with a 3rd release on that s a steal, this mysterious label just keep on delivering... crossover sounds from all over the world united by an open-minded approach to the dancefloor. this time all of the tracks originate in india, opening with a disco bomb of hey hey and continuing with the heart crushing slow jam of commando. bhangraman on b1 combines mid-east synths, proto-house 707 rhythm with a mid east melody, uplifting chants to later develop into chicago style piano solo as a cherry on its pie. the closing number offers you early 90 s breakbeat with freaky scratches to go real wild!

after an impressive debut in early 2015, the boys behind the soviet veil have slow-cooked another frothy sampling of off-kilter edits from the motherland (or somewhere). never mind the long pause between releases, the tenacious attention to detail shows on all four jams. this is one to pick up if you re a serious club dj or not, really.

our friends in moscow come through with a very special debut release on their new label! a various artists selection of esoteric but dancefloor assured edits, pieced together by passionate music lovers, champions of rarities and party starters in equal measure. all are part of a loose collective of moscow based music lovers, venue and record store owners. after digging deep to conjure up the bounty here, these enthusiastic diggers behind thats a steal are ready to roll out their debut - as ever, limited and ludicrously good. another all ears sureshot

what should have been a quick process has taken a bit longer than we hoped, but thats the way of handcrafted products, be they ginger beer or sourdough bread, and like the bread, the vinyl is currently cooling down to ensure an undisturbed, top quality product. np004 contains two tracks, cunningly devised in yorkshire, reflecting the area s no nonsense attitude and warmth. the final touches of mastering, have been added once again by the highly trained ears of moog expert dr spaventi. this continues to give us a very important international dimension to what is still a local artisanal product. specially formulated to make you dance and give you something a little extra, we ve switched to stealth black paper sleeves for this release, and where cutting engineer failed with inscriptions, as can be their wont, we ve lovingly re-designed the label to incorporate details of the free gift we re providing

brand new excursion into eastern territories curated by zambon of the very polish cut-outs and transatlantyk fame. five obscure disco tracks from late soviet era edited, reworked and remixed into dancefloor bliss by creme de la creme of russian and belarusian producers. among the editors we will find leonid lipelis (known from collaborating with brennan green and his own label thats a steal, here working under the alias beard in dust), moscow based diggers crew shiny boots grodno based edit wunderkind schmoltz, st. petersburgs krjuk and the papers from ekaterinburg. tracks range from balearic pop stomp of alla pugachevas *kafe*, through to the blue-eyed slavic soul of tatiana kochergina, to big band funk full of breaks and even russian disco rap with baby scratches! drink some vodka and taste the disco sound of the soviet union.

klute returns with a sneak peak from his forthcoming 7th album.best bits not over showcases klutes harder side with a rip tearing floor killer thats been causing hell all over the place. just one tiny slice of the impending album due to land in the autumn. for the flip klute has invited invaderz to take on one of his most popular tunes, take a breath from his 3rd lp lie cheat & steal. having taken a break to concentrate on their work with dego & bugs in the attic, invaderz have returned to d&b with a vengence with forthcoming releases on metalheadz, ram, commercial suicide & c.i.a. extremely limited copies of smokey-coloured black & clear vinyl, inserted randomly.

a seriously heavyweight plate from twisted, a member of germanys acclaimed dutty dubz crew. erratic is a grimey monster of a tune, the subtleties of the intro with its pattering bongos and stealthy pads giving no indication of the carnage to come. dropping harder than a ton of bricks, the filthy buzzsaw bass comes swooping in beneath slamming halfstep beats, squirming between the enormous bashy snares and sinister electro riff topline. on the flipside twisted goes a little more leftfield, tapping into the chiptune flavour thats currently permeating the dubstep scene via the likes of rustie and zomby.