chicago based dj/producer andrew joseph drops his 2nd ep under his pto alias (following the -drinks/casual friday 12- released in 2018). the record is a celebration of the 808 and its renowned ability to get the party started. the 4 track house ep feats an electro remix of the title track from living legend egyptian lover! italian producer nico lahs of adeen records fame gives it a smooth but dark and moody deep house remix followed by the electro jam -way out-

basse resolution first release ep from tommy vicari jnr. for 5 years, br expressed itself mostly through event organization in its city: lyon, 56 events that have allowed the collective to shake neurons enough to have an idea : to release its own music.

bm/cc/cws spectrum debuts the collaborative works of three new york gs: brendon moeller, clay wilson and oliver chapoy aka certain creatures. inspired by each others live performances at an industry of the machines party in may 14, brendon, clay and oliver re-convened for an impromptu recording session a week later. spectrum culls three serpentine heavy-weights from that session. each track warps modular meltdowns into aerobic feats of primed dj mayhem, mixing the visceral with the psychedelic for a twisted take on techno. *spectrum 1* peels queasy melodies off charburned, disintegrating toms that disappear into the howling vortex of *spectrum 2*. the third and final (for now) *spectrum* emission channels the most harrowing moments of the trios live performances - a deliberate, free-form exploration of technos widest fringes and wildest possibilities.

deo & z-man, the blood-brothers from hamburg, pulled off one of the most creative feats of last year with their debut album, no bullshit , with zero bs but plenty of inspiration, the pair melted together a range of influences with a healthy dose of tongue-in-cheek humour for their underground opus. the remix lp to follow this ep solidifies their commitment to the eclectic, drafting in friends and family like lee burton, erobique and tigerskin to rework the magic.

rising star of londons underground house and techno scene and french native, robin ordell is causing a stir with his deep, bassy productions and regular feats behind the decks. >the show<, his first release for leftroom is an absolute corker!!

feats kenneth bager experiences >fragment 14 (naked music) - peter zohdy and mr chicago remix< and club mix. naked music is that catchy and instantly recognizable cut featuring children singing. these new remixes push it more towards the dancefloor. limited pressing.

mood ii swing steps up to the plate for the latest core reissue with one of their finest works, handpicked from an accomplished list of mighty ny house masterpieces spanning the 1990s. >sunlight in my eyes<, released on king street sounds, is one of springsteen and ciafones unquestionable feats, an astral, pad-laden waking dream structured around a spine-tingling vocal sample that is progressively rearranged, teased-out and freaked relentlessly, as each exalted chord is shone down from the heavens at precisely the right instant. a prime example of the weightless, unfettered and incomprehensibly beautiful musical imagination of the rave generation, the 1994 masterpiece nonetheless features the swinging drum program and demolition drive of a ny house classic—a track right at home amid the boundless vision of springsteen and ciafones genius. finally reissued after 16 years of obscurity, >sunlight in my eyes< encapsulates mood ii swings many forms in a singular exposition of deep house eternity worthy of representing the duos prolific catalog.

this third volume feats 4 re-edits from palov & mishkin (gamm), cazbee and chopshop label boss dj butcher. bpms and timing info included. from deep, obscure disco funk tracks to lil bow wow you get a little bit of everything on here. excellent production (as always).

chicago house legend ron trent rocks the brazilian rhythms. three tracks of house meets samba. bahia features keyboards by sean wallace from soul people. the flip feats sex games and sensual drums, two azymuth inspired works that are certain to bring everyone to the dance floor.

dickie is no longer prepared to stand idly by watching the current team failing to live up to the high standard set by the great den haag team of 75, how he longs for the anthem that is fc den haag to be on every city radio station celebrating the feats of the current team. sadly though todayÆs team does not live up to dickieÆs expectations, so much so in fact that dickie brings us the anthem to try and induce self belief in the team, æfc den haag, we are the bestÆ, so upset is dickie that heÆs considering coming out of retirement and offering his services to the team. following the anthemic opener, morwyck blues resonates with the sadness that dickie feels on matters close to his heart, while the hague jam is the perfect track for driving from den haag to scheveningen (or anywhere) at 3am. full of his trade mark 808 beats, vocoded vocals and searing melodies, dickie has produced tracks suitable to be played loudly on the cassette player of every bmw as it cruises around the city streets at night, searching for young souls to be evangelised to the ways of the 808 beat.

first of two 12inchess for this song. this one feats the original extended mix along with two new in flagranti remixes: the meat packing mix which adds rare cut up grooves and stabbing melodies and the xenon mix, a glamour trash chic”mix. for fans of perm vac, gomma, kitsune, etc.

the first single from their new album (described by radio 1s annie mac as absolutely stunning). mellow slightly quirky downtempo cut with a pretty female vocal. the 7 feats a remix from illicits deadly avenger

qwazaar & batsauce follow up their masterful style be the king ep (2011, fifth element/galapagos4) with a 14-track juggernaut entitled bat meets blaine. the record is an absolute rarity a series of inspired sessions from a world-class mc & producer team at the height of their respective powers. batsauce provides ambidextrous backdrops that are as multilayered as they are strident, while qwazaar simply astonishes, baring his soul while performing near-impossible lyrical feats. its a record all true heads should cop and that all lab scientists can envy.