i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

experimental album by donna maya

regular pressing

limited first edition lp release, housed in die-cut sleeve. includes 4 art prints and download code.

including remix by brian miller aka detroit people mover.
supported by: darko esser, lee holman, dvs1, jeroen search, jonas kopp, dimi angelis, paul boex, markus suckut, sebastian bayne, echoplex, go hiyama, miss sunshine, samuli kemppi, philippe petit ...

ultraphat raw / dark dubby detroit influenced track, very analogue flavours

essential