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This 1982 Belgian ‘Kosmisch’ stunner was originally issued by ‘CRETS’ or Centre de Recherche et d’Etudes. The seven extended pieces form a course of ‘sound therapy’ similar in tone to Angel Rada’s ‘hand played’ explorations in rubato-rooted forms. The largely tonal pieces – recorded using string and choir synthesizers, vocoders, drum machines, etc. along with a heavy battery of phasing and time-based effects-lands somewhere between a ‘library music’-styled mood excursion and a genuinely transformative mind melter that ranks as one of the more obscure entrants into the…obscure electronic music canon.

(Keith Fullerton Whitman)[txt from ]