remixes (darunter f�r madonna und the chemical brothers), nach grammy-nominierung, eigenem studio in new york und eigenem label (last night on earth), kr�nt der britische dj/produzent sasha seine karriere nun (vorl�ufig) mit einer fabric-ausgabe. mit klassikern von carl craig, mathew johnson und exercise one und j�ngeren juwelen von dj koze, dj hell und objekt beweist sasha einmal mehr seine f�higkeiten, broken beats und ambient-trips komfortabel neben dub-techno und euphorischem house zu platzieren.

all clear cd jewel case with 8 pages booklet, no inlay, the cd is put upside down on the tray so its label is visible from the back of the packaging. molecule returns with a new odyssey both physical and musical. following the success of 60¡43 nord, his concept debut played, recorded and mixed on a fishing boat during a 34-day journey in the atlantic ocean, the french producer decided this time to take the process further up north and embarked on a voyage to greenland. isolated for five weeks in the small inuit village of tiniteqilaaq, romain delahaye used his survival electrokit to find new sounds in the fjords, the icefields and the hostile yet dazzling landscapes surrounding him. entirely recorded and mixed in this remoted place, the tracks of -22.7¡c range from contemplative ambient atmospheres to more upbeat techno blizzards and accurately translate this epic self-reflective adventure across a land of contrast, its abyssal silences, its immaculate glaciers and its blinding whiteness. with ten previously unheard tracks and very enthusiastic early feedbacks from medias internationally, -22.7¡c is set to confirm molecules status as a one-of-a-kind producer in todays electro scene.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

instrumentalalbum des 2006 leider viel zu fr�h verstorbenen hip hop-produzenten j dilla. j dilla war in seinen fr�heren tagen auch als jay dee bekannt und produzierte f�r k�nstler wie slum village, a tribe called quest, de la soul, common, erykah badu, pharcyde und viele andere. sein produktionsstil war stilbildend und beeinflusst noch heute k�nstler wie kanye west, pharrell williams, flying lotus, the roots und viele andere. die cd umfasst 19 tracks sowie einen j.rocc mix.

the reveries begin with a simple electrical hum Ð a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one art alfie. a long time operator in stockholmÕs small but insistent underground music scene, oscar wedr�n broke through internationally in 2012 with the karlovak project, founded with on-off studio and dj partner rudolf nordstr�m, a.k.a. mr. tophat. the duoÕs inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. while writing reveries of, released early spring 2017 through studio barnhus, art alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. he came back with an intricate and personal debut album and he didnÕt lose his groove on the way.

der legend�re baby ford, seit ende der 1980er schon 27 jahre lang im business, sch�ttelt f�r die neue fabric-cd locker ein ausgewogenes dancefloor-set aus kultigen house-grooves und feinstem, modernem techno aus dem �rmel. dabei l�sst er auch sein eigenes hochqualitatives material einflie§en und beginnt das set mit seiner kollaboration mit dem ifach collective, um es mit dem noch unver�ffentlichten tune * nyo15* ausklingen zu lassen.

soaring by the bank of la seine, we soak in tipsy chanson and say goodbye to the bleakly cold. la chanteuse de jazz presents you luscious melodies to welcome the coming romantic season. the album first brings you josâ phine bakers j ai deux amours rendered by ranee lee, the winner of juno awards in 2010, with elegant piano to build up the atmosphere of left bank. then, annie royer, the charming bilingual vocalist, with her beautiful voice that brings on images, performs dith piafs hymne l amour and padam. after that, chrstine albert from new york brings you charles trenet s la mer with her cute tone. lavalse des lilas composed by michel legrand, the composer of the umbrellas of cherbourg is rendered by carol welsman, the smooth jazz queen of canada. caroline daly presented c est magnifique, the song composed for can-can by the american composer, cole porter. of course, last but not least, isabelle antena, the popular bossa nova queen in france, gives you her unique version of la pecheresse a la ligne, nous dormirons esemble and melodie to put on a little romance for this spring!