one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

radioslave rmx! epic piece of music, one of the most ridiculous, brilliant things you will have heard in a long time (the guardian)

finally its ready. a brilliant 12inch from one of detroits most respected producers, anthony shake shakir. this is the full release of a super limited white label that dropped earlier this year. a tough and ballsy 12inch - going everywhere from off key house and electro bullets to steppers/near photekish-dubstep. ridiculous. this will appeal to fans of his output on his own frictional label and open eared people with a love for solid electronic music! morphine continue to kill it.

nice price deal !!! dutch duo pacific & van dyck teams up with the talented anna montgomery and deliver something very nice. the original has been doing the rounds for a while now gaining a constant buzz.alex romano adds his magic and sets the original on fire. it is all about that infective baseline. alex romano is known for delivering solid tunes, but what we are hearing here is ridiculous!

question “whatcha gonna do?”, answer, “buy this, love it, marry it, play it and destroy dancefloors.” right now oliver $ is one of the most exciting dj’s / producers coming out of berlin. his unique take on house has gained mass support and regular play from the likes of luciano, ricardo vilalobos, claude vonstroke and winston churchill. “whatcha gonna do?” draws elements from the hyphy sound in that upon hearing the track the listener is forced to dance in an overstated, fast paced, and ridiculous manner which makes for a good party especially when it’s a club full of ravers going mental. oliver’s numerous productions are setting dancefloors alight across the globe and having recently remixed artists such as swag, justin martin, jacob london and filthy dukes on labels as diverse as polydor, greco roman and rekids, oliver $ is certainly the man to watch right now. whether you’re a dj, house head, lord, lady, tramp or ghost your going to dig this release, so now you know whatcha gonna and gotta do.

the filthiest tear-out we ve had the pleasure of signing in a long time! bucket loads of energy. thick atmospheric intros and ridiculous drops! its got us all salivating, check it and see… vent are dan havers (dj samurai / dc breaks) and sam ashwell (diagoro / abstrakt knights). the pair have individually released on imprints such as viper / touchin bass / frequency / colony productions / dc breaks recs / erratica / restless natives and cultivated electronics.

after setting 2007 alight with his award winning debut album a mind of its own karizma returns with the upgrade everyones been waiting for: a mind of its own version 2.0! this first 12inch leads with its what i am, which originally appeared as a bonus track on the japanese version of a mind of its own. now london based future soul specialist simbad has got his hands on it and delivered a beast of a remix to smash up any set with its rolling drum groove and heavy horn stabs. the b side showcases karizma at his very best with a funky as hell groove that builds to a ridiculous climax guaranteed to have the dancefloor going crazy.

if you loved give blood then the beatific visions is just as essential. the songs are short, sweet and demand repeat listens. they range from the ridiculous (porcupine or pineapple) to straight up country (if i should die tonight and on your side) to full steam ahead early buzzcocks / wire esque post punk rock (margherita and beatific visions).

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

2 cds with 36 tracks...