b-stock! cover with seam split. vinyl unaffected & mint. stop bajon des neapolitanischen künstlers tullio de piscopo war mitte der achtziger ein großer clubhit und eine hymne des chicago house.

reissue, 70s pop

stop bajon des neapolitanischen künstlers tullio de piscopo war mitte der achtziger ein großer clubhit und eine hymne des chicago house.

the northern soul’s classiest rarities series has showcased high quality soul dance records from the 60s to the early 70s, beloved of collectors and dancers who have had their fill of the “top 500”.

hailing from berlin, but spiritually from chi-town, snuff crew are back in your area with some freshly served up basement goodies once again. following on from basement jams #1, from all the way back in 2011, the boys bring us tracks with the same playful nature as before but, dare i say it, they go even harder this time. stalwart fans of the first release can stop reading now because it will almost certainly be a blind-buy for you, four tracks obviously engineered for use in the club, whether its the massive kick in ‘what it is’ or the ravey acid lead in ‘88cents’. the jams on the b-side may do the most damage. ‘remember’ holds absolutely nothing back, with its arpeggiated bassline lead and crisper than crisp 909 drum programming. analog is a term that gets bandied about all the time nowadays, ever since so many young producers became enamoured with tape compression and hiss delay plug-ins. i know snuff crew are real analog guys though, in sound and mentality, so hearing basement jams #2 for the first time had me so excited once again.

ghetto chicagotraxx

reissue of the 2001 slipknot album on limited translucent green double vinyl, housed in a gatefold sleeve.

lws debuts on glasgow s tdsr if you liked the 515 connection 12, alongside timedance, hessle and minor science then check. support from ben ufo, haai, batu and more.