new tracks come and new tracks go, but olav basoski will always be there, as a solid rock in the stream of todays club music. here is his new funky electronic house groove da beat kicks. and when it kicks…you defenitely start rockin! together with a strong dub on the flip, followed by the rock da beat, another rootz records gem sees the light of day

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

cannibal society returns with yet another solid contribution to the hardtechno scene. this time we bring you a massive various artists ep with 4 of the hottest artists around !!

kevin yost remix! mark grant (blackstone, us) very nice!!!! ralf gum (gogo music, ger) >nice solid vocal house tune. all mixes are quality, and my fav is kevin yost s interpretation. full support.< lars behrenroth (deeper shades of house | xm radio) charted! greg kozo (paris) a1: wow ! !sound great ! !supa ultra deep, great production and great vocals ! ! could be one of the wmc anthem ! ! will play it for sure on our store !erik rug (fra) a1: main vocal (8:28) great love song , i ll play it in club. will also give it radio play. im a fan of gerideau.. b2: karu remix really into that electroey version..it works damn fine. (waxgroove mix/radiofg mondays). lewis dene (uk) pure class mate... gregory del piero (san francisco) yo henry, the kevin yost mis is the one doing it for me, great remix like always with kevin, i always buy anything that is putting out thx for sending it out and good luck with it dj fudge (fra) and thanks for the promos it s sounds great i like very much the gerideau specialy the harley and muscle mix

day one is the first release by derby producers, the cut hustlers (pete dj razorcuts darrington and neil cooper).joining forces, darrington and cooper aim to produce accessible slices of pop electronica. apart from their original version of and a trademark razorcuts mix, the day one 12 includes electro/ disco rubs by teenage dj (an alias of the legendary uk dj greg wilson, whose teenage dj disco best 12 was a big underground success on both sides of the atlantic) and templeton peck (aka toby tobias, who has built a solid reputation via recordings and mixes for labels like bear funk, urban myth, rekids and hy phen)

fifth release of the drumpoet community recordlabel out of zurich.thabo is also a member of the massive soultourist collective.take root is a bootybouncing detroit groove which is indeed irresistable and euphoric. dark rhythms meet cinematic strings for an ecstatic feel. take root has already created a buzz on various dancefloors and left no one stand around. with barcelona he provides another solid track and makes clear that the sound of thabo is fuelled for the future

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

this ep is rock solid from top to bottom. rock. solid. even rhythm plate say this is their best ever release. this means - 4 tracks of burning, pumping, forward-thinking house music. every track on this ep is a killer tune, whether it s dark warehouse soul, throbbing deep house or early 80s disco dub. silence is sounds like dfa playing at a berlin warehouse rave. techno, live bass and wild vocals - crazy anthem. hard times is tight, heavyweight house which will tear the roof off when played in a sweaty club. remember the days is an instant dancefloor-filler with life-affirming rubbery bass movements and warm squidgy chords. node out is stripped-down underground disco dub with chunky 80s beats and jiggy piano stabs. absolute winner

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

deep and dark inverse cinematic trip on the a side flip for a steppatronic remix and the original version solid new dancefloor stuff by zimpala not to be missed

pedro delgardos yin yang has become a worldwide trademark for solid floor techno with a true funk vibe. with an ever-growing catalogue featuring some of the finest artist in the scene, it includes many of the mans very own productions and remixes. pedro again drops a massive peak-time rework of killians fresh outing. volume 15 presents some of that sweet and funkin stuff we all come to love so much, and ep filled with rolling bassline, sharp snare action and nothing but explosive energy!

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

radio is a true rocker with delicate melodies and solid beat programming, it reminds us of early dirt crew flavours and therefore it is the perfect addition to the label catalogue. catchy vocals and a nice flow troughout the whole track makes this single a special release out of london city, very similar to the sounds of people like mike monday and the playtime crew. the first remix is by the bassthedub heroes 2020 soundsystem. they transform the track in a great minimalistic stomper, fully loaded with tons of bass and a great live feel to it. following in the footsteps of their highly acclaimed latest album the 2020 crew made their typical bouncey bass edit of this track. the flip offers you another deep and spacey rework by dirt crew

on the a-side orlando comes with an oldskoolish dark detroit track >pimp the princess<. a mysterious, almost psychedelic / mental, atmosphere, build around a solid groove. it also has a perfect building up, breakdown and climax. this is really something to experience anywhere, anytime. the b-side contains a ritzi lee remix on >pimp the princess<. typical ritzi lee style. hard, funky and uplifting. the bonus track >meltdown< also has a solid groove, oldschool style techno, with mental hypnotic sounds to pull the crowd to a higher tension. this one is for the true believers

a funky four track ep by theefunkiest brazilian. standout track is >cuban jazz<, sounding a little bit like rick wade it digs in with hard beats lying beneath a filtered cuban piano line as a cool subtle vocal sample drives the track accompanied by a rumbling bass, well placed guitar samples and hi hats. the other tracks all solid with a chunky funky west coast flavor.tracks include productions by dj rod (greenhouse) and droors

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

labelboss and manager darren kay launches yet another techno monster of his acclaimed techno imprint concept! following the huge kode release on hertzs label hz trax you are tr4eated with a very suitable follow up which includes a lushious rework by darren kay himself. proper pumping techno with infectious funk and solid groove is here to stay

the heart of hollands leading techno city is pounding as never before and todays electronic music scene is more alive than ever! one of the prime time techno imprints which operates from the core of rotterdam returns to you with more food for thought, dancefloor and decks. patterns presents a new two track winner in a solid series of high-tech plastics

after the success of the first klap klap release >easy walker<, samuel here continues with another really solid record !!! the a-side comes with a rich atmpspheric tune to space away, it steadily grows and tweaks into a abstract hymn. on the b-side we find >inside< which, in its original version, was supposed to be released on new soil recently !!

after the big success of gut feeling/frequency, this twelve sees the return of emalkay. bats in the belfry takes it to the next level with its solid half step beats, midnight strings and a bassline that rumbles with robust abandon. overflow on the flip causes extreme low end damge, while super duper takes bass notes up and down the octave only to smash it with an underlying hard edged beat

cannibal society returns with yet another solid contribution to the hardtechno scene. delivering 4 slamming quality tunes from croatian master of banging techno, dj ogi !!

again the boys of slam mode are back in the house and this one is no less slammin. >neveah< is a mish mash of volatile electronic percussion that creates nothing less than so nic mayhem. this mayhem expands riding steady underneath melodic yet techy strings. >afuera de sitio< departs through endless atmospheric melodies and piercing synth lines. the rapis linear movement transfers the pulsing microrhythms and hybrid sub bass into the void. another solid outing for fans of deep techy yet soulful and organic releases ala ame >rej< and the new flavors being pushed by claussell and francois k

set up by dave taylor (switch / solid groove), dubsided is one of the most highly respected and innovative house labels around london. dj and producer amos damon a.k.a. dj fame drops his first release on dubsided - >name it x< - bringing some edgy attitude to the dubsided sound. fame is dubsided s first international artist and marks the label s ninth release. fame, remember his name

basic solid beat, massive beassline and twisted electro synths are the backbone of these tracks! cool spain techhouse

trimsound is a new label from none other than tom ellis, leif and joe ellis. they have had great releases on labels like morris audio and moon harbour. they give us a solid four tracker, with varying tracks from quirky house on track 1, to more glitchy minimal detroit - inspired grooves on track 2. this is the future of modern techhouse music, cutting edge and seriously funky with new sounds and samples

aesthetik records explores the subtle interaction of minimal structures and intrusive sound particles, playfully shapeshifting between the warm funk of todays and yesterdays techno dancefloors and the hypnotic grip on the human mind. the first release comes from belgian producer franco cangelli. allready having some slick releases on sushitech and toys for boys, his third vinyl ep üplayfully shifts between old school minimalist straight forwardness and solid experimental techno...

die titelhelden diverser magazine mit ihrem neuen album. schnuckelige musik von schnuckeligen jungs !!!

nice price deal !!! one of the strongest sinister releases to date. deep, phat, bottom end booty shakin nonsense with some twisted electronica madness riding the ridums. pounding beats, glorious riff action and stuttered vocal edits all embrace in perfect production harmony that collectively make an essential dancefloor purchase.spectrometer on the flip sees the beats sharpen up and the dynamics take on a techbreaks formula.spectrometer drives harsher forever building the acidic layers. atmospherics fill the drop out before a solid wall off full force tech frequencies launches skyward maximising dancefloor obliteration.

if there is one overall trend to spot in the wide fields of electronic music over the last years, it is the reversion to emotion. in a time where tracks are becoming more and more anonymous tools, melodies, references to pop music and recognition are seen as a design element and not as a blemish. to be honest, this recurrence was desperately needed, because music was always at best when feelings and not the mathematic of clicks were at the centre of attention. soda inc. reached this point of intersection already with their debut album >full moon< one and a half years ago. with intense anthems such as flight su 118 babak shayan and jon silva have created the deepest and most pictorial vision dub related techhouse had to offer to our hearts and souls. a solid basis to build up for the early summer of 2006....

nice price deal !!! this new limited edition ante zenit has two tracks with the a side being a very solid club techno groove with large sub bass and metallic techno stabs whilst on the flip there is a genius minimal slow dirty acid based track that will surely work with the more discerning minimal techno djs out there

>through the door< is a classic chacona production - atmospheric space funk, combining more synths than a jean michel jarre stage show, solid disco beats and eyes firmly on the dancefloor. imagine lindstrom on disco biscuits and you get the idea. >the next< wears its italo influences on its sleeve, and will appeal to fans of francisco, morgan geist and chicken lips. the disco synths return (he loves his synths!) and ride over shuffling percussion, a rubbery bass and build into an epic piece of 21st. century disco

a new drift is emerging from america and she s in the middle of it: kate iwanowicz aka miskate is not only co-founder of the highly respected foundsound-label from philadelphia, but also a high-definition producer in its own right. after several ep s on her s and others labels like microcosm records she now pays a visit to karloff to expand her boundaries and fuelling the eclectic cut-up-funk she s already known for with solid, defined beats, boosting the focus on the dancefloor as another target to be aimed at. however the steady drive obtains the required substance through interspersed well-crafted distractions like filleted choirs and hymnal strings, constantly winding through the structure and blazing it up. brilliantly reflective and ecstatic at the same time this record gives you more than just a seasonal tempest in a teapot

jds turns in a typically solid dancefloor offering in the form of nine ways 2006. featuring all the old skool acid house vibes yet brought up to date with plenty of chunky electro elements

black-chrome returns with a monster record! german producers conners & klingler delivers a storming peak-time prog piece, a true gem that builds on and on, a certified dancefloor destroyer. the original mix is first up and it is a solid progressive house affair that has already seen strong support by chris fortier in particular. strong beats meet a vocal by fay sephirah and the highlight in this track is the solid effects the track features midway in...

"elio riso makes his come back following up the much acclaimed &#147;to be or not to be&#148; on the paradise label.the south american producer delivers a daft inspired robotic electro with human spoken vocals under a solid electro groove & a cool synth ibiza based producer pat the cat remix uses also this catchy synth line but with a more british approach think 20/20 vision or nrk.original mix sounds like the original with a cool sunny vibe in it"

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

two electro funk fuelled tracks on the a side weekend world offers his remix of paranoid jack with a tough driving bass line set against crisp jacking beats tried and test dance floor destruction on the flip alex offers his interpretation of perfectos jay welsh ioto with an infectious and haunting melody laid over a deep bass line and a solid groove this two tracker is a must for peak time players support from sasha john digweed kurt james zabiela nick warren hernan cattaneo

techno for whirrled peas, simple and serious message, is in perfect harmony with the solemn butane s music but also with the records artwork, the wheel on the a side is a symbol of peace. this new record is simply >bewitching<, it should rock the crowd with his exhilarating rhythms, hypnotic basslines and disturbing atmospheres, sometimes reminiscent of minus. the a side >world peace< is an overpowering dancefloor anthem, while on the b side >black rob s acid< and >working title< add a deeper vibe to make this a more than solid 12inch. butane therefore enriches the roman,photo family with his emotional techno… already support from luciano (cadenza), troy pierce (minus rec)...

london based subway are back with their most club friendly release yet. the third outing on their own label threetone drops two solid tracks of modern european dance.. a side >lizard< rides a synth bass arpeggio straight out of the electro era, backed up with slammin beats and a dancefloor-destroying arrangement.on the flipside >patterns< maintains the dancefloor vibe but stalks into deeper, darker territory with itss heavy walking bass and beats, all topped by a dirty phased synth hook..

no order is the title track and first single to be taken from 2020 soundsystem s debut album. the a side 2020soundsystem remix is a brilliant, epic mix in two parts - starting out mid paced electrofunk before morphing halfway into a berlin meets detroit meets new york techno disco odyssey. the discoteque dub is the first of two superb dub mixes, it takes the electro disco bassline and danny s rock solid beats to form the basis of an exceptional modern, italo influenced electro dub. the basics dub , as the name suggests, has been seriously road tested at the leeds underground institution back to basics and tips its hat to the sounds of classic chicago and new york house

for this djax edge of motion vs ronin drop a solid piece of jacking dark techno combined with their beloved <silverbox> skills..

i.f.f. returns to robbaudio with a solid follow up to their highly regarded first release on the fledging label.. mixture of minimal electro funk with west cost feeling !!!

second vinyl sampler from the trouble soup y4k mix cd rightism deliver an excellent remix of madoxs hypnotic funk which does all the right things in all the rght places whilst its madoxs turn on remix duty on the flip resulting in a solid slice of party breaks

nice price deal !!! solid funky vocal number with female french vocals coming in three mixes plus sans paroles will surely rock the bigger rooms

so this is some next shit! herve, dubsided s latest signing, is a hot new producer from west london. this debut release is just a taste of his funked-up jackin style - a perfect fit for the dubsided sound. a1 what you need the most: flitting from drum and bass-style drops, catchy vocal chops and the all-important pounding groove, all glued-together with a oizo-like attitude. b1 im mo try: the first collaboration between herve and dave taylor under his switch guise. its all about the bassline, taking herve s quirky mood and switchs trademark rumble, resulting in a solid club track. b2 lala land: vintage daft punk-sounding, funky as fuck with some deft eq ing. sounds absolutely stunning on vinyl and is perfect for people that like to drop the tempo in their sets but maintain the energy

modernist ep #1 shows just why woolford is currently being hailed as the best producer in his genre right now from the likes of pete tong, francois kevorkian, mr c et al. woolfords current >erotic discourse< is being hailed as one of those tracks that has captured the imagination of both house and techno djs alike. .and so onto modernist #1, and whilst woolford nods to the past on title track 313, the arrangement and structure of the infectious cut is as modern as electronic dance gets right now. on part one, warm and lush pads herald an epic 11 minute production that twists and turns, all the while keeping the solid groove flowing. part two on the flip presents a rawer and heavier take, the driving cowbell rhythm, snaking synth line and sub bass will cause much devastation

bomb alert !!! incl swag remix !! an electro tinged house cut with solid percussion, deep disco elements and some soulful vocals. mr. oscar is back following up the success of last releases...

audio assault proudly presents their next episode in the alliance series and welcomes the anxious on board. the anxious aka mark eg & chrissi have been around for quite some time now, bringing us quality tunes on labels such as heroes, planet rhythm, compound and of course their own imprint blackout audio. expect what they do best: tearing up the floors with their energetic, pounding techno warfare. on the flipside labelowner bas mooy shows what his solowork is about, delivering two solid dark speakerbombing contributions to this nutslamming ep