this dry, cold-processed stomper from jack rock shoots like a rocket out of nowhere. with a bass drum that reminds of stakes installed in the swampland and a mysterious melody, he once again presents himself as the connoisseur of delicate club dramaturgy and jack really knows how to conquer the hearts of both, the dj and the crowd.his stumbling funk finds its equivalence in dandy jack s staccato rush whose congenial remix shows a higher concentration, but is still full of catchiness and deepness driven by a real conviction. this must-have ep offers a really wonderful ground contact and represents the continuation of a unique label policy: young, but characterised by deep wisdom, knowledge that can only be found in the dark labyrinths of the club where we love to get lost over and over again...played by john acquaviva, dinky, toni rios

minimal as dry as the tundra, bassdrums with the charm of a frozen lasagna, and along with these are served various audiosplinters and mean little sound coming out of nowhere. this all together will make your ears shake and your legs vibrate. misc. cut and chopped this track in many little pieces and rebuild it all new, so every sound can live and grow in a completely new environment. two flowing-staccato tracks in slender and elegant colours..

inc cassy remix (perlon, panoramabar), first up is the more jackin minimal tune of the lot.… the second tune of the a-side takes on a more trancey and bleepy approach as string-like pads are brought in to mellow out the feeling of the track and support the crunchy and vibrant bass line. the major elements of b1 are comprised of an acidlike bass line and a staccato house piano. for the fourth and final track of the ep, cassy is brought in on remix duty and does a makeover of bleepy creep (a1) that introduces new elements and new energies. the remix is based on minimal references and stays low and repetitive

disruptor heads into 06 with >words are bulletsa<: a dark, funky and not so typical acid house creeper reminiscent of bryan s earlier works as barada (definitive/plus8) circa 94. thumping 303 starts things off soon joined by frantic percussion. a staccato synth line creeps in before all hell breaks loose in frenzy with our friend the mini moog taking the lead.

take me to heaven begins the latest journey. deep house grooves with dancehall bass drums,tom loops and staccato acid hook. gene lefosse (convolute) co-produces this one as you will hear on the vocal effects. timely track for the summer sets. turn down the lights features the voice of gigolo s acid maria.abe breaks out the 808 for another acid house classic. this one builds and climbs up as duque tweaks to perfection