the coming together of 3 musical talents hacker, boyko and masta. electro'ey fx with rough guitar licks and powerful male vocal make up this funky jacker. the trio inject some high-octane, tripped-out, knobtwiddlin warp factor on the slammin electro orgazm mix, aimed firmly at the more twisted floors

call me mr cold blooded takes things to a shockingly new level. king cannibal (a new moniker for seasoned producer zilla), uses the essence of drum & bass by the likes of limewax, spl, technical itch and re-works the sound into a breakstep epic. the 2nd track one hundred eyes closed is loosely dubstep but goes somewhere darker and more twisted...

roskas shocking ep is the latest release from the long-running rinse producer and his firstfor the label since last years rinse presents: roska2 lp. it finds the uk innovator on his usual fiery form, drawing for his characteristic deftly swung percussion and grime-infused sub-bass pressure. the explosive title track is the most overtly grimey roskas sounded for some time, slow-building intro giving way to a pulsating bassline and caustic laser blasts.

repress - the previous 3 volume series is now compiled as a compact 2lp. the late, great j dilla is rightly celebrated as one of the greatest hip-hop producers of all time, in part because his ear for music was so diverse and expansive. as dilla’s mother ma dukes explains, “he didn’t come with a limited capacity, and real producers produce, produce, and produce. “there are no formats for genius workers ... just non-stop creations.” now, a fresh batch of those creations will be made available to the world for the first time, in the form of the latest official j dilla release, dillatronic. presented by ma dukes and compiled by djs alien villainz (fellow detroit natives who worked closely with dilla), dillatronic contains over 40 rare instrumentals that showcase dilla’s undeniable electronic influences. j dilla’s music was impacted by the diverse musical history of detroit - the birthplace of techno and one of the most important cities in the history of electronic music. “you can hear it in songs like ‘raise it up’ for slum village or ‘make it hurt’ for busta rhymes,” says young rj (dilla’s protégé and member of slum village). “the detroit influence is part of what gave him an edge in production.” with today’s music sounding more electronic than ever, dillatronic has a shockingly contemporary feel. “these tracks are still ahead of their time sonically,” explains rj. “the things producers are doing now, dilla did that 15 years ago.”

originally released in 1973, dream on dreamer is a fine collection of songs. it was the last album to feature guitarist and songwriter robbie van leeuwen, all the songs are written by him. the arrangements are simple, the sound is tight and the playing solid. highly recommended to all shocking blue fans and anyone who wants to hear some of the best hidden gems in rock music history.
remastered audio 180 gram audiophile vinyl.

viewlexx comes with another obscure disco gem from the crates of i-f. nasty disco from the early '80s. 'castro boy' is a really warped take on frank zappa's classic 'valley girl' (on the lp 'ship arriving too late to save a drowning witch'). a seriously hard edged disco/hi-nrg tune with some very x-rated lyrics. so you thought lcd soundsystem is cool and all.. well check out this one... note that this record can be shocking for some people

soundtrack, 2x12 inch vinyl

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

reissue of the 1978 album from junior soul, produced by janet & junior.

the fifth record on new york trax is by løt.te, the turkish-born, brooklyn-based dj, producer and designer affiliated with the bunker new york by virtue of two well-received vinyl releases. this politically charged ep titled ‘state of exception’ is løt.te’s personal reflection on the current social and political climate in turkey. with rhythmic synths brought to the foreground, løt.te committed a masterpiece that only a skilled and thoughtful artist like himself can. the opening ‘ultra vires’ is a relentless synth-driven warehouse track mercilessly rolling at the speed of 140bpm. the deeper ausnahmezustand follows, it is a reflective and rhythmical piece perfect for both home listening and the dance floor. 15.07.2016 opens the b side with its tense yet playful atmosphere and numerous constantly evolving layers of sound. finally, graft is a shockingly intense introspective piece. crafted with japanese taiko drums and digital synthesizers pushed to their limits, it is a lesson in perfect sound design

seasoned memory athletes will no doubt recall the turbo’s past affiliation with the former soviet union (proxy, tiga tigayevich khristorozhdestvensky), and recent geopolitical developments have prompted the label to once again hedge its bets. our a&r team spent countless hours sifting through layer after layer of russian underground music, a shocking amount of which turned out to be fake soundcloud accounts from producers based in florida. in fact, our best intelligence suggests that dimitri veimar may be the only person making music in russia today. for the 30 minutes a day he is not trading in politically moderate twitter-bot futures, veimar produces dark, raw-dog electro. he has already released music with omnidisc and renate, so it makes little sense to us why we have to communicate with him via a mole in the canadian embassy in moscow, which is further complicated by the fact that the mole is also an aspiring dj/producer whom we have to keep happy at all costs. you have no idea how much has been sacrificed in order to shield you from the realpolitik of international dance music.

superb electro house with oscilating synth sounds, kicking bassline and shocking electro sounds