limited editon

exklusive version von fritz kalkbrenners fantastischer coverversion des bill withers-soul-klassikers ruby lee! die 74 version auf dieser 7inch-single greift meisterhaft einen 70er-soul-vibe auf. streng limitiert!

nice price deal !!! terror danjah and ruby lee ryder team up for >let me be the one<. comes in vocal and instrumental mix on orange coloured & marbled vinyl.

terror danjahs second hyperdub album is dark crawler, a well paced and much more upfront and energetic journey through his musical world than his debut undeniable. the album revolves around the dark crawler theme, a blistering grime track that pops up several times vocaled by mcs riko dan, mayhem, deadly and saf one, and then lastly trim and kossie.

terror danjah finally returns to the airwaves with his first new material since 2010s >undeniable< album on hyperdub. the masssively-anticipated >full attention< is the first step in the resurrection of his patented rhythm & grime sound, the style he made his name with in the early noughties with vocalists like shola and sade ama. this time out, ruby lee ryder is his voice of choice, and her distinctive vocal has already landed the track on the bbc 1xtra playlist, with further spins on radio 1 and rinse fm, and its a fixture in the boxes of djs like skream, mistajam and target. advance club promo has generated a ridiculously positive response right across the board, with hard support from brackles, swindle, alex nut, blackdown, wylie, and many many more, setting the scene for >full attention< to become an anthemic club and commercial hit as soon as it reaches the shops. on the flip mr danjah drops his trademark gremlinz logo for two 8 bar grime smashes that have been doing the rounds on rinse fm for the last half year. >east village< is a toast to the nights hardrive label hosted at the london club of the same name, and >jeckle & hyde< (exclusive to this 12 inch) has been battered in the raves by logan sama, zomby, and elijah & skilliam just to name only a few. this marks the beginning of a hefty release schedule for the grime kingpin including more high-impact singles and remixes on the way for greensleeves, butterz and hyperdub.

previously unreleased rolling stones live performances from the 1989 steel wheels tour, featuring guest appearances from axl rose, izzy stradlin, eric clapton and john lee hooker. pressed on 180 gram 4x12 inch vinyl, housed in a gatefold sleeve.

the 1958 album from blues legend b.b. king back on limited 180 gram vinyl. includes 4 bonus tracks.

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

diese lp enthält eines der besten alben des bb king: the blues (1958), die ursprünglich zu beginn seiner karriere veröffentlicht wurde. ergänzt mit vier bonustracks aus der gleichen zeit. limitierte pressung auf 180 gramm vinyl.

lp-reissue des soundtracks von eric serra zum französischen science-fiction-klassiker “das fünfte element” (1997) des regisseurs luc besson mit bruce willis und milla jovovich in den hauptrollen. schwarzes 180g doppelvinyl.

without a label since 1978, joe cocker signed to island records in 1981.chris blackwell (head of island) took him to the bahamas, where he recorded a 12 inch single, >sweet little woman / look what you ve done<, and continued working on a full length album: sheffield steel. the result was a successful album, which put cockers name back on the map.
music on vinyl brings this classic album back as 180 grams audiophile vinyl pressing.

maxi-auskopplung aus der in diesem frühjahr erscheinenden fritz kalkbrenner-mix-cd > suol mates!< > ruby lee< auf der a-seite ist eine coverversion des gleichnamigen bill withers-klassikers. fritz kalkbrenner ist es gelungen den soul-vibe des 74er-originals ins jetzt zu übersetzen. der track funktioniert sowohl auf der tanzfläche als auch zu hause. die b-seite kommt mit einem neuen edit des henrik schwarz-remixes von > right in the dark<, der ist von niemand geringerem als den suol-machern chopstick & johnjon produziert worden.

crossroads in cowtown explores a period in country music history when genres were being bent and boundaries smashed. focusing on western music, either produced in or influenced by californian studios and artists of the fifties, this compilation delves into the classic hillbilly sounds of the period and revels in the oddities created when disparate styles collide in the search for commercial success.
compiled by brighton-based dj shamblin sexton, crossroads in cowtown collects together a swinging selection of western pop tunes that brings on the hillbilly fever!