strong electrofied adam sky remix (adamski !!!) * vocals performed by robert owens

the long a-side is reserved for bülent gürler and his project bee-low. >the hidden noise< is a neo-detroit-screw of the plus 8-hawtin school in a very popular plank of the minimal-rave. a track like evolution. antonelli digs, as >random aficionado<, a handful of melodies deep under a rave that is hardly recognizable as such one. he removed the snare completely in favor of a more effective feeling of the song. that s the way deep-house should sound and the way you always imagined it. no frowst, no references, just clear warm water. martin hirsch, alias deer, lived in devon (uk) for a long time and was an immediate neighbor of lee norris, also known as norken or metamatics. recently, the two of them have revived the connaisseur label neo ouija and that will surely do good for the cultural environment. and they have decided to start a long-ranging cooperation in terms of producing records. an outcome is >beyond the breeze<, a piece of house music whose title couldn t be more precise... sasse, giles smith, jeff milligan, laurent garnier

futuristic 2006 acid house remixes by steve mac & random house project

vinyl only - chiwax welcomes chimale to the family - one-shot project by a known artist!

nice price deal !!! morris t single >break of dawn< features the beautiful vocals of juliet richardson. singer / songwriter, her solo album >random order< produced with stuart price was a big success in 2005 including the opus >avalon<. juliets brooding vocals seduce and entice listeners with a potent cocktail of penetrating sensuality. jerome sydenham, owner ibadan records and half of the duo sydenham & ferrer project, produces a percussive groove, blending house and techno together. the >main dub< is a deep hypnotic builder with an heavy bass drums and fierce beats!

the reveries begin with a simple electrical hum – a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one art alfie. a long time operator in stockholm’s small but insistent underground music scene, oscar wedrén broke through internationally in 2012 with the karlovak project, founded with on-off studio and dj partner rudolf nordström, a.k.a. mr. tophat. the duo’s inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. while writing reveries of, released early spring 2017 through studio barnhus, art alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. he came back with an intricate and personal debut album and he didn’t lose his groove on the way.

the every make ep is a double-sided record, featuring 3 tracks crafted structurally for djs and emotionally for dancers. dont bother with em at home or in the car. and, if you are actually able to explode someones head on the dance floor with them, thatd be just fine. morgan alexander began building a sonic home in house music in the early nineties. having relocated in 2005 from seasonal boston to straight-sun los angeles, 2013 finds him with his fingers in as many musical pies as possible. topping them is his respected series of underground events, bottom floor, where he is featured as resident dj. the recent string of guest artists joining morgan in the booth include the likes of john tejada (palette recordings), kai alce (ndatl muzik), chris brann (wamdue project), brett dancer (track mode recordings), jordan fields (mowax), jus-ed (underground quality), boo williams (strictly jaz unit), daniel bell (7th city), recloose (planet e), mike huckaby (s y n t h), and dj sprinkles (mule musiq).

alejandro mosso, aka funzion, was born in mendoza, argentina in 1983. a student of guitar and music theory since he was 14, he started his solo minimal house/techno project >funzion< in 2003. his aim is to combine the production techniques of idm and clicks and cuts with the rhythmicalbforms of techno and microhouse. the result thus far has been a tricky, warm and energetic sound that has caught the attention of highly regarded labels such as telegraph, sushitech, and now alphahouse. funzions >stelle< ep consists of two warm, intricate, and percussive club stompers that showcase his grasp on complex rhythms and playful melodies. >random kisses< is a moody vocal excursion into the mountains of your imagination. a meandering track that suits open air parties as well as it does big dark discos, this is a spring season hit. >random love< starts out as a charming shuffley ballad, only to subtly morph into a looming synth rave monster, all the while keeping its playful and hypnotizing grip on the dancefloor. bomb alert!

the reveries begin with a simple electrical hum Ð a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one art alfie. a long time operator in stockholmÕs small but insistent underground music scene, oscar wedrŽn broke through internationally in 2012 with the karlovak project, founded with on-off studio and dj partner rudolf nordstršm, a.k.a. mr. tophat. the duoÕs inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. while writing reveries of, released early spring 2017 through studio barnhus, art alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. he came back with an intricate and personal debut album and he didnÕt lose his groove on the way.