complete anthology from margo guryan, recorded between 1956-1975. limited think-of-rain coloured triple vinyl in collectors box with 32-page booklet included.
rediscover all the great acts that made the sound of the 60’s : bob dylan, joan baez, ravi shankar... 14 tracks that shaped this period, so special in the history of music.
to celebrate the 60 years of the release of the first 7 inch of the greatest rock band of all time, rediscover all the tracks that influenced the sound of the beatles in a double vinyl.
the yé-yé is a musical current that emerged in the early 1960s. the songs were mainly french adaptations from anglo-saxon successes, then very popular with the baby boomer youth born after world war ii. including françoise hardy, sylvie vartan, johnny hallyday...
the companion album to the ron howard film “eight days a week - the touring years”. remixed from the original multi-track, featuring previously unreleased tracks. housed in a gatefold sleeve.
incl somebody to love ! surrealistic pillow, as the name implies, is one soft ridden, slightly mad piece of psychedelic san francisco folk rock. from its percussive intro of -she has funny cars- to the thumping mystique of -plastic fantastic lover- and the worldwide hit -white rabbit-, this album s one heaven of a trip alright! one of the essential albums of the 60s.
the great long lost album from this 60s us band, re-issued on 180 gram vinyl. musically in the style of iron butterfly or banchee, with great fuzzed-out guitars, booming bass and screaming vocals, including the 14 minutes long spaced-out track *my main woman*.
considering the 60s psychedelic heavy metal sound which wolfmother gained fame with in 2006 with their debut album >wolfmother<, they could be called a band out of time.
with this mindblowing rock album your stereo doesnt need to go to eleven to get that extra push over the edge!
pressing on audiophile 180g double vinyl, housed in a gatefold sleeve.
though some only know the byrds for their covers, critics believe that they are amongst the most important and influential bands of the 1960s. their signature sound of clear harmony singing and jangling guitars combined well with the sounds of british invaders the beatles & the rolling stones, and they became the pioneers of folk rock, psychedelic rock, raga rock, and country rock.
the recording of the 1968 album >the notorious byrd brothers< in the heyday of the flower power age was nothing less than herculean, disputes over artistic direction & power struggles within the band meant that by the time recording was finished there were only two byrd-members left. the album was a labour of love, though, its more experimental and progressive than their previous works and is considered one of the best albums they made ...
re-issue on 180 grams audiophile vinyl.
highly anticipated first time re-issue of the super rare soundtrack of swiss film >l oeil bleu<. originally released in 1968 by soundel records and pressed at only 300 copies. >l oeil bleu< delivers a mix of psychelic pop, acid folk and jazz groove. it also includes a few monster break beats. the soundtrack is now re-issued on flow motion, a new swiss label specialized in highly collectible swiss records from the late 60s and early 70s. a must have for all break beat collectors and psychedelic soundtrack lovers. limited to 700 and selling fast! 180g virgin vinyl, original cover artwork, includes insert with replica of the original poster on the front and liner notes by film director jacques sandoz in french and english.
in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.